{"id":9128,"date":"2016-05-04T12:00:40","date_gmt":"2016-05-04T10:00:40","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=9128"},"modified":"2016-05-04T12:16:48","modified_gmt":"2016-05-04T10:16:48","slug":"maria-joao","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/","title":{"rendered":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof"},"content":{"rendered":"<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-1\" style=\"width: 561px; height: 375px;\" data-original-width=\"561\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6862-ogre-trio-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"557\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9142\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461713523&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;32&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A6862, Ogre Trio (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"557\" height=\"371\" loading=\"lazy\" data-original-width=\"557\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6862, Ogre Trio (dombr)\" alt=\"Versunken in der Musik: S\u00e4ngerin Maria Jo\u00e3o. Foto: Ralf Dombrowski\" style=\"width: 557px; height: 371px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Versunken in der Musik: S\u00e4ngerin Maria Jo\u00e3o. Foto: Ralf Dombrowski <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 279px; height: 375px;\" data-original-width=\"279\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6858-ogre-trio-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9141\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg\" data-orig-size=\"1280,858\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461713463&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;28&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A6858, Ogre Trio (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?fit=300%2C201&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?fit=840%2C563&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?w=275&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?resize=768%2C515&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?resize=895%2C600&amp;ssl=1 895w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6858-Ogre-Trio-dombr.jpg?resize=900%2C603&amp;ssl=1 900w\" width=\"275\" height=\"184\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6858, Ogre Trio (dombr)\" alt=\"Hochkonzentriert und Maria Jo\u00e3o im Blick: Jo\u00e3o Farinha (links) und Andr\u00e9 Nascimento (rechts). Foto: Ralf Dombrowski\" style=\"width: 275px; height: 184px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Hochkonzentriert und Maria Jo\u00e3o im Blick: Jo\u00e3o Farinha (links) und Andr\u00e9 Nascimento (rechts). Foto: Ralf Dombrowski <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6822-nascimento-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9138\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461711935&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A6822, Nascimento (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?w=275&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6822-Nascimento-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"183\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6822, Nascimento (dombr)\" alt=\"Zust\u00e4ndig f\u00fcr das Sound-Design: Andr\u00e9 Nascimento. Foto: Ralf Dombrowski\" style=\"width: 275px; height: 183px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Zust\u00e4ndig f\u00fcr das Sound-Design: Andr\u00e9 Nascimento. Foto: Ralf Dombrowski <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 674px;\" data-original-width=\"840\" data-original-height=\"674\" > <div class=\"gallery-group images-3\" style=\"width: 334px; height: 674px;\" data-original-width=\"334\" data-original-height=\"674\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6812-joao-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"330\"> <meta itemprop=\"height\" content=\"220\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9136\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461711567&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;78&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"0K3A6812, Joao (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?w=330&#038;h=220&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6812-Joao-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"330\" height=\"220\" loading=\"lazy\" data-original-width=\"330\" data-original-height=\"220\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6812, Joao (dombr)\" alt=\"Foto: Ralf Dombrowski\" style=\"width: 330px; height: 220px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Foto: Ralf Dombrowski <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6687-farinha-joao-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"330\"> <meta itemprop=\"height\" content=\"220\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9130\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461708802&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;73&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"0K3A6687, Farinha, Joao (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?w=330&#038;h=220&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6687-Farinha-Joao-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"330\" height=\"220\" loading=\"lazy\" data-original-width=\"330\" data-original-height=\"220\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6687, Farinha, Joao (dombr)\" alt=\"Lets&#039;s dance. Foto: Ralf Dombrowski\" style=\"width: 330px; height: 220px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Lets&#8217;s dance. Foto: Ralf Dombrowski <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6620-ogre-trio-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"330\"> <meta itemprop=\"height\" content=\"222\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9129\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg\" data-orig-size=\"1280,862\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461706816&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A6620, Ogre Trio (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?fit=300%2C202&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?fit=840%2C566&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?w=330&#038;h=222&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?resize=768%2C517&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?resize=891%2C600&amp;ssl=1 891w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6620-Ogre-Trio-dombr.jpg?resize=900%2C606&amp;ssl=1 900w\" width=\"330\" height=\"222\" loading=\"lazy\" data-original-width=\"330\" data-original-height=\"222\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6620, Ogre Trio (dombr)\" alt=\"Das Maria Jo\u00e3o Ogre Trio auf der B\u00fchne des Bayerischen Hofs. Foto: Ralf Dombrowski\" style=\"width: 330px; height: 222px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Das Maria Jo\u00e3o Ogre Trio auf der B\u00fchne des Bayerischen Hofs. Foto: Ralf Dombrowski <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 506px; height: 674px;\" data-original-width=\"506\" data-original-height=\"674\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/0k3a6755-joao-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"502\"> <meta itemprop=\"height\" content=\"670\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"9132\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg\" data-orig-size=\"960,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Maria Joao Ogre Trio, Maria Joao (voc), Joao Farinha (keyb), Andr\\u00e9 Nascimento (electronics), Nightclub Bayerischer Hof M\\u00fcnchen, Foto Ralf Dombrowski&quot;,&quot;created_timestamp&quot;:&quot;1461709510&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;73&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A6755, Joao (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?fit=225%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?fit=450%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?w=502&#038;h=670&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?resize=450%2C600&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6755-Joao-dombr.jpg?resize=900%2C1200&amp;ssl=1 900w\" width=\"502\" height=\"670\" loading=\"lazy\" data-original-width=\"502\" data-original-height=\"670\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A6755, Joao (dombr)\" alt=\"Foto: Ralf Dombrowski\" style=\"width: 502px; height: 670px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Foto: Ralf Dombrowski <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Mit ihrem Ogre Trio verarbeitet Maria Jo\u00e3o\u00a0 Jazz, elektronische Musik und viele andere musikalische Ingredienzien zu ihrer ganz individuellen Musiksprache. Ende April gastierte das Trio im Night Club des Hotels Bayerischer Hof in M\u00fcnchen. Ralf Dombrowski hielt den Wirbelwind Jo\u00e3o und ihre Musiker im Bild fest.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mit ihrem Ogre Trio verarbeitet Maria Jo\u00e3o\u00a0 Jazz, elektronische Musik und viele andere musikalische Ingredienzien zu ihrer ganz individuellen Musiksprache. Ende April gastierte das Trio im Night Club des Hotels Bayerischer Hof in M\u00fcnchen. Ralf Dombrowski hielt den Wirbelwind Jo\u00e3o und ihre Musiker im Bild fest.<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[55,120,401,416,146],"coauthors":[695],"class_list":["post-9128","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-bayerischer-hof","tag-club","tag-muenchen","tag-night-club","tag-dombrowski"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Mit ihrem Ogre Trio verarbeitet Maria Jo\u00e3o\u00a0 Jazz, elektronische Musik und viele andere musikalische Ingredienzien zu ihrer ganz individuellen Musiksprache. Ende April gastierte das Trio im Night Club des Hotels Bayerischer Hof in M\u00fcnchen. Ralf Dombrowski hielt den Wirbelwind Jo\u00e3o und ihre Musiker im Bild fest.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-04T10:00:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-05-04T10:16:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof\",\"datePublished\":\"2016-05-04T10:00:40+00:00\",\"dateModified\":\"2016-05-04T10:16:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/\"},\"wordCount\":60,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"keywords\":[\"Bayerischer Hof\",\"Club\",\"M\u00fcnchen\",\"night club\",\"Ralf Dombrowski\"],\"articleSection\":[\"Galerie\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/\",\"name\":\"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"datePublished\":\"2016-05-04T10:00:40+00:00\",\"dateModified\":\"2016-05-04T10:16:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2016\\\/05\\\/maria-joao\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\",\"name\":\"Redaktion JazzZeitung\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"caption\":\"Redaktion JazzZeitung\"},\"description\":\"Artikel der Redaktion der JazzZeitung.\",\"sameAs\":[\"http:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/redaktion\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/","og_locale":"de_DE","og_type":"article","og_title":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung","og_description":"Mit ihrem Ogre Trio verarbeitet Maria Jo\u00e3o\u00a0 Jazz, elektronische Musik und viele andere musikalische Ingredienzien zu ihrer ganz individuellen Musiksprache. Ende April gastierte das Trio im Night Club des Hotels Bayerischer Hof in M\u00fcnchen. Ralf Dombrowski hielt den Wirbelwind Jo\u00e3o und ihre Musiker im Bild fest.","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2016-05-04T10:00:40+00:00","article_modified_time":"2016-05-04T10:16:48+00:00","og_image":[{"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/0K3A6862-Ogre-Trio-dombr.jpg?w=557&#038;h=371&#038;ssl=1","type":"","width":"","height":""}],"author":"Redaktion JazzZeitung","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/"},"author":{"name":"Redaktion JazzZeitung","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b"},"headline":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof","datePublished":"2016-05-04T10:00:40+00:00","dateModified":"2016-05-04T10:16:48+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/"},"wordCount":60,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"keywords":["Bayerischer Hof","Club","M\u00fcnchen","night club","Ralf Dombrowski"],"articleSection":["Galerie"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/","name":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"datePublished":"2016-05-04T10:00:40+00:00","dateModified":"2016-05-04T10:16:48+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/maria-joao\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Bildergalerie: Maria Jo\u00e3o im Bayerischen Hof"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b","name":"Redaktion JazzZeitung","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","caption":"Redaktion JazzZeitung"},"description":"Artikel der Redaktion der JazzZeitung.","sameAs":["http:\/\/www.jazzzeitung.de\/cms\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/redaktion\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-2ne","jetpack-related-posts":[{"id":7863,"url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/12\/bildergalerie-das-sofia-rei-trio\/","url_meta":{"origin":9128,"position":0},"title":"Bildergalerie: das Sofia Rei Trio","author":"Redaktion JazzZeitung","date":"1. Dezember 2015","format":false,"excerpt":"Fotos von Ralf Dombrowski - Und das sagt er zu dem Konzert am 29.11.2015 im Bayerischen Hof in M\u00fcnchen: Eine sehr individuelle Mischung mittel-\/s\u00fcdamerikanischer, urban experimenteller und energietrunken intensiver Elemente, die die in New York lebende S\u00e4ngerin Sofia Rei in der Minimalbesetzung mit Saz Bass, einem Instrument Marke Eigenbau des\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/12\/0K3A0025-Sofia-Rei-dombr.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16661,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/07\/16661\/","url_meta":{"origin":9128,"position":1},"title":"Wo der Bass die erste Geige spielt","author":"Redaktion JazzZeitung","date":"17. Juli 2018","format":false,"excerpt":"Anfang Juli war er wieder einmal in M\u00fcnchen, um auf der B\u00fchne des Night Clubs im Hotel Bayerischer Hof seinen kammermusikalischen Weltmeisterjazz zu pr\u00e4sentieren: Bassist Ron Carter im Trio mit Gitarrist Russell Malone und Pianist Donald Vega. Ein Schlagzeug h\u00e4tte bei dieser fein gemachten Musik nur gest\u00f6rt. Seit fast sieben\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/07\/0K3A4309-Ron-Carter-Russell-Malone-c-Ralf-Dombrowski.jpg?fit=1200%2C794&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/07\/0K3A4309-Ron-Carter-Russell-Malone-c-Ralf-Dombrowski.jpg?fit=1200%2C794&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/07\/0K3A4309-Ron-Carter-Russell-Malone-c-Ralf-Dombrowski.jpg?fit=1200%2C794&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/07\/0K3A4309-Ron-Carter-Russell-Malone-c-Ralf-Dombrowski.jpg?fit=1200%2C794&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/07\/0K3A4309-Ron-Carter-Russell-Malone-c-Ralf-Dombrowski.jpg?fit=1200%2C794&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7105,"url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/09\/bassistin-divinity-roxx-im-bayerischen-hof-muenchen\/","url_meta":{"origin":9128,"position":2},"title":"Bassistin Divinity Roxx im Bayerischen Hof in M\u00fcnchen","author":"Redaktion JazzZeitung","date":"18. September 2015","format":false,"excerpt":"Wei\u00dfe spielen Rock, Schwarze Soul und Funk. Soweit das Klischee, das aber nicht stimmen muss. Sicher, um sich die Br\u00f6tchen zu verdienen, stimmt auch Divinity Roxx als Bassistin von Beyonc\u00e9 vertraute T\u00f6ne an und fungiert als k\u00fcnstlerische Leiterin ihrer Hallenshows. Im eigenen Trio jedoch klingt ihre Musik anders, wild und\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Wild und energiegeladen: Divinity Roxx. Foto: Ralf Dombrowski","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/09\/0K3A6829-Divinity-Roxx-dombr-900x547.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/09\/0K3A6829-Divinity-Roxx-dombr-900x547.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/09\/0K3A6829-Divinity-Roxx-dombr-900x547.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3616,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/03\/fotogalerie-danilo-perez-im-bayerische-hof-muenchen\/","url_meta":{"origin":9128,"position":3},"title":"Fotogalerie: Danilo Perez im Bayerische Hof M\u00fcnchen","author":"Redaktion JazzZeitung","date":"18. M\u00e4rz 2014","format":false,"excerpt":"Das Danilo Perez Quartet bot am 11. M\u00e4rz 2014 ein feinsinnig grandioses Auftaktkonzert der Fr\u00fchjahrsreihe \"New York im Bayerischen Hof\". Danke an Ralf Dombrowski! Verpassen Sie nicht Fortsetzung der Reihe am 19.3. (Miles Smiles) und 20.3. (Scott Henderson). Mehr unter: www.bayerischerhof.de \u00a0","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/03\/Adam_Cruz_dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/03\/Adam_Cruz_dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/03\/Adam_Cruz_dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/03\/Adam_Cruz_dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/03\/Adam_Cruz_dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":3143,"url":"https:\/\/www.jazzzeitung.de\/cms\/2013\/12\/bildergalerie-aki-takase-und-louis-sclavis\/","url_meta":{"origin":9128,"position":4},"title":"Bildergalerie: Aki Takase und Louis Sclavis","author":"Redaktion JazzZeitung","date":"13. Dezember 2013","format":"gallery","excerpt":"Und zum Wochende noch etwas zum Schauen: Eindr\u00fccke von einem kleinen intimen Konzert Anfang Dezember im Bayerischen Hof in M\u00fcnchen - fotografiert von Ralf Dombrowski.","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":10135,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/09\/konzert-im-bayerischen-hof-mit-abdullah-ibrahim\/","url_meta":{"origin":9128,"position":5},"title":"Bildergalerie: Abdullah Ibrahim im Bayerischen Hof","author":"Redaktion JazzZeitung","date":"26. September 2016","format":false,"excerpt":"Die Fotografen Ralf Dombrowski und Thomas J. Krebs waren beim Konzert des Pianisten Abdullah Ibrahim im Bayerischen Hof in M\u00fcnchen und haben ihre Eindr\u00fccke aus verschiedenen\u00a0Perspektiven festgehalten. \u00a0 Merken","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/09\/P1160940-Abdullah-Ibrahim-Foto-TJ-Krebs.jpg?resize=1400%2C800 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/9128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=9128"}],"version-history":[{"count":9,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/9128\/revisions"}],"predecessor-version":[{"id":9166,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/9128\/revisions\/9166"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=9128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=9128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=9128"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=9128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}