{"id":5813,"date":"2015-03-27T13:13:01","date_gmt":"2015-03-27T12:13:01","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5813"},"modified":"2015-03-27T13:13:17","modified_gmt":"2015-03-27T12:13:17","slug":"jazzwoche-burghausen-tag-2-bildern","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/","title":{"rendered":"Jazzwoche Burghausen: Tag 2 in Bildern"},"content":{"rendered":"<p>Charles Tolliver und Kenny Garrett traten mit ihren Formationen am zweiten Tag der Jazzwoche Burghausen auf. Ralf Dombrowski hielt f\u00fcr die JazzZeitung einige Impressionen der Konzerte fest. Ausf\u00fchrliche Kritiken gibt&#8217;s in der April-Ausgabe der neuen musikzeitung.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/jazzwoche-burghausen-tag-2-bildern\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-1\" style=\"width: 561px; height: 375px;\" data-original-width=\"561\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0081-stanley-cowell-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"557\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5814\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426797283&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;159&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0081, Stanley Cowell (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0081-Stanley-Cowell-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"557\" height=\"371\" loading=\"lazy\" data-original-width=\"557\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0081, Stanley Cowell (dombr)\" alt=\"0K3A0081, Stanley Cowell (dombr)\" style=\"width: 557px; height: 371px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 279px; height: 375px;\" data-original-width=\"279\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0109-jean-carn-charles-tolliver-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5815\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426797583&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;131&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0109, Jean Carn, Charles Tolliver (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?w=275&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0109-Jean-Carn-Charles-Tolliver-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"184\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0109, Jean Carn, Charles Tolliver (dombr)\" alt=\"0K3A0109, Jean Carn, Charles Tolliver (dombr)\" style=\"width: 275px; height: 184px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0127-cecil-mcbee-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5816\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426798098&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0127, Cecil McBee (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?w=275&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0127-Cecil-McBee-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"183\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0127, Cecil McBee (dombr)\" alt=\"0K3A0127, Cecil McBee (dombr)\" style=\"width: 275px; height: 183px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 388px;\" data-original-width=\"840\" data-original-height=\"388\" > <div class=\"gallery-group images-1\" style=\"width: 580px; height: 388px;\" data-original-width=\"580\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0152-alvin-queen-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"576\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5817\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426798563&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;159&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0152, Alvin Queen (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?w=576&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0152-Alvin-Queen-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"576\" height=\"384\" loading=\"lazy\" data-original-width=\"576\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0152, Alvin Queen (dombr)\" alt=\"0K3A0152, Alvin Queen (dombr)\" style=\"width: 576px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 260px; height: 388px;\" data-original-width=\"260\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0187-kenny-garrett-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"256\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5818\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg\" data-orig-size=\"856,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426803407&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;163&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0187, Kenny Garrett (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg?fit=201%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg?fit=401%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg?w=256&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg?w=856&amp;ssl=1 856w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0187-Kenny-Garrett-dombr.jpg?resize=401%2C600&amp;ssl=1 401w\" width=\"256\" height=\"384\" loading=\"lazy\" data-original-width=\"256\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0187, Kenny Garrett (dombr)\" alt=\"0K3A0187, Kenny Garrett (dombr)\" style=\"width: 256px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 746px;\" data-original-width=\"840\" data-original-height=\"746\" > <div class=\"gallery-group images-1\" style=\"width: 469px; height: 746px;\" data-original-width=\"469\" data-original-height=\"746\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0239-corcoran-holt-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"465\"> <meta itemprop=\"height\" content=\"742\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5819\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg\" data-orig-size=\"802,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426803760&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;94&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0239, Corcoran Holt (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?fit=188%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?fit=376%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?w=465&#038;h=742&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?w=802&amp;ssl=1 802w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0239-Corcoran-Holt-dombr.jpg?resize=376%2C600&amp;ssl=1 376w\" width=\"465\" height=\"742\" loading=\"lazy\" data-original-width=\"465\" data-original-height=\"742\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0239, Corcoran Holt (dombr)\" alt=\"0K3A0239, Corcoran Holt (dombr)\" style=\"width: 465px; height: 742px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-3\" style=\"width: 371px; height: 746px;\" data-original-width=\"371\" data-original-height=\"746\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0247-corcoran-holt-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"367\"> <meta itemprop=\"height\" content=\"245\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5820\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426803801&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;176&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0247, Corcoran Holt (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?w=367&#038;h=245&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0247-Corcoran-Holt-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"367\" height=\"245\" loading=\"lazy\" data-original-width=\"367\" data-original-height=\"245\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0247, Corcoran Holt (dombr)\" alt=\"0K3A0247, Corcoran Holt (dombr)\" style=\"width: 367px; height: 245px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0257-marcus-baylor-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"367\"> <meta itemprop=\"height\" content=\"245\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5821\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426803955&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;168&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0257, Marcus Baylor (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?w=367&#038;h=245&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0257-Marcus-Baylor-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"367\" height=\"245\" loading=\"lazy\" data-original-width=\"367\" data-original-height=\"245\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0257, Marcus Baylor (dombr)\" alt=\"0K3A0257, Marcus Baylor (dombr)\" style=\"width: 367px; height: 245px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0263-marcus-baylor-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"367\"> <meta itemprop=\"height\" content=\"244\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5822\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426803988&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;149&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0263, Marcus Baylor (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?w=367&#038;h=244&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0263-Marcus-Baylor-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"367\" height=\"244\" loading=\"lazy\" data-original-width=\"367\" data-original-height=\"244\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0263, Marcus Baylor (dombr)\" alt=\"0K3A0263, Marcus Baylor (dombr)\" style=\"width: 367px; height: 244px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-2\" style=\"width: 279px; height: 375px;\" data-original-width=\"279\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0286-trevor-watkis-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5823\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg\" data-orig-size=\"1280,854\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426804345&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;145&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0286, Trevor Watkis (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?w=275&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0286-Trevor-Watkis-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"184\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0286, Trevor Watkis (dombr)\" alt=\"0K3A0286, Trevor Watkis (dombr)\" style=\"width: 275px; height: 184px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0300-kenny-garrett-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5824\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426804490&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0300, Kenny Garrett (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?w=275&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0300-Kenny-Garrett-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"183\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0300, Kenny Garrett (dombr)\" alt=\"0K3A0300, Kenny Garrett (dombr)\" style=\"width: 275px; height: 183px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 561px; height: 375px;\" data-original-width=\"561\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0308-kenny-garrett-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"557\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5825\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426804580&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;113&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0308, Kenny Garrett (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0308-Kenny-Garrett-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"557\" height=\"371\" loading=\"lazy\" data-original-width=\"557\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0308, Kenny Garrett (dombr)\" alt=\"0K3A0308, Kenny Garrett (dombr)\" style=\"width: 557px; height: 371px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 239px;\" data-original-width=\"840\" data-original-height=\"239\" > <div class=\"gallery-group images-1\" style=\"width: 357px; height: 239px;\" data-original-width=\"357\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/0k3a0338-kenny-garrett-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"353\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5826\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426804765&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;84&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A0338, Kenny Garrett (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?w=353&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A0338-Kenny-Garrett-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"353\" height=\"235\" loading=\"lazy\" data-original-width=\"353\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A0338, Kenny Garrett (dombr)\" alt=\"0K3A0338, Kenny Garrett (dombr)\" style=\"width: 353px; 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height: 235px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Charles Tolliver und Kenny Garrett traten mit ihren Formationen am zweiten Tag der Jazzwoche Burghausen auf. Ralf Dombrowski hielt f\u00fcr die JazzZeitung einige Impressionen der Konzerte fest. Ausf\u00fchrliche Kritiken gibt&#8217;s in der April-Ausgabe der neuen musikzeitung.<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[722,947,294,323,146],"coauthors":[695],"class_list":["post-5813","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-burghausen","tag-jazzwoche-burghausen","tag-jazzzeitung","tag-konzerte","tag-dombrowski"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jazzwoche Burghausen: Tag 2 in Bildern - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/jazzwoche-burghausen-tag-2-bildern\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jazzwoche Burghausen: Tag 2 in Bildern - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Charles Tolliver und Kenny Garrett traten mit ihren Formationen am zweiten Tag der Jazzwoche Burghausen auf. Ralf Dombrowski hielt f\u00fcr die JazzZeitung einige Impressionen der Konzerte fest. 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Juli 2017","format":false,"excerpt":"Bereits zum 10. Mal vergibt die Interessensgemeinschaft Jazz Burghausen e.V. in Zusammenarbeit mit der Stadt Burghausen den Nachwuchs-Jazzpreis. Die 49. Internationale Jazzwoche Burghausen (6. \u2013 11. M\u00e4rz 2018) startet dann wieder wie gewohnt mit dem Finale des Nachwuchswettbewerbs. Bewerbungen werden ab sofort angenommen. Bewerbungsschluss ist der 31. Oktober 2017. Der\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/07\/Nachwuchsjazzpreis-Filippo-Vignato-Trio_kl-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8152,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/01\/47-jazzwoche-burghausen-und-fuehrung-mit-roland-spiegel\/","url_meta":{"origin":5813,"position":5},"title":"47. Jazzwoche Burghausen und F\u00fchrung mit Roland Spiegel","author":"Redaktion JazzZeitung","date":"19. Januar 2016","format":false,"excerpt":"Zum 47. Mal pr\u00e4sentiert die Interessengemeinschaft Jazze.V. die Internationale Jazzwoche in Burghausen, in diesem Jahr vom 8. bis 13. M\u00e4rz 2016. Mehrals 30 Konzerte mit Stars, Legenden, Newcomern undNachwuchsmusikern aus der ganzen Welt erwartet dasPublikum in der sch\u00f6nen, historischen Grenzstadt. Nureinen Steinwurf von \u00d6sterreich entfernt liegt die malerische Altstadt Burghausens\u2026","rel":"","context":"In &quot;Redaktionelle Nachrichten&quot;","block_context":{"text":"Redaktionelle Nachrichten","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/redaktion\/"},"img":{"alt_text":"guilaume","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/guilaume-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=5813"}],"version-history":[{"count":1,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5813\/revisions"}],"predecessor-version":[{"id":5830,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5813\/revisions\/5830"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=5813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=5813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=5813"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=5813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}