{"id":5488,"date":"2015-02-13T10:04:11","date_gmt":"2015-02-13T09:04:11","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5488"},"modified":"2015-02-13T10:04:11","modified_gmt":"2015-02-13T09:04:11","slug":"ziegler-trio-der-unterfahrt","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/","title":{"rendered":"Ziegler-Trio in der Unterfahrt"},"content":{"rendered":"<p>F\u00fcnf T\u00f6ne auf dem Grand Piano und man wei\u00df, wer spielt: Pablo Ziegler gilt bis heute als der stilbildende Tango-Pianist, der zusammen mit Astor Piazolla den Tango Nuevo etabliert hat. Bis heute entwickelt Ziegler seinen musikalischen Stil permanent weiter und bewegt sich virtuos zwischen Jazzimprovisation und argentinischer Folklore. Fotograf Ralf Dombrowski besuchte Pablo Zieglers Konzert in der M\u00fcnchner Unterfahrt, das er am 10. Februar zusammen mit dem Gitarristen Quique Sinesi und dem Bandoneonisten Walter Castro dort gab.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 375px;\" data-original-width=\"840\" data-original-height=\"375\" > <div class=\"gallery-group images-1\" style=\"width: 560px; height: 375px;\" data-original-width=\"560\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5502-ziegler\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"556\"> <meta itemprop=\"height\" content=\"371\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5490\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423608165&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;65&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5502, Ziegler\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?w=556&#038;h=371&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"556\" height=\"371\" loading=\"lazy\" data-original-width=\"556\" data-original-height=\"371\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5502, Ziegler\" alt=\"0K3A5502, Ziegler\" style=\"width: 556px; height: 371px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 280px; height: 375px;\" data-original-width=\"280\" data-original-height=\"375\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5495-ziegler-trio\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5489\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423607880&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5495, Ziegler Trio\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?w=276&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5495-Ziegler-Trio.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"276\" height=\"184\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5495, Ziegler Trio\" alt=\"0K3A5495, Ziegler Trio\" style=\"width: 276px; height: 184px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5389_ziegler_trio\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"183\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5496\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg\" data-orig-size=\"1280,850\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423602775&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5389,_Ziegler_Trio\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?fit=300%2C199&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?fit=840%2C558&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?w=276&#038;h=183&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5389_Ziegler_Trio.jpg?resize=900%2C598&amp;ssl=1 900w\" width=\"276\" height=\"183\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"183\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5389,_Ziegler_Trio\" alt=\"0K3A5389,_Ziegler_Trio\" style=\"width: 276px; height: 183px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 721px;\" data-original-width=\"840\" data-original-height=\"721\" > <div class=\"gallery-group images-3\" style=\"width: 358px; height: 721px;\" data-original-width=\"358\" data-original-height=\"721\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5459-castro-sinesi\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"354\"> <meta itemprop=\"height\" content=\"237\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5503\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423604135&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;131&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5459, Castro, Sinesi\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?w=354&#038;h=237&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5459-Castro-Sinesi.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"354\" height=\"237\" loading=\"lazy\" data-original-width=\"354\" data-original-height=\"237\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5459, Castro, Sinesi\" alt=\"0K3A5459, Castro, Sinesi\" style=\"width: 354px; height: 237px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5450-castro-sinesi\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"354\"> <meta itemprop=\"height\" content=\"236\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5502\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423604044&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;163&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5450, Castro, Sinesi\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?w=354&#038;h=236&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5450-Castro-Sinesi.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"354\" height=\"236\" loading=\"lazy\" data-original-width=\"354\" data-original-height=\"236\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5450, Castro, Sinesi\" alt=\"0K3A5450, Castro, Sinesi\" style=\"width: 354px; height: 236px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5409-ziegler\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"354\"> <meta itemprop=\"height\" content=\"236\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5500\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423603041&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;122&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5409, Ziegler\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?w=354&#038;h=236&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5409-Ziegler.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"354\" height=\"236\" loading=\"lazy\" data-original-width=\"354\" data-original-height=\"236\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5409, Ziegler\" alt=\"0K3A5409, Ziegler\" style=\"width: 354px; height: 236px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 482px; height: 721px;\" data-original-width=\"482\" data-original-height=\"721\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5575-castro\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"478\"> <meta itemprop=\"height\" content=\"717\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5492\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423609702&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;85&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5575, Castro\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?w=478&#038;h=717&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5575-Castro.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"478\" height=\"717\" loading=\"lazy\" data-original-width=\"478\" data-original-height=\"717\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5575, Castro\" alt=\"0K3A5575, Castro\" style=\"width: 478px; height: 717px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 188px;\" data-original-width=\"840\" data-original-height=\"188\" > <div class=\"gallery-group images-1\" style=\"width: 280px; height: 188px;\" data-original-width=\"280\" data-original-height=\"188\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5593-ziegler-castro\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5494\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423610032&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5593, Ziegler, Castro\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?w=276&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5593-Ziegler-Castro.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"276\" height=\"184\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5593, Ziegler, Castro\" alt=\"0K3A5593, Ziegler, Castro\" style=\"width: 276px; height: 184px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 280px; height: 188px;\" data-original-width=\"280\" data-original-height=\"188\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5413-ziegler-castro\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5501\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423603215&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5413, Ziegler, Castro\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?w=276&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5413-Ziegler-Castro.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"276\" height=\"184\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5413, Ziegler, Castro\" alt=\"0K3A5413, Ziegler, Castro\" style=\"width: 276px; height: 184px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 280px; height: 188px;\" data-original-width=\"280\" data-original-height=\"188\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/0k3a5403_castro_sinesi\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"184\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5498\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423602999&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;163&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A5403,_Castro,_Sinesi\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?w=276&#038;h=184&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5403_Castro_Sinesi.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"276\" height=\"184\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"184\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A5403,_Castro,_Sinesi\" alt=\"0K3A5403,_Castro,_Sinesi\" style=\"width: 276px; height: 184px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>F\u00fcnf T\u00f6ne auf dem Grand Piano und man wei\u00df, wer spielt: Pablo Ziegler gilt bis heute als der stilbildende Tango-Pianist, der zusammen mit Astor Piazolla den Tango Nuevo etabliert hat. Bis heute entwickelt Ziegler seinen musikalischen Stil permanent weiter und bewegt sich virtuos zwischen Jazzimprovisation und argentinischer Folklore. Fotograf Ralf Dombrowski besuchte Pablo Zieglers Konzert in der M\u00fcnchner Unterfahrt, das er am 10. Februar zusammen mit dem Gitarristen Quique Sinesi und dem Bandoneonisten Walter Castro dort gab.<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[322,442,146,573],"coauthors":[695],"class_list":["post-5488","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-konzert-2","tag-piano","tag-dombrowski","tag-unterfahrt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ziegler-Trio in der Unterfahrt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ziegler-Trio in der Unterfahrt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"F\u00fcnf T\u00f6ne auf dem Grand Piano und man wei\u00df, wer spielt: Pablo Ziegler gilt bis heute als der stilbildende Tango-Pianist, der zusammen mit Astor Piazolla den Tango Nuevo etabliert hat. Bis heute entwickelt Ziegler seinen musikalischen Stil permanent weiter und bewegt sich virtuos zwischen Jazzimprovisation und argentinischer Folklore. Fotograf Ralf Dombrowski besuchte Pablo Zieglers Konzert in der M\u00fcnchner Unterfahrt, das er am 10. Februar zusammen mit dem Gitarristen Quique Sinesi und dem Bandoneonisten Walter Castro dort gab.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-13T09:04:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?w=556&#038;h=371&#038;ssl=1\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Ziegler-Trio in der Unterfahrt\",\"datePublished\":\"2015-02-13T09:04:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/\"},\"wordCount\":89,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"keywords\":[\"Konzert\",\"Piano\",\"Ralf Dombrowski\",\"Unterfahrt\"],\"articleSection\":[\"Galerie\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/\",\"name\":\"Ziegler-Trio in der Unterfahrt - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"datePublished\":\"2015-02-13T09:04:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/ziegler-trio-der-unterfahrt\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ziegler-Trio in der Unterfahrt\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\",\"name\":\"Redaktion JazzZeitung\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"caption\":\"Redaktion JazzZeitung\"},\"description\":\"Artikel der Redaktion der JazzZeitung.\",\"sameAs\":[\"http:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/redaktion\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ziegler-Trio in der Unterfahrt - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/","og_locale":"de_DE","og_type":"article","og_title":"Ziegler-Trio in der Unterfahrt - JazzZeitung","og_description":"F\u00fcnf T\u00f6ne auf dem Grand Piano und man wei\u00df, wer spielt: Pablo Ziegler gilt bis heute als der stilbildende Tango-Pianist, der zusammen mit Astor Piazolla den Tango Nuevo etabliert hat. Bis heute entwickelt Ziegler seinen musikalischen Stil permanent weiter und bewegt sich virtuos zwischen Jazzimprovisation und argentinischer Folklore. Fotograf Ralf Dombrowski besuchte Pablo Zieglers Konzert in der M\u00fcnchner Unterfahrt, das er am 10. Februar zusammen mit dem Gitarristen Quique Sinesi und dem Bandoneonisten Walter Castro dort gab.","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2015-02-13T09:04:11+00:00","og_image":[{"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A5502-Ziegler.jpg?w=556&#038;h=371&#038;ssl=1","type":"","width":"","height":""}],"author":"Redaktion JazzZeitung","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/"},"author":{"name":"Redaktion JazzZeitung","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b"},"headline":"Ziegler-Trio in der Unterfahrt","datePublished":"2015-02-13T09:04:11+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/"},"wordCount":89,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"keywords":["Konzert","Piano","Ralf Dombrowski","Unterfahrt"],"articleSection":["Galerie"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/","name":"Ziegler-Trio in der Unterfahrt - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"datePublished":"2015-02-13T09:04:11+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/ziegler-trio-der-unterfahrt\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Ziegler-Trio in der Unterfahrt"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b","name":"Redaktion JazzZeitung","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","caption":"Redaktion JazzZeitung"},"description":"Artikel der Redaktion der JazzZeitung.","sameAs":["http:\/\/www.jazzzeitung.de\/cms\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/redaktion\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-1qw","jetpack-related-posts":[{"id":28546,"url":"https:\/\/www.jazzzeitung.de\/cms\/2022\/10\/iiro-rantalas-flock-gestern-in-der-muenchener-unterfahrt-heute-im-jazzclub-leerer-beutel-in-regensburg\/","url_meta":{"origin":5488,"position":0},"title":"Iiro Rantala\u2019s FLOCK &#8211; gestern in der M\u00fcnchener Unterfahrt, heute im Jazzclub Leerer Beutel in Regensburg","author":"Redaktion JazzZeitung","date":"27. Oktober 2022","format":false,"excerpt":"Veranstalten wird immer mehr zum Abenteuer. Der Vorverkauf zum Beispiel erweist sich inzwischen als Auslaufmodell. Zuschauer:innen entschlie\u00dfen sich immer kurzfristiger zum Kulturgenuss, mal abgesehen vom Partysegment. Die Kalkulierbarkeit von Tourneen nimmt ab, der Geldwert auch, es hagelt bereits Absagen zugunsten der Streaming-Couch. Reisen wird schwieriger, von Flugscham bis zur Versp\u00e4tungslotterie\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/10\/DSC00944.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/10\/DSC00944.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/10\/DSC00944.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/10\/DSC00944.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/10\/DSC00944.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8223,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/01\/benita\/","url_meta":{"origin":5488,"position":1},"title":"Best of Benita","author":"Redaktion JazzZeitung","date":"26. Januar 2016","format":false,"excerpt":"Das All-Star-Ensemble 'Ethics', in dem der Bassist und Komponist Michel Benita mit so starken Pers\u00f6nlichkeiten wie Mieko Miyazaki, Eivind Aarset, Philippe Garcia und Matthieu Michel spielt, war Anfang 2015 im Studio gewesen, um mit ECM ein neues Album aufzunehmen. Das Resultat dieser Aufnahmen pr\u00e4sentierten sie in einem wundersch\u00f6nen Konzert am\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/0K3A3894-Miyazaki-Benita-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/0K3A3894-Miyazaki-Benita-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/0K3A3894-Miyazaki-Benita-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/0K3A3894-Miyazaki-Benita-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/0K3A3894-Miyazaki-Benita-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":3388,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/01\/fotogalerie\/","url_meta":{"origin":5488,"position":2},"title":"Fotogalerie: &#8222;Be My Guest&#8220; im Caf\u00e9 Rinaldo","author":"Redaktion JazzZeitung","date":"20. Januar 2014","format":false,"excerpt":"Fortsetzung unserer kleinen Reihe mit Fotos von Ralf Dombrowski, dessen Ausstellung in der M\u00fcnchner Unterfahrt gestern er\u00f6ffnet wurde. Heute Impressionen aus der von Stefan Noelle ins Leben gerufenen Veranstaltungsreih \"Be My Guest\" - mit Kellerkonzerten in pers\u00f6nlichem Rahmen im Souterrain des Caf\u00e9 Rigoletto in M\u00fcnchen. Am 14. Januar kombinierten Stefan\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/01\/Mayer-Siegmeth-Noelle-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":10943,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/galerie-julian-lage-trio-in-der-muenchner-unterfahrt\/","url_meta":{"origin":5488,"position":3},"title":"Galerie: Julian Lage Trio in der M\u00fcnchner Unterfahrt","author":"Redaktion JazzZeitung","date":"13. November 2016","format":false,"excerpt":"Bluegrass, Country, Jazz, klassische Musik und vieles mehr findet sich in der Musik des amerikanischen Gitarristen Julian Lage aufs Friedlichste vereint. Gelernt hat er unter anderem in \u201eGary Burton's Next Generation Quintet\u201c und reiht sich damit in die Reihe der Weltklasse-Gitarristen ein, die von Burton \"entdeckt\" wurden: Pat Metheny, John\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4453-Doob-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4453-Doob-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4453-Doob-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4453-Doob-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/0K3A4453-Doob-dombr.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":10996,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/vernissage-von-thomas-j-krebs-in-der-unterfahrt\/","url_meta":{"origin":5488,"position":4},"title":"Vernissage von Thomas J. Krebs in der Unterfahrt","author":"Redaktion JazzZeitung","date":"17. November 2016","format":false,"excerpt":"Thomas J. Krebs fotgrafiert seid genau 50 Jahren. Mit 6 Jahren bekam er seine erste Kamera geschenkt. Seitdem macht er Bilder \u2013 heute vor allem von Jazzern, seit 1992 auch f\u00fcr die JazzZeitung. Am vergangenen Sonntag er\u00f6ffnete der Jurist seine Vernissage \"Jazz - Live, Keys & Sticks, Fotografien von Thomas\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":16452,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/06\/das-duo-bojan-z-julien-lourau-im-jazzclub-unterfahrt\/","url_meta":{"origin":5488,"position":5},"title":"Das Duo Bojan Z &#038; Julien Lourau im Jazzclub Unterfahrt","author":"Redaktion JazzZeitung","date":"21. Juni 2018","format":false,"excerpt":"Das franz\u00f6sische Duo des Pianisten Bojan Z und des Saxophonisten Julien Lourau hat am 15. Juni 2018 ein Konzert in der Unterfahrt in M\u00fcnchen gegeben. Ralf Dombrowski war zugegen, fand es herausragend und hat f\u00fcr die JazzZeitung einige Eindr\u00fccke fotografisch festgehalten:","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/06\/0K3A2960-Z-Lourau-c-Ralf-Dombrowski.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/06\/0K3A2960-Z-Lourau-c-Ralf-Dombrowski.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/06\/0K3A2960-Z-Lourau-c-Ralf-Dombrowski.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/06\/0K3A2960-Z-Lourau-c-Ralf-Dombrowski.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/06\/0K3A2960-Z-Lourau-c-Ralf-Dombrowski.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=5488"}],"version-history":[{"count":1,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5488\/revisions"}],"predecessor-version":[{"id":5507,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5488\/revisions\/5507"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=5488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=5488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=5488"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=5488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}