{"id":5789,"date":"2015-03-26T13:43:02","date_gmt":"2015-03-26T12:43:02","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5789"},"modified":"2015-03-27T09:01:32","modified_gmt":"2015-03-27T08:01:32","slug":"tag-1-der-jazzwoche-burghausen-bildern","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/","title":{"rendered":"Tag 1 der Jazzwoche Burghausen in Bildern"},"content":{"rendered":"<p><a href=\"http:\/\/ralfdombrowski.de\">Ralf Dombrowski<\/a> hielt f\u00fcr die JazzZeitung einige Eindr\u00fccke des ersten Tages bei der Internationalen Jazzwoche Burghausen fest. Die Tr\u00e4ger des Nachwuchspreises der Jazzwoche, die Band Malstrom, und der sizilianische Jazz-S\u00e4nger Mario Biondi er\u00f6ffneten die Veranstaltung. Lesen Sie ausf\u00fchrliche Konzertkritiken in der April-Ausgabe der neuen musikzeitung.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/tag-1-der-jazzwoche-burghausen-bildern\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 580px;\" data-original-width=\"840\" data-original-height=\"580\" > <div class=\"gallery-group images-2\" style=\"width: 452px; height: 580px;\" data-original-width=\"452\" data-original-height=\"580\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9788-mario-biondi-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"448\"> <meta itemprop=\"height\" content=\"298\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5790\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426716347&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;113&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9788, Mario Biondi (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?w=448&#038;h=298&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9788-Mario-Biondi-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"448\" height=\"298\" loading=\"lazy\" data-original-width=\"448\" data-original-height=\"298\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9788, Mario Biondi (dombr)\" alt=\"0K3A9788, Mario Biondi (dombr)\" style=\"width: 448px; 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height: 243px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9860-biondi-band-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"365\"> <meta itemprop=\"height\" content=\"247\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5796\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg\" data-orig-size=\"1280,867\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426717989&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9860, Biondi &amp;#038; Band (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?fit=300%2C203&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?fit=840%2C569&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?w=365&#038;h=247&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?resize=300%2C203&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?resize=886%2C600&amp;ssl=1 886w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9860-Biondi-Band-dombr.jpg?resize=900%2C610&amp;ssl=1 900w\" width=\"365\" height=\"247\" loading=\"lazy\" data-original-width=\"365\" data-original-height=\"247\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9860, Biondi &amp; Band (dombr)\" alt=\"0K3A9860, Biondi &amp; Band (dombr)\" style=\"width: 365px; height: 247px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 281px;\" data-original-width=\"840\" data-original-height=\"281\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9544-jo-beyer-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5797\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426708837&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;126&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9544, Jo Beyer (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?w=416&#038;h=277&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9544-Jo-Beyer-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9544, Jo Beyer (dombr)\" alt=\"0K3A9544, Jo Beyer (dombr)\" style=\"width: 416px; height: 277px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9559-axel-zajac-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5798\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426708960&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;168&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9559, Axel Zajac (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?w=416&#038;h=277&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9559-Axel-Zajac-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9559, Axel Zajac (dombr)\" alt=\"0K3A9559, Axel Zajac (dombr)\" style=\"width: 416px; height: 277px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 628px;\" data-original-width=\"840\" data-original-height=\"628\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 628px;\" data-original-width=\"420\" data-original-height=\"628\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9568-salim-javaid-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"624\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5799\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426709117&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;168&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9568, Salim Javaid (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?w=416&#038;h=624&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9568-Salim-Javaid-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"416\" height=\"624\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"624\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9568, Salim Javaid (dombr)\" alt=\"0K3A9568, Salim Javaid (dombr)\" style=\"width: 416px; height: 624px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 628px;\" data-original-width=\"420\" data-original-height=\"628\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9571-jo-beyer-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"624\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5800\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426709141&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;180&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9571, Jo Beyer (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?w=416&#038;h=624&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9571-Jo-Beyer-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"416\" height=\"624\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"624\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9571, Jo Beyer (dombr)\" alt=\"0K3A9571, Jo Beyer (dombr)\" style=\"width: 416px; height: 624px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 593px;\" data-original-width=\"840\" data-original-height=\"593\" > <div class=\"gallery-group images-2\" style=\"width: 443px; height: 593px;\" data-original-width=\"443\" data-original-height=\"593\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9576-axel-zajac-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"439\"> <meta itemprop=\"height\" content=\"293\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5801\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426709182&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;118&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9576, Axel Zajac (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?w=439&#038;h=293&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9576-Axel-Zajac-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"439\" height=\"293\" loading=\"lazy\" data-original-width=\"439\" data-original-height=\"293\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9576, Axel Zajac (dombr)\" alt=\"0K3A9576, Axel Zajac (dombr)\" style=\"width: 439px; height: 293px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/0k3a9641-salim-javaid-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"439\"> <meta itemprop=\"height\" content=\"292\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5802\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1426710277&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9641, Salim Javaid (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?w=439&#038;h=292&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A9641-Salim-Javaid-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"439\" height=\"292\" loading=\"lazy\" data-original-width=\"439\" data-original-height=\"292\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9641, Salim Javaid (dombr)\" alt=\"0K3A9641, Salim Javaid (dombr)\" style=\"width: 439px; 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height: 187px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ralf Dombrowski hielt f\u00fcr die JazzZeitung einige Eindr\u00fccke des ersten Tages bei der Internationalen Jazzwoche Burghausen fest. Die Tr\u00e4ger des Nachwuchspreises der Jazzwoche, die Band Malstrom, und der sizilianische Jazz-S\u00e4nger Mario Biondi er\u00f6ffneten die Veranstaltung. Lesen Sie ausf\u00fchrliche Konzertkritiken in der April-Ausgabe der neuen musikzeitung. &nbsp;<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[722,947,294,846,146],"coauthors":[695],"class_list":["post-5789","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-burghausen","tag-jazzwoche-burghausen","tag-jazzzeitung","tag-mario-biondi","tag-dombrowski"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tag 1 der Jazzwoche Burghausen in Bildern - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/tag-1-der-jazzwoche-burghausen-bildern\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tag 1 der Jazzwoche Burghausen in Bildern - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Ralf Dombrowski hielt f\u00fcr die JazzZeitung einige Eindr\u00fccke des ersten Tages bei der Internationalen Jazzwoche Burghausen fest. Die Tr\u00e4ger des Nachwuchspreises der Jazzwoche, die Band Malstrom, und der sizilianische Jazz-S\u00e4nger Mario Biondi er\u00f6ffneten die Veranstaltung. 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Der\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/07\/Nachwuchsjazzpreis-Filippo-Vignato-Trio_kl-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18153,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/01\/news-die-finalisten-des-nachwuchs-jazzpreises-der-jazzwoche-burghausen-2019jetzt-antraege-zur-naechste-applaus-foerderrunde-stellen\/","url_meta":{"origin":5789,"position":5},"title":"+++News: +++Die Finalisten  des Nachwuchs-Jazzpreises der Jazzwoche Burghausen 2019+++Jetzt Antr\u00e4ge zur n\u00e4chste APPLAUS-F\u00f6rderrunde stellen+++","author":"Redaktion JazzZeitung","date":"2. Januar 2019","format":false,"excerpt":"Nachwuchspreis Burghausen Es \u00a0ist ein wichtiges Signal, das die Macher der 50. 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