{"id":7473,"date":"2015-10-27T14:33:52","date_gmt":"2015-10-27T13:33:52","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=7473"},"modified":"2015-10-28T11:05:35","modified_gmt":"2015-10-28T10:05:35","slug":"7473","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/","title":{"rendered":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt"},"content":{"rendered":"<p>Im alten Dorfkern von Obermenzing (M\u00fcnchen), im Hofgeb\u00e4ude hinter der Traditionsgastst\u00e4tte \u201eAlter Wirt\u201d, befindet sich Werkstatt und Ausstellung der Kontrapunkt Klavierwerkstatt. Tom Reinbrecht stellte dort j\u00fcngst seine CD &#8222;Duo&#8220; mit einer illustren Schar von Mitmusikern vor. Sehen Sie selbst:<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 599px;\" data-original-width=\"840\" data-original-height=\"599\" > <div class=\"gallery-group images-2\" style=\"width: 447px; height: 599px;\" data-original-width=\"447\" data-original-height=\"599\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a2018-noelle-cudek-reinbrecht-gall-alves-kagerer-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"443\"> <meta itemprop=\"height\" content=\"296\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7482\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg\" data-orig-size=\"640,427\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445811754&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;45&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A2018, Noelle, Cudek, Reinbrecht, Gall, Alves, Kagerer (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?fit=640%2C427&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?w=443&#038;h=296&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?resize=300%2C200&amp;ssl=1 300w\" width=\"443\" height=\"296\" loading=\"lazy\" data-original-width=\"443\" data-original-height=\"296\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A2018, Noelle, Cudek, Reinbrecht, Gall, Alves, Kagerer (dombr)\" alt=\"nasswetter music group presents: Tom Reinbrecht, The Duo: We, The Night And The Music, feat. Paulo Alves, Peter Cudek, Chris Gall, Helmut Kagerer, Stefan Noelle. Alle Fotos: Ralf Dombrowski\" style=\"width: 443px; height: 296px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> nasswetter music group presents: Tom Reinbrecht, The Duo: We, The Night And The Music, feat. Paulo Alves, Peter Cudek, Chris Gall, Helmut Kagerer, Stefan Noelle. Alle Fotos: Ralf Dombrowski <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a2066-noelle-reinbrecht-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"443\"> <meta itemprop=\"height\" content=\"295\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7484\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg\" data-orig-size=\"640,427\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445812855&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;105&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A2066, Noelle, Reinbrecht (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg?fit=640%2C427&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg?w=443&#038;h=295&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2066-Noelle-Reinbrecht-dombr.jpg?resize=300%2C200&amp;ssl=1 300w\" width=\"443\" height=\"295\" loading=\"lazy\" data-original-width=\"443\" data-original-height=\"295\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A2066, Noelle, Reinbrecht (dombr)\" alt=\"Stefan Noelle und Tom Reinbrecht\" style=\"width: 443px; height: 295px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Stefan Noelle und Tom Reinbrecht <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 393px; height: 599px;\" data-original-width=\"393\" data-original-height=\"599\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a1790-kagerer-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"389\"> <meta itemprop=\"height\" content=\"595\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7485\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg\" data-orig-size=\"418,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445804872&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;91&quot;,&quot;iso&quot;:&quot;3200&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A1790, Kagerer (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?fit=196%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?fit=392%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?w=389&#038;h=595&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?w=418&amp;ssl=1 418w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?resize=196%2C300&amp;ssl=1 196w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1790-Kagerer-dombr.jpg?resize=392%2C600&amp;ssl=1 392w\" width=\"389\" height=\"595\" loading=\"lazy\" data-original-width=\"389\" data-original-height=\"595\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A1790, Kagerer (dombr)\" alt=\"Helmut Kagerer\" style=\"width: 389px; height: 595px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Helmut Kagerer <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 239px;\" data-original-width=\"840\" data-original-height=\"239\" > <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a1862-cudek-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7486\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg\" data-orig-size=\"427,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445805745&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;176&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A1862, Cudek (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1862-Cudek-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A1862, Cudek (dombr)\" alt=\"Peter Cudek\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Peter Cudek <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a1926-alves-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7487\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg\" data-orig-size=\"427,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445806918&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;145&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A1926, Alves (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1926-Alves-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A1926, Alves (dombr)\" alt=\"Paulo Alves,\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Paulo Alves, <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 357px; height: 239px;\" data-original-width=\"357\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a1864-gall-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"353\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7488\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg\" data-orig-size=\"640,427\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445805777&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A1864, Gall (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg?fit=640%2C427&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg?w=353&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1864-Gall-dombr.jpg?resize=300%2C200&amp;ssl=1 300w\" width=\"353\" height=\"235\" loading=\"lazy\" data-original-width=\"353\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A1864, Gall (dombr)\" alt=\"Chris Gall\" style=\"width: 353px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Chris Gall <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/0k3a1995-kagerer-sw-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"7489\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg\" data-orig-size=\"427,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1445810885&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;154&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A1995, Kagerer sw (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?w=427&amp;ssl=1 427w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A1995-Kagerer-sw-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A1995, Kagerer sw (dombr)\" alt=\"Helmut Kagerer in black &amp; white\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Helmut Kagerer in black &#038; white <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Im alten Dorfkern von Obermenzing (M\u00fcnchen), im Hofgeb\u00e4ude hinter der Traditionsgastst\u00e4tte \u201eAlter Wirt\u201d, befindet sich Werkstatt und Ausstellung der Kontrapunkt Klavierwerkstatt. Tom Reinbrecht stellte dort j\u00fcngst seine CD &#8222;Duo&#8220; mit einer illustren Schar von Mitmusikern vor. Sehen Sie selbst:<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[109,401,556],"coauthors":[695],"class_list":["post-7473","post","type-post","status-publish","format-gallery","hentry","category-galerie","tag-cd","tag-muenchen","tag-tom-reinbrecht","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Im alten Dorfkern von Obermenzing (M\u00fcnchen), im Hofgeb\u00e4ude hinter der Traditionsgastst\u00e4tte \u201eAlter Wirt\u201d, befindet sich Werkstatt und Ausstellung der Kontrapunkt Klavierwerkstatt. Tom Reinbrecht stellte dort j\u00fcngst seine CD &#8222;Duo&#8220; mit einer illustren Schar von Mitmusikern vor. Sehen Sie selbst:\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-27T13:33:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-10-28T10:05:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?w=443&#038;h=296&#038;ssl=1\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt\",\"datePublished\":\"2015-10-27T13:33:52+00:00\",\"dateModified\":\"2015-10-28T10:05:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/\"},\"wordCount\":53,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"keywords\":[\"CD\",\"M\u00fcnchen\",\"Tom Reinbrecht\"],\"articleSection\":[\"Galerie\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/\",\"name\":\"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"datePublished\":\"2015-10-27T13:33:52+00:00\",\"dateModified\":\"2015-10-28T10:05:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/10\\\/7473\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\",\"name\":\"Redaktion JazzZeitung\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"caption\":\"Redaktion JazzZeitung\"},\"description\":\"Artikel der Redaktion der JazzZeitung.\",\"sameAs\":[\"http:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/redaktion\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/","og_locale":"de_DE","og_type":"article","og_title":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung","og_description":"Im alten Dorfkern von Obermenzing (M\u00fcnchen), im Hofgeb\u00e4ude hinter der Traditionsgastst\u00e4tte \u201eAlter Wirt\u201d, befindet sich Werkstatt und Ausstellung der Kontrapunkt Klavierwerkstatt. Tom Reinbrecht stellte dort j\u00fcngst seine CD &#8222;Duo&#8220; mit einer illustren Schar von Mitmusikern vor. Sehen Sie selbst:","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2015-10-27T13:33:52+00:00","article_modified_time":"2015-10-28T10:05:35+00:00","og_image":[{"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/10\/0K3A2018-Noelle-Cudek-Reinbrecht-Gall-Alves-Kagerer-dombr.jpg?w=443&#038;h=296&#038;ssl=1","type":"","width":"","height":""}],"author":"Redaktion JazzZeitung","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/"},"author":{"name":"Redaktion JazzZeitung","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b"},"headline":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt","datePublished":"2015-10-27T13:33:52+00:00","dateModified":"2015-10-28T10:05:35+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/"},"wordCount":53,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"keywords":["CD","M\u00fcnchen","Tom Reinbrecht"],"articleSection":["Galerie"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/","name":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"datePublished":"2015-10-27T13:33:52+00:00","dateModified":"2015-10-28T10:05:35+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/10\/7473\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Tom Reinbrecht in der Kontrapunkt Klavierwerkstatt"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b","name":"Redaktion JazzZeitung","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","caption":"Redaktion JazzZeitung"},"description":"Artikel der Redaktion der JazzZeitung.","sameAs":["http:\/\/www.jazzzeitung.de\/cms\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/redaktion\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s3KEcT-7473","jetpack-related-posts":[{"id":8610,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/03\/lauschangriff-auf-tom-reinbrecht\/","url_meta":{"origin":7473,"position":0},"title":"Lauschangriff auf Tom Reinbrecht","author":"Redaktion JazzZeitung","date":"4. M\u00e4rz 2016","format":false,"excerpt":"Saxophonist Tom Reinbrecht hat Silberhorns \"Lauschangriff\" beantwortet... - Jazz ist f\u00fcr Tom Reinbrecht nicht nur Musik, Jazz ist ein Lebensgef\u00fchl: Zusammensitzen mit Freunden, ein paar Takte spielen und der Improvisation freien Lauf lassen. Reinbrecht liebt vor allem die besondere Stimmung zwischen den unterschiedlichen Klangk\u00f6rpern und das gegenseitige Befl\u00fcgeln beim Spiel.\u2026","rel":"","context":"In &quot;Portrait&quot;","block_context":{"text":"Portrait","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/portrait\/"},"img":{"alt_text":"7Fragen_tom_reinbrecht","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/03\/7Fragen_tom_reinbrecht.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":956,"url":"https:\/\/www.jazzzeitung.de\/cms\/2011\/04\/jazztipp-auf-der-buehne-und-auf-sendung-im-br\/","url_meta":{"origin":7473,"position":1},"title":"Jazztipp: Auf der B\u00fchne und auf Sendung im Bayerischen Rundfunk","author":"J\u00f6rg Lichtinger","date":"13. April 2011","format":false,"excerpt":"Johannes Ochsenbauer bei U21 Die Jugendsendung von BR-Klassik \"U21 \u2013 Deine Szene.Deine Musik\" k\u00fcmmert sich neben Nachwuchsmusikern aus dem Klassik-Bereich ab und zu auch um Musik aus anderen Ecken. Welt- und Filmmusikalisches oder eben auch Jazziges. Heute Abend (13. April, 21.03 Uhr) ist der junge Bassist Johannes Ochsenbauer zu Gast\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/blog\/"},"img":{"alt_text":"u21","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2011\/04\/u21-300x111.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30610,"url":"https:\/\/www.jazzzeitung.de\/cms\/2024\/02\/gelungene-alternative-zur-faschingswoche-im-jazzclub-unterfahrt\/","url_meta":{"origin":7473,"position":2},"title":"Gelungene Alternative zur Faschingswoche im Jazzclub Unterfahrt","author":"Thomas J. Krebs","date":"15. Februar 2024","format":false,"excerpt":"Der Fasching hat in M\u00fcnchen eine lange Tradition. Zwischen Weiberfasching und Faschingsdienstag steht die Metropole Kopf, unz\u00e4hlige Veranstaltungen locken \u201eN\u00e4rrinnen und Narrhalesen\". Wer dem bunten Treiben und Trubel entgehen will, dem bieten sich eine Vielzahl an Alternativen: zum Beispiel Fasching feiern mit abgefahrenen Jazzkonzerten im M\u00fcnchner Jazzclub Unterfahrt. An Weiberfasching\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/02\/P2824904-Nilssen-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/02\/P2824904-Nilssen-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/02\/P2824904-Nilssen-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/02\/P2824904-Nilssen-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/02\/P2824904-Nilssen-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9321,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/05\/vier-festivals-stehen-kurz-bevor-hilden-folkwang-augsburg-und-nockerberg-steppt-der-jazz\/","url_meta":{"origin":7473,"position":3},"title":"+++ News: Vier Festivals stehen vor der T\u00fcr +++ Der Jazz steppt in Hilden, Folkwang, Augsburg und am Nockerberg","author":"Redaktion JazzZeitung","date":"18. Mai 2016","format":"gallery","excerpt":"Den Anfang machen die 21. Hildener Jazztage. Sie stehen unter dem Motto \"Body & Soul\". Highlight des Festivals ist der Auftritt des afrikanischen S\u00e4ngers und Bassisten Richard Bona am Samstag, dem 28. Mai 2016 in der Hildener Stadthalle (Fritz-Gressard-Platz 1) im Rahmen der \u201eInternational Jazznight\u201c. Fans nennen den in Kamerun\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/05\/Bona-Richard-Ten5.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":31452,"url":"https:\/\/www.jazzzeitung.de\/cms\/2024\/08\/das-12-seejazz-festival-will-den-starnberger-see-zum-swingen-bringen\/","url_meta":{"origin":7473,"position":4},"title":"Das 12. \u201eSeeJazz\u201c-Festival will den Starnberger See zum Swingen bringen","author":"Redaktion JazzZeitung","date":"8. August 2024","format":false,"excerpt":"Zum 12. Mal bringt das \u201eSeeJazz\u201c-Festival Stars wie Torsten Zwingenberger, Joo Kraus, Wolfgang Haffner oder Nils Landgren an die sch\u00f6nsten Spielorte rund um den Starnberger See. 2012 schlossen sich acht Jazz-affine Macher rund um den Starnberger See, angef\u00fchrt vom Feldafinger B\u00fcrgermeister und Jazz-Fan Bernhard zum Verein \u201eSeeJazz\u201c zusammen, um \u201edem\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/08\/JooKraus2_OliverHochkeppel210224-scaled.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/08\/JooKraus2_OliverHochkeppel210224-scaled.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/08\/JooKraus2_OliverHochkeppel210224-scaled.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/08\/JooKraus2_OliverHochkeppel210224-scaled.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/08\/JooKraus2_OliverHochkeppel210224-scaled.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9585,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/06\/junger-muenchner-jazzpreis-2016-steht-bevor\/","url_meta":{"origin":7473,"position":5},"title":"Jetzt bewerben f\u00fcr den Jungen M\u00fcnchner Jazzpreis 2016","author":"Redaktion JazzZeitung","date":"29. Juni 2016","format":false,"excerpt":"Am 11. November 2016 wird zum vierten Mal der Junge M\u00fcnchner Jazzpreis vergeben.\u00a0 Mit diesem Preis\u00a0 sollen junge K\u00fcnstler und Bands aus Deutschland gef\u00f6rdert werden. Bewerben k\u00f6nnen sich 1-6 Jazzmusiker(innen). Jede(r) Musiker(in) kann sich im selben Jahr nur einmal bewerben, insgesamt maximal dreimal. Alle Bewerber(innen) sollen zum Zeitpunkt der Bewerbungsfrist\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"Logo_Muc_Jazz-300x244","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/06\/Logo_Muc_Jazz-300x244-150x150.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/7473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=7473"}],"version-history":[{"count":6,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/7473\/revisions"}],"predecessor-version":[{"id":7493,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/7473\/revisions\/7493"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=7473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=7473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=7473"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=7473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}