{"id":5149,"date":"2014-12-18T13:17:30","date_gmt":"2014-12-18T12:17:30","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=5149"},"modified":"2014-12-18T13:17:30","modified_gmt":"2014-12-18T12:17:30","slug":"bildergalerie-paolo-fresu-im-bayerischen-hof","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/bildergalerie-paolo-fresu-im-bayerischen-hof\/","title":{"rendered":"Bildergalerie: Paolo Fresu im Bayerischen Hof"},"content":{"rendered":"<p>Am 11. Dezember 2014 war <a href=\"http:\/\/ralfdombrowski.de\">Ralf Dombrowski<\/a> (Fotos) im Bayerischen Hof in M\u00fcnchen und merkt dazu an: Paolo Fresu mit seinem italienischen Devil\u00a0Quartett (Bebo Ferra, g; Paolino\u00a0Dalla Porta, b; Stefano Bagnoli, dr): ungemein inspirierte Musik, sehr kommunikativ, perfekt dialogisierend, kommunizierend mit einem weiten\u00a0musikalischen Spektrum von\u00a0eigenwillig freakigen\u00a0Bearbeitungen etwa des Stones-Klassikers &#8222;Satisfaction&#8220; bis hin zu weit ausholenden, sich \u00fcberlegt steigernden Soloexkursen von Fresu und Ferra\u00a0\u2026 durchaus faszinierend\u00a0\u2026<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/12\\\/bildergalerie-paolo-fresu-im-bayerischen-hof\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 578px;\" data-original-width=\"840\" data-original-height=\"578\" > <div class=\"gallery-group images-2\" style=\"width: 416px; height: 578px;\" data-original-width=\"416\" data-original-height=\"578\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/bildergalerie-paolo-fresu-im-bayerischen-hof\/0k3a9480_bebbo_ferra_dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"412\"> <meta itemprop=\"height\" content=\"279\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5150\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg\" data-orig-size=\"1280,866\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1418332247&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;85&quot;,&quot;iso&quot;:&quot;10000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9480,_Bebbo_Ferra_(dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?fit=300%2C202&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?fit=840%2C569&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?w=412&#038;h=279&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?resize=886%2C600&amp;ssl=1 886w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9480_Bebbo_Ferra_dombr.jpg?resize=900%2C608&amp;ssl=1 900w\" width=\"412\" height=\"279\" loading=\"lazy\" data-original-width=\"412\" data-original-height=\"279\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9480,_Bebbo_Ferra_(dombr)\" alt=\"0K3A9480,_Bebbo_Ferra_(dombr)\" style=\"width: 412px; height: 279px;\" \/> <\/a> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/bildergalerie-paolo-fresu-im-bayerischen-hof\/0k3a9502_devil_quartet_dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"412\"> <meta itemprop=\"height\" content=\"291\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5151\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg\" data-orig-size=\"1280,905\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1418332698&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9502,_Devil_Quartet_(dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?fit=300%2C212&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?fit=840%2C594&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?w=412&#038;h=291&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?resize=848%2C600&amp;ssl=1 848w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9502_Devil_Quartet_dombr.jpg?resize=900%2C636&amp;ssl=1 900w\" width=\"412\" height=\"291\" loading=\"lazy\" data-original-width=\"412\" data-original-height=\"291\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9502,_Devil_Quartet_(dombr)\" alt=\"0K3A9502,_Devil_Quartet_(dombr)\" style=\"width: 412px; height: 291px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 424px; height: 578px;\" data-original-width=\"424\" data-original-height=\"578\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/bildergalerie-paolo-fresu-im-bayerischen-hof\/0k3a9547_dalla_porta_dombr\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"420\"> <meta itemprop=\"height\" content=\"574\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"5152\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg\" data-orig-size=\"937,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1418333338&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;149&quot;,&quot;iso&quot;:&quot;12800&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"0K3A9547,_Dalla_Porta_(dombr)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?fit=219%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?fit=439%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?w=420&#038;h=574&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?w=937&amp;ssl=1 937w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?resize=439%2C600&amp;ssl=1 439w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2014\/12\/0K3A9547_Dalla_Porta_dombr.jpg?resize=900%2C1229&amp;ssl=1 900w\" width=\"420\" height=\"574\" loading=\"lazy\" data-original-width=\"420\" data-original-height=\"574\" itemprop=\"http:\/\/schema.org\/image\" title=\"0K3A9547,_Dalla_Porta_(dombr)\" alt=\"0K3A9547,_Dalla_Porta_(dombr)\" style=\"width: 420px; 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Dezember 2014 war Ralf Dombrowski (Fotos) im Bayerischen Hof in M\u00fcnchen und merkt dazu an: Paolo Fresu mit seinem italienischen Devil\u00a0Quartett (Bebo Ferra, g; Paolino\u00a0Dalla Porta, b; Stefano Bagnoli, dr): ungemein inspirierte Musik, sehr kommunikativ, perfekt dialogisierend, kommunizierend mit einem weiten\u00a0musikalischen Spektrum von\u00a0eigenwillig freakigen\u00a0Bearbeitungen etwa des Stones-Klassikers &#8222;Satisfaction&#8220; bis hin zu weit ausholenden, sich \u00fcberlegt steigernden Soloexkursen von Fresu und Ferra\u00a0\u2026 durchaus faszinierend\u00a0\u2026<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[401,146],"coauthors":[695],"class_list":["post-5149","post","type-post","status-publish","format-standard","hentry","category-galerie","tag-muenchen","tag-dombrowski"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bildergalerie: Paolo Fresu im Bayerischen Hof - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/bildergalerie-paolo-fresu-im-bayerischen-hof\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bildergalerie: Paolo Fresu im Bayerischen Hof - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Am 11. 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Dezember 2013","format":"gallery","excerpt":"Und zum Wochende noch etwas zum Schauen: Eindr\u00fccke von einem kleinen intimen Konzert Anfang Dezember im Bayerischen Hof in M\u00fcnchen - fotografiert von Ralf Dombrowski.","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/12\/Takase-1-dombr.jpg?resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=5149"}],"version-history":[{"count":1,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5149\/revisions"}],"predecessor-version":[{"id":5162,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/5149\/revisions\/5162"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=5149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=5149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=5149"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=5149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}