{"id":5662,"date":"2015-03-10T11:11:35","date_gmt":"2015-03-10T10:11:35","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5662"},"modified":"2015-03-10T11:14:36","modified_gmt":"2015-03-10T10:14:36","slug":"ein-guru-der-hammond-orgel-der-unterfahrt","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/","title":{"rendered":"Ein Guru an der Hammond-Orgel in der Unterfahrt"},"content":{"rendered":"<p>In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. Ralf Dombrowski fotografierte den Auftritt f\u00fcr die JazzZeitung.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/03\\\/ein-guru-der-hammond-orgel-der-unterfahrt\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-1\" style=\"width: 561px; height: 375px;\" data-original-width=\"561\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7427-dyson-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"557\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5675\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425753591&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;105&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A7427, Dyson (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?w=557&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7427-Dyson-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"557\" height=\"371\" loading=\"lazy\" data-original-width=\"557\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7427, Dyson (dombr)\" alt=\"0K3A7427, Dyson (dombr)\" style=\"width: 557px; height: 371px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 279px; height: 375px;\" data-original-width=\"279\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7410-smith\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5674\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425753275&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;122&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A7410, Smith\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?w=275&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7410-Smith.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"184\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7410, Smith\" alt=\"0K3A7410, Smith\" style=\"width: 275px; height: 184px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7403-kreisberg-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"275\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5673\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425753209&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;180&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A7403, Kreisberg, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?w=275&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7403-Kreisberg-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"275\" height=\"183\" loading=\"lazy\" data-original-width=\"275\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7403, Kreisberg, Smith (dombr)\" alt=\"0K3A7403, Kreisberg, Smith (dombr)\" style=\"width: 275px; height: 183px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 388px;\" data-original-width=\"840\" data-original-height=\"388\" > <div class=\"gallery-group images-1\" style=\"width: 580px; height: 388px;\" data-original-width=\"580\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a7351-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"576\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5672\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425752567&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A7351, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?w=576&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A7351-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"576\" height=\"384\" loading=\"lazy\" data-original-width=\"576\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A7351, Smith (dombr)\" alt=\"0K3A7351, Smith (dombr)\" style=\"width: 576px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 260px; height: 388px;\" data-original-width=\"260\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8097-smith-hf-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"256\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5671\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425774163&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;105&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A8097, Smith HF (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?w=256&#038;h=384&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8097-Smith-HF-dombr.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"256\" height=\"384\" loading=\"lazy\" data-original-width=\"256\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8097, Smith HF (dombr)\" alt=\"0K3A8097, Smith HF (dombr)\" style=\"width: 256px; height: 384px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 386px;\" data-original-width=\"840\" data-original-height=\"386\" > <div class=\"gallery-group images-2\" style=\"width: 282px; height: 386px;\" data-original-width=\"282\" data-original-height=\"386\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8072-smith-kreisberg-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"278\"> <meta itemprop=\"height\" content=\"193\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5670\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg\" data-orig-size=\"1280,887\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425773648&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;35&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A8072, Smith, Kreisberg (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?fit=300%2C208&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?fit=840%2C582&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?w=278&#038;h=193&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=300%2C208&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=866%2C600&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8072-Smith-Kreisberg-dombr.jpg?resize=900%2C624&amp;ssl=1 900w\" width=\"278\" height=\"193\" loading=\"lazy\" data-original-width=\"278\" data-original-height=\"193\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8072, Smith, Kreisberg (dombr)\" alt=\"0K3A8072, Smith, Kreisberg (dombr)\" style=\"width: 278px; height: 193px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/0k3a8021-smith-dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"278\"> <meta itemprop=\"height\" content=\"185\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5669\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1425773178&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;87&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A8021, Smith (dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?w=278&#038;h=185&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/03\/0K3A8021-Smith-dombr.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"278\" height=\"185\" loading=\"lazy\" data-original-width=\"278\" data-original-height=\"185\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A8021, Smith (dombr)\" alt=\"0K3A8021, Smith (dombr)\" style=\"width: 278px; 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height: 584px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. Ralf Dombrowski fotografierte den Auftritt f\u00fcr die JazzZeitung.<\/p>\n","protected":false},"author":18,"featured_media":5671,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[83,294,146,573],"coauthors":[695],"class_list":["post-5662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galerie","tag-blues","tag-jazzzeitung","tag-dombrowski","tag-unterfahrt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ein Guru an der Hammond-Orgel in der Unterfahrt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/03\/ein-guru-der-hammond-orgel-der-unterfahrt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ein Guru an der Hammond-Orgel in der Unterfahrt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"In \u00fcber 50 Jahren hat er an \u00fcber 70 Alben mitgewirkt, er spielte mit dem &#8222;Who is Who&#8220; des Jazz, des Blues, des R&amp;Bs. Die Rede ist von Lonnie Smith, der mit seiner legend\u00e4ren Hammond B3-Orgel und mit Jonathan Kreisberg (g) sowie Joe Dyson (dr) in der M\u00fcnchner Unterfahrt zu Gast war. Von der Jazzpresse wird der Organist immer wieder als einer der kreativsten K\u00f6pfe an seinem Instrument gefeiert. 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November zu Gast in der M\u00fcnchner Unterfahrt - Fotos von Ralf Dombrowski Mehr \u00fcber Harfen und ihre Spieler und Spielerinnen in einem Beitrag von Ralf Dombrowski in der neuen musikzeitung (9\/2016) unter dem Titel \"Engelsklang und Rockers Beitrag\"","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4092-Younger-Trio-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4092-Younger-Trio-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4092-Younger-Trio-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4092-Younger-Trio-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4092-Younger-Trio-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":3388,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/01\/fotogalerie\/","url_meta":{"origin":5662,"position":3},"title":"Fotogalerie: &#8222;Be My Guest&#8220; im Caf\u00e9 Rinaldo","author":"Redaktion JazzZeitung","date":"20. Januar 2014","format":false,"excerpt":"Fortsetzung unserer kleinen Reihe mit Fotos von Ralf Dombrowski, dessen Ausstellung in der M\u00fcnchner Unterfahrt gestern er\u00f6ffnet wurde. Heute Impressionen aus der von Stefan Noelle ins Leben gerufenen Veranstaltungsreih \"Be My Guest\" - mit Kellerkonzerten in pers\u00f6nlichem Rahmen im Souterrain des Caf\u00e9 Rigoletto in M\u00fcnchen. Am 14. Januar kombinierten Stefan\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":11225,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/12\/bildergalerie-panzerballett-in-der-unterfahrt\/","url_meta":{"origin":5662,"position":4},"title":"Bildergalerie: Panzerballett in der Unterfahrt","author":"Redaktion JazzZeitung","date":"5. 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Ralf Dombrowski war dabei.","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/0K3A7313-PB-Doblhofer-Hagke-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/0K3A7313-PB-Doblhofer-Hagke-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/0K3A7313-PB-Doblhofer-Hagke-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/0K3A7313-PB-Doblhofer-Hagke-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/0K3A7313-PB-Doblhofer-Hagke-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":10574,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/galerie-uri-cane-trio\/","url_meta":{"origin":5662,"position":5},"title":"Galerie: das Uri Caine Trio im Jazzclub Unterfahrt M\u00fcnchen","author":"Redaktion JazzZeitung","date":"1. 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