{"id":5662,"date":"2015-03-10T11:11:35","date_gmt":"2015-03-10T10:11:35","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5662"},"modified":"2015-03-10T11:14:36","modified_gmt":"2015-03-10T10:14:36","slug":"ein-guru-der-hammond-orgel-der-unterfahrt","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/","title":{"rendered":"Ein Guru an der Hammond-Orgel in der Unterfahrt"},"content":{"rendered":"<p>In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. Ralf Dombrowski fotografierte den Auftritt f\u00fcr die JazzZeitung.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-1\" style=\"width: 561px; height: 375px;\" data-original-width=\"561\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7427-dyson-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"557\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5675\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-title=\"0K3A7427, Dyson (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"557\" height=\"371\" loading=\"lazy\" data-original-width=\"557\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7427, Dyson (dombr)\" alt=\"0K3A7427, Dyson (dombr)\" style=\"width: 557px; height: 371px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 279px; height: 375px;\" data-original-width=\"279\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7410-smith\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5674\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-title=\"0K3A7410, Smith\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?w=275&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"184\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7410, Smith\" alt=\"0K3A7410, Smith\" style=\"width: 275px; height: 184px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7403-kreisberg-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5673\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-title=\"0K3A7403, Kreisberg, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?w=275&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"183\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7403, Kreisberg, Smith (dombr)\" alt=\"0K3A7403, Kreisberg, Smith (dombr)\" style=\"width: 275px; height: 183px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 388px;\" data-original-width=\"840\" data-original-height=\"388\" > <div class=\"gallery-group images-1\" style=\"width: 580px; height: 388px;\" data-original-width=\"580\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7351-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"576\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5672\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-title=\"0K3A7351, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?w=576&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"576\" height=\"384\" loading=\"lazy\" data-original-width=\"576\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7351, Smith (dombr)\" alt=\"0K3A7351, Smith (dombr)\" style=\"width: 576px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 260px; height: 388px;\" data-original-width=\"260\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8097-smith-hf-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"256\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5671\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-title=\"0K3A8097, Smith HF (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?w=256&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"256\" height=\"384\" loading=\"lazy\" data-original-width=\"256\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8097, Smith HF (dombr)\" alt=\"0K3A8097, Smith HF (dombr)\" style=\"width: 256px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 386px;\" data-original-width=\"840\" data-original-height=\"386\" > <div class=\"gallery-group images-2\" style=\"width: 282px; height: 386px;\" data-original-width=\"282\" data-original-height=\"386\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8072-smith-kreisberg-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"278\"> <meta itemprop=\"height\" content=\"193\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5670\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg\" data-orig-size=\"1280,887\" data-comments-opened=\"1\" data-image-title=\"0K3A8072, Smith, Kreisberg (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?fit=300%2C208&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?fit=840%2C582&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?w=278&#038;h=193&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=300%2C208&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=866%2C600&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=900%2C624&amp;ssl=1 900w\" width=\"278\" height=\"193\" loading=\"lazy\" data-original-width=\"278\" data-original-height=\"193\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8072, Smith, Kreisberg (dombr)\" alt=\"0K3A8072, Smith, Kreisberg (dombr)\" style=\"width: 278px; height: 193px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8021-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"278\"> <meta itemprop=\"height\" content=\"185\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5669\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-title=\"0K3A8021, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?w=278&#038;h=185&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"278\" height=\"185\" loading=\"lazy\" data-original-width=\"278\" data-original-height=\"185\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8021, Smith (dombr)\" alt=\"0K3A8021, Smith (dombr)\" style=\"width: 278px; 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height: 584px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. Ralf Dombrowski fotografierte den Auftritt f\u00fcr die JazzZeitung.<\/p>\n","protected":false},"author":18,"featured_media":5671,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[652],"tags":[83,294,146,573],"coauthors":[695],"class_list":["post-5662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galerie","tag-blues","tag-jazzzeitung","tag-dombrowski","tag-unterfahrt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ein Guru an der Hammond-Orgel in der Unterfahrt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ein Guru an der Hammond-Orgel in der Unterfahrt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. Ralf Dombrowski fotografierte den Auftritt f\u00fcr die JazzZeitung.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-10T10:11:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-03-10T10:14:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?fit=853%2C1280&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"853\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Ein Guru an der Hammond-Orgel in der Unterfahrt\",\"datePublished\":\"2015-03-10T10:11:35+00:00\",\"dateModified\":\"2015-03-10T10:14:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/\"},\"wordCount\":96,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/03\\\/0K3A8097-Smith-HF-dombr.jpg?fit=853%2C1280&ssl=1\",\"keywords\":[\"Blues\",\"Jazzzeitung\",\"Ralf Dombrowski\",\"Unterfahrt\"],\"articleSection\":[\"Galerie\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/\",\"name\":\"Ein Guru an der Hammond-Orgel in der Unterfahrt - 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