{"id":5439,"date":"2015-02-06T13:42:06","date_gmt":"2015-02-06T12:42:06","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5439"},"modified":"2015-02-06T13:43:44","modified_gmt":"2015-02-06T12:43:44","slug":"charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/","title":{"rendered":"Charlotte Greve pr\u00e4sentiert &#8222;Wood River&#8220; in der M\u00fcnchner Unterfahrt"},"content":{"rendered":"<p><strong>Wood River<\/strong> hei\u00dft das neue Projekt der Saxophonistin Charlotte Greve und des Gitarristen Keisuke Matsuno. Die Band, die Anfang 2014 in New York gegr\u00fcndet wurde, ver\u00f6ffentlicht jetzt ihr Deb\u00fctalbum beim Label Edition Longplay. Die Musik von <strong>Wood River<\/strong> passiert in Schichten &#8211; Melodien, Soundfragmente und Rhythmen werden \u00fcbereinander gestapelt und entwickeln sich dabei zu einem einzigen gro\u00dfen Instrument, bei dem man manchmal nicht genau wei\u00df, welcher Klang von wem erzeugt wird. Die St\u00fccke f\u00fchren ein Eigenleben, entfalten sich in einer kollektiv erzeugten Wand aus Klang und schweren Schlagzeugbeats und erreichen ihre Zuh\u00f6rer in dunkler, aber eleganter Sch\u00f6nheit.<\/p>\n<p>Ralf Dombrowski war bei der Vorstellung des Projekts in der M\u00fcnchner Unterfahrt und fotografierte f\u00fcr jazzzeitung.de.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 593px;\" data-original-width=\"840\" data-original-height=\"593\" > <div class=\"gallery-group images-2\" style=\"width: 443px; height: 593px;\" data-original-width=\"443\" data-original-height=\"593\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4851-charlotte-greve\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"439\"> <meta itemprop=\"height\" content=\"293\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5440\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423173045&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;176&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4851, Charlotte Greve\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?w=439&#038;h=293&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"439\" height=\"293\" loading=\"lazy\" data-original-width=\"439\" data-original-height=\"293\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4851, Charlotte Greve\" alt=\"Charlotte Greve\" style=\"width: 439px; height: 293px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Charlotte Greve <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4798-keisuke-matsuno\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"439\"> <meta itemprop=\"height\" content=\"292\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5441\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423172520&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;149&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4798, Keisuke Matsuno\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?w=439&#038;h=292&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4798-Keisuke-Matsuno.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"439\" height=\"292\" loading=\"lazy\" data-original-width=\"439\" data-original-height=\"292\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4798, Keisuke Matsuno\" alt=\"Keisuke Matsuno\" style=\"width: 439px; height: 292px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Keisuke Matsuno <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 397px; height: 593px;\" data-original-width=\"397\" data-original-height=\"593\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4720-keisuke-matsuno-charlotte-greve\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"393\"> <meta itemprop=\"height\" content=\"589\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5442\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg\" data-orig-size=\"853,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423170978&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;149&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4720, Keisuke Matsuno, Charlotte Greve\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?w=393&#038;h=589&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?w=853&amp;ssl=1 853w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4720-Keisuke-Matsuno-Charlotte-Greve.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"393\" height=\"589\" loading=\"lazy\" data-original-width=\"393\" data-original-height=\"589\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4720, Keisuke Matsuno, Charlotte Greve\" alt=\"Keisuke Matsuno, Charlotte Greve\" style=\"width: 393px; height: 589px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Keisuke Matsuno, Charlotte Greve <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 384px;\" data-original-width=\"840\" data-original-height=\"384\" > <div class=\"gallery-group images-1\" style=\"width: 554px; height: 384px;\" data-original-width=\"554\" data-original-height=\"384\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4684-simon-jermyn\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"550\"> <meta itemprop=\"height\" content=\"380\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5443\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg\" data-orig-size=\"1280,883\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423170800&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;159&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4684, Simon Jermyn\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?fit=300%2C207&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?fit=840%2C579&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?w=550&#038;h=380&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?resize=300%2C207&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?resize=870%2C600&amp;ssl=1 870w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4684-Simon-Jermyn.jpg?resize=900%2C621&amp;ssl=1 900w\" width=\"550\" height=\"380\" loading=\"lazy\" data-original-width=\"550\" data-original-height=\"380\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4684, Simon Jermyn\" alt=\"Simon Jermyn\" style=\"width: 550px; height: 380px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Simon Jermyn <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 286px; height: 384px;\" data-original-width=\"286\" data-original-height=\"384\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4754-charlotte-greve\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"282\"> <meta itemprop=\"height\" content=\"188\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5444\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423171528&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;85&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4754, Charlotte Greve\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?w=282&#038;h=188&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4754-Charlotte-Greve-.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"282\" height=\"188\" loading=\"lazy\" data-original-width=\"282\" data-original-height=\"188\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4754, Charlotte Greve\" alt=\"Charlotte Greve\" style=\"width: 282px; height: 188px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Charlotte Greve <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4861-tommy-crane\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"282\"> <meta itemprop=\"height\" content=\"188\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5445\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423173128&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;168&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4861, Tommy Crane\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?w=282&#038;h=188&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4861-Tommy-Crane.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"282\" height=\"188\" loading=\"lazy\" data-original-width=\"282\" data-original-height=\"188\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4861, Tommy Crane\" alt=\"Tommy Crane\" style=\"width: 282px; height: 188px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Tommy Crane <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 281px;\" data-original-width=\"840\" data-original-height=\"281\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4791-charlotte-greve-simon-jermyn\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5446\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423172451&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;154&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4791, Charlotte Greve, Simon Jermyn\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?w=416&#038;h=277&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4791-Charlotte-Greve-Simon-Jermyn.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4791, Charlotte Greve, Simon Jermyn\" alt=\"Charlotte Greve\" style=\"width: 416px; height: 277px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Charlotte Greve <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/0k3a4703-simon-jermyn-tommy-crane\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5447\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg\" data-orig-size=\"1280,853\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1423170894&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A4703, Simon Jermyn, Tommy Crane\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?w=416&#038;h=277&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4703-Simon-Jermyn-Tommy-Crane.jpg?resize=900%2C600&amp;ssl=1 900w\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A4703, Simon Jermyn, Tommy Crane\" alt=\"Simon Jermyn, Tommy Crane\" style=\"width: 416px; height: 277px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Simon Jermyn, Tommy Crane <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wood River hei\u00dft das neue Projekt der Saxophonistin Charlotte Greve und des Gitarristen Keisuke Matsuno. Die Band, die Anfang 2014 in New York gegr\u00fcndet wurde, ver\u00f6ffentlicht jetzt ihr Deb\u00fctalbum beim Label Edition Longplay. Die Musik von Wood River passiert in Schichten &#8211; Melodien, Soundfragmente und Rhythmen werden \u00fcbereinander gestapelt und entwickeln sich dabei zu einem einzigen gro\u00dfen Instrument, bei dem man manchmal nicht genau wei\u00df, welcher Klang von wem erzeugt wird. Die St\u00fccke f\u00fchren ein Eigenleben, entfalten sich in einer kollektiv erzeugten Wand aus Klang und schweren Schlagzeugbeats und erreichen ihre Zuh\u00f6rer in dunkler, aber eleganter Sch\u00f6nheit. Ralf Dombrowski war bei der Vorstellung des Projekts in der M\u00fcnchner Unterfahrt und fotografierte f\u00fcr jazzzeitung.de. &nbsp; &nbsp;<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[294,339,904,146,573],"coauthors":[695],"class_list":["post-5439","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-jazzzeitung","tag-label","tag-new-york","tag-dombrowski","tag-unterfahrt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Charlotte Greve pr\u00e4sentiert &quot;Wood River&quot; in der M\u00fcnchner Unterfahrt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Charlotte Greve pr\u00e4sentiert &quot;Wood River&quot; in der M\u00fcnchner Unterfahrt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Wood River hei\u00dft das neue Projekt der Saxophonistin Charlotte Greve und des Gitarristen Keisuke Matsuno. Die Band, die Anfang 2014 in New York gegr\u00fcndet wurde, ver\u00f6ffentlicht jetzt ihr Deb\u00fctalbum beim Label Edition Longplay. Die Musik von Wood River passiert in Schichten &#8211; Melodien, Soundfragmente und Rhythmen werden \u00fcbereinander gestapelt und entwickeln sich dabei zu einem einzigen gro\u00dfen Instrument, bei dem man manchmal nicht genau wei\u00df, welcher Klang von wem erzeugt wird. Die St\u00fccke f\u00fchren ein Eigenleben, entfalten sich in einer kollektiv erzeugten Wand aus Klang und schweren Schlagzeugbeats und erreichen ihre Zuh\u00f6rer in dunkler, aber eleganter Sch\u00f6nheit. Ralf Dombrowski war bei der Vorstellung des Projekts in der M\u00fcnchner Unterfahrt und fotografierte f\u00fcr jazzzeitung.de. &nbsp; &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2015\/02\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-06T12:42:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-02-06T12:43:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/02\/0K3A4851-Charlotte-Greve.jpg?w=439&#038;h=293&#038;ssl=1\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2015\\\/02\\\/charlotte-greve-praesentiert-wood-river-der-muenchner-unterfahrt\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Charlotte Greve pr\u00e4sentiert &#8222;Wood River&#8220; 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Die Band, die Anfang 2014 in New York gegr\u00fcndet wurde, ver\u00f6ffentlicht jetzt ihr Deb\u00fctalbum beim Label Edition Longplay. Die Musik von Wood River passiert in Schichten &#8211; Melodien, Soundfragmente und Rhythmen werden \u00fcbereinander gestapelt und entwickeln sich dabei zu einem einzigen gro\u00dfen Instrument, bei dem man manchmal nicht genau wei\u00df, welcher Klang von wem erzeugt wird. Die St\u00fccke f\u00fchren ein Eigenleben, entfalten sich in einer kollektiv erzeugten Wand aus Klang und schweren Schlagzeugbeats und erreichen ihre Zuh\u00f6rer in dunkler, aber eleganter Sch\u00f6nheit. 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