{"id":4255,"date":"2014-07-15T08:00:22","date_gmt":"2014-07-15T06:00:22","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=4255"},"modified":"2014-07-15T09:39:25","modified_gmt":"2014-07-15T07:39:25","slug":"improvisation-ueber-improvisation-7","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/","title":{"rendered":"Improvisation \u00fcber Improvisation #7"},"content":{"rendered":"

I \u2013 M \u2013 P \u2013 R \u2013 O \u2013 V \u2013 I \u2013 S \u2013 A \u2013 T \u2013 I \u2013 O \u2013 N .
\nA \u2013 I \u2013 I \u2013 I \u2013 M \u2013 N \u2013 O \u2013 O \u2013 P \u2013 R \u2013 S \u2013 T \u2013 V .
\nV \u2013 O \u2013 R \u2013 M \u2013 O \u2013 P \u2013 I \u2013 I \u2013 N \u2013 A \u2013 S \u2013 T \u2013 I .<\/p>\n

IM. MP. PR. RO. OV. VI. IS. SA. AT. TI. IO. ON.<\/p>\n

ATI. MIN. NPR. PRO. TOP. NSA (\u2192 Ami \u2192 Spion \u2192 Tarn).<\/p>\n

VOIP. NATO. TISA<\/a>…<\/p>\n

INTRO:<\/p>\n

Na? \u201eMoin moin\u201c an:
\nArmin; Ina, Isa, Insa, Iris + Irma; Martin, Marion, Mira + Miro (!!); Nora + Norma; Omar; Omars Oma + Opa; Pit, Pino + Patin; Rami, Rani, Rias, Rita, Rosa + Rosi; Sami, Sani, Siri, Sinti + Roma; Tim + Timo; Tom + Tomi; Toni, Tomas + Vati. <\/p>\n

Roman ist Romanist. <\/p>\n

Taoist. Maoist. Primat. Primitiv. Asi. Vampir. Tapir. Mops. <\/p>\n

Sponti am Main: Anti \u2192 Pro. <\/p>\n

Proviant: Vitamin, Provitamin, Opiat, Anis, Pita, Tran, Spinat, Raps + Mais. Portion = Mast. Mist. Most. Post. Prost! Rost.<\/p>\n

Ost. Ostia. Rom. Mitra. Ornat. Position. Promis (in Samt? in Satin?? im Sari???) in Paris, vis a vis. Visa. Vista. Via Navi = naiv. Via Tram (Tip vom Patron…)!
\nPatros. Pori. Porto. Sopot. Asti (Ort). Ost-Timor. Oman. Iran. Import. <\/p>\n

Maori. Morast. Moor. Moos. Span. Sporn. Sport (spornt an). Sprint. Torsion. Torso. Stirn. Star.<\/p>\n

Rast.<\/p>\n

Strom. PA. Amps. Poti. Mono. Spot. Sopran (sonor). Atmo mit Sitar. Timpani. Tampons. Pornos. Intim (oops…). Spam. Trivia: Monat Mai ist Vor-Vormonat.<\/p>\n

Norm. Normativ. Notar. Monitor. Minorit. Pastor\/ Pastorin. Pirat\/ Piratin. Matrosin am Sonar. Astronomin (smart!): Proton, Atom, Isotop, Ion, Orion, Mars. Rot.
\nSpar. Ration = mini. Storno. Somit arm. Not. Rat: ins Amt. Option: Provision?! <\/p>\n

Pro Vision! Pro Prosa! Pro Ton! Motor an, mit voran. Tor. TOOR!!!<\/a> Positiv! Prima! Imposant! Ovation! Prosit (Pinot, Martini + Sprit)!!!
\nAspirin…<\/p>\n

So. Stop. Von vorn.<\/p>\n

(Vita: ist Pianist am Piano, mit Trio. Motiv? Privat.)<\/p>\n","protected":false},"excerpt":{"rendered":"

I \u2013 M \u2013 P \u2013 R \u2013 O \u2013 V \u2013 I \u2013 S \u2013 A \u2013 T \u2013 I \u2013 O \u2013 N . A \u2013 I \u2013 I \u2013 I \u2013 M \u2013 N \u2013 O \u2013 O \u2013 P \u2013 R \u2013 S \u2013 T \u2013 V . V \u2013 O \u2013 R \u2013 M \u2013 O \u2013 P \u2013 I \u2013 I \u2013 N \u2013 A \u2013 S \u2013 T \u2013 I . IM. MP. PR. RO. OV. VI. IS. SA. AT. TI. IO. ON. ATI. MIN. NPR. PRO. TOP. NSA (\u2192 Ami \u2192 Spion \u2192 Tarn). VOIP. NATO. TISA… INTRO: Na? \u201eMoin moin\u201c an: Armin; Ina, Isa, Insa, Iris + Irma; Martin, Marion, Mira + Miro (!!); Nora + Norma; Omar; Omars Oma + Opa; Pit, Pino + Patin; Rami, Rani, Rias, Rita, Rosa + Rosi; Sami, Sani, Siri, Sinti + Roma; Tim + Timo; Tom + Tomi; Toni, Tomas + Vati. Roman ist Romanist. Taoist. Maoist. Primat. Primitiv. Asi. Vampir. Tapir. Mops. Sponti am Main: Anti \u2192 Pro. Proviant: Vitamin, Provitamin, Opiat, Anis, Pita, Tran, Spinat, Raps + …<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[82],"tags":[1007],"coauthors":[770],"class_list":["post-4255","post","type-post","status-publish","format-standard","hentry","category-blog","tag-improvisation"],"yoast_head":"\nImprovisation \u00fcber Improvisation #7 - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Improvisation \u00fcber Improvisation #7 - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"I \u2013 M \u2013 P \u2013 R \u2013 O \u2013 V \u2013 I \u2013 S \u2013 A \u2013 T \u2013 I \u2013 O \u2013 N . A \u2013 I \u2013 I \u2013 I \u2013 M \u2013 N \u2013 O \u2013 O \u2013 P \u2013 R \u2013 S \u2013 T \u2013 V . V \u2013 O \u2013 R \u2013 M \u2013 O \u2013 P \u2013 I \u2013 I \u2013 N \u2013 A \u2013 S \u2013 T \u2013 I . IM. MP. PR. RO. OV. VI. IS. SA. AT. TI. IO. ON. ATI. MIN. NPR. PRO. TOP. NSA (\u2192 Ami \u2192 Spion \u2192 Tarn). VOIP. NATO. TISA… INTRO: Na? \u201eMoin moin\u201c an: Armin; Ina, Isa, Insa, Iris + Irma; Martin, Marion, Mira + Miro (!!); Nora + Norma; Omar; Omars Oma + Opa; Pit, Pino + Patin; Rami, Rani, Rias, Rita, Rosa + Rosi; Sami, Sani, Siri, Sinti + Roma; Tim + Timo; Tom + Tomi; Toni, Tomas + Vati. Roman ist Romanist. Taoist. Maoist. Primat. Primitiv. Asi. Vampir. Tapir. Mops. Sponti am Main: Anti \u2192 Pro. Proviant: Vitamin, Provitamin, Opiat, Anis, Pita, Tran, Spinat, Raps + …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-15T06:00:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-07-15T07:39:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2012\/01\/ipad-logo-200.png?fit=200%2C200&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Benjamin Schaefer\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/\"},\"author\":{\"name\":\"Benjamin Schaefer\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/3e3b81d403e660d7e97c67f7f805c875\"},\"headline\":\"Improvisation \u00fcber Improvisation #7\",\"datePublished\":\"2014-07-15T06:00:22+00:00\",\"dateModified\":\"2014-07-15T07:39:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/\"},\"wordCount\":283,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"keywords\":[\"Improvisation\"],\"articleSection\":[\"Blog\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/\",\"name\":\"Improvisation \u00fcber Improvisation #7 - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"datePublished\":\"2014-07-15T06:00:22+00:00\",\"dateModified\":\"2014-07-15T07:39:25+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2014\\\/07\\\/improvisation-ueber-improvisation-7\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Improvisation \u00fcber Improvisation #7\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/3e3b81d403e660d7e97c67f7f805c875\",\"name\":\"Benjamin Schaefer\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1c443b59badf4cb4cef82900bff578357\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/09\\\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1\",\"caption\":\"Benjamin Schaefer\"},\"description\":\"Benjamin Schaefer (geb. 1981) studierte von 2001 bis 2008 Jazzklavier und Komposition an der K\u00f6lner Musikhochschule bei Frank Wunsch, Hans L\u00fcdemann, John Taylor und Joachim Ullrich. Er war Mitglied des Landesjazzorchesters NRW und des Bundesjazzorchesters (BuJazzO). Tourneen dieser und anderer Formationen f\u00fchrten ihn bereits in zahlreiche europ\u00e4ische L\u00e4nder sowie nach Russland, S\u00fcdafrika, in die Ukraine, die USA und durch sieben L\u00e4nder Zentralamerikas. Neben seiner k\u00fcnstlerischen T\u00e4tigkeit arbeitet Benjamin Schaefer seit 2009 als Dozent f\u00fcr Jazz-Klavier an der HfMT K\u00f6ln.\",\"sameAs\":[\"http:\\\/\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/benjamin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Improvisation \u00fcber Improvisation #7 - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/","og_locale":"de_DE","og_type":"article","og_title":"Improvisation \u00fcber Improvisation #7 - JazzZeitung","og_description":"I \u2013 M \u2013 P \u2013 R \u2013 O \u2013 V \u2013 I \u2013 S \u2013 A \u2013 T \u2013 I \u2013 O \u2013 N . A \u2013 I \u2013 I \u2013 I \u2013 M \u2013 N \u2013 O \u2013 O \u2013 P \u2013 R \u2013 S \u2013 T \u2013 V . V \u2013 O \u2013 R \u2013 M \u2013 O \u2013 P \u2013 I \u2013 I \u2013 N \u2013 A \u2013 S \u2013 T \u2013 I . IM. MP. PR. RO. OV. VI. IS. SA. AT. TI. IO. ON. ATI. MIN. NPR. PRO. TOP. NSA (\u2192 Ami \u2192 Spion \u2192 Tarn). VOIP. NATO. TISA… INTRO: Na? \u201eMoin moin\u201c an: Armin; Ina, Isa, Insa, Iris + Irma; Martin, Marion, Mira + Miro (!!); Nora + Norma; Omar; Omars Oma + Opa; Pit, Pino + Patin; Rami, Rani, Rias, Rita, Rosa + Rosi; Sami, Sani, Siri, Sinti + Roma; Tim + Timo; Tom + Tomi; Toni, Tomas + Vati. Roman ist Romanist. Taoist. Maoist. Primat. Primitiv. Asi. Vampir. Tapir. Mops. Sponti am Main: Anti \u2192 Pro. Proviant: Vitamin, Provitamin, Opiat, Anis, Pita, Tran, Spinat, Raps + …","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2014-07-15T06:00:22+00:00","article_modified_time":"2014-07-15T07:39:25+00:00","og_image":[{"width":200,"height":200,"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2012\/01\/ipad-logo-200.png?fit=200%2C200&ssl=1","type":"image\/png"}],"author":"Benjamin Schaefer","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/"},"author":{"name":"Benjamin Schaefer","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/3e3b81d403e660d7e97c67f7f805c875"},"headline":"Improvisation \u00fcber Improvisation #7","datePublished":"2014-07-15T06:00:22+00:00","dateModified":"2014-07-15T07:39:25+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/"},"wordCount":283,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"keywords":["Improvisation"],"articleSection":["Blog"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/","name":"Improvisation \u00fcber Improvisation #7 - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"datePublished":"2014-07-15T06:00:22+00:00","dateModified":"2014-07-15T07:39:25+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2014\/07\/improvisation-ueber-improvisation-7\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Improvisation \u00fcber Improvisation #7"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/3e3b81d403e660d7e97c67f7f805c875","name":"Benjamin Schaefer","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/09\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1c443b59badf4cb4cef82900bff578357","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/09\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/09\/benjamin_schaefer_400.jpg?resize=96%2C96&ssl=1","caption":"Benjamin Schaefer"},"description":"Benjamin Schaefer (geb. 1981) studierte von 2001 bis 2008 Jazzklavier und Komposition an der K\u00f6lner Musikhochschule bei Frank Wunsch, Hans L\u00fcdemann, John Taylor und Joachim Ullrich. Er war Mitglied des Landesjazzorchesters NRW und des Bundesjazzorchesters (BuJazzO). Tourneen dieser und anderer Formationen f\u00fchrten ihn bereits in zahlreiche europ\u00e4ische L\u00e4nder sowie nach Russland, S\u00fcdafrika, in die Ukraine, die USA und durch sieben L\u00e4nder Zentralamerikas. Neben seiner k\u00fcnstlerischen T\u00e4tigkeit arbeitet Benjamin Schaefer seit 2009 als Dozent f\u00fcr Jazz-Klavier an der HfMT K\u00f6ln.","sameAs":["http:\/\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/benjamin\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":"4f2aeeeda4a04cedb6e845b94c6b62de","server":"vg07.met.vgwort.de","url":"https:\/\/vg07.met.vgwort.de\/na\/4f2aeeeda4a04cedb6e845b94c6b62de"},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":false,"source_text":false,"source_url":false},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-16D","jetpack-related-posts":[{"id":12308,"url":"https:\/\/www.jazzzeitung.de\/cms\/2017\/05\/das-duo-fractal-limit-ist-preistraeger-des-1-achava-jazz-award\/","url_meta":{"origin":4255,"position":0},"title":"Das Duo \u201eFRACTAL LIMIT“ ist Preistr\u00e4ger des 1. ACHAVA Jazz Award","author":"Redaktion JazzZeitung","date":"9. Mai 2017","format":false,"excerpt":"Weimar\/Erfurt, \u00a05.\u00a0 Mai \u00a02017. Der\u00a0 mit 10.000 Euro dotierte\u00a0 ACHAVA \u00a0Jazz \u00a0Award ging an das Duo \u201eFRACTAL LIMIT\". Der neue Preis zeichnet \u00a0ein \u00a0k\u00fcnstlerisch herausragendes \u00a0Band-Projekt \u00a0aus, \u00a0das \u00a0den \u00a0transkulturellen \u00a0Charakter \u00a0des \u00a0Jazz \u00a0ins \u00a0Zentrum seines Schaffens stellt und dies auf h\u00f6chstem k\u00fcnstlerischen Niveau umsetzt, indem es die improvisatorischen\u00a0 \u00a0oder\u00a0\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/Foto_ACHAVA_Jazz_Award_2017_c-ACHAVA-e.V.-300x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5115,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/12\/improvisation-ueber-improvisation-15\/","url_meta":{"origin":4255,"position":1},"title":"Improvisation \u00fcber Improvisation #15","author":"Benjamin Schaefer","date":"15. Dezember 2014","format":false,"excerpt":"In den vergangenen Wochen und Monaten habe ich aus verschiedenen Blickwinkeln und mit unterschiedlichen Motivationen auf das Thema Improvisation geschaut \u2013 was die Improvisation ausmacht, was sie bewirken kann, vor welche Probleme sie den Improvisierenden stellt und wie sie helfen kann, Probleme zu l\u00f6sen. Mal sind die Eintr\u00e4ge innerhalb eines\u2026","rel":"","context":"In "Blog"","block_context":{"text":"Blog","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/blog\/"},"img":{"alt_text":"Benjamin Schaefer","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/09\/benjamin_schaefer_400-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11706,"url":"https:\/\/www.jazzzeitung.de\/cms\/2017\/02\/symposium-2017-zum-thema-improvisation-und-jazz-fuer-kinder-auf-der-bremer-messe-jazzahead\/","url_meta":{"origin":4255,"position":2},"title":"Symposium 2017 zum Thema Improvisation und Jazz f\u00fcr Kinder auf der Bremer Messe „jazzahead“","author":"Redaktion JazzZeitung","date":"18. Februar 2017","format":false,"excerpt":"Kinder sind\u00a0 nicht nur das Publikum der Zukunft, sondern auch das von heute: lebendig, ehrlich, begeisterungsf\u00e4hig und neugierig. Das passt zum Jazz, doch obwohl Jazz und Kinder so gut zusammen passen, gibt es wenig Jazzangebote f\u00fcr die Kleinsten, f\u00fcr Kinder im KiTa- und Grundschulalter. Warum ist das so? Und welche\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/02\/Initiative-Improvisation-Plakat-13_Seite_2.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":3750,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/04\/improvisation-ueber-improvisation-1\/","url_meta":{"origin":4255,"position":3},"title":"Improvisation \u00fcber Improvisation #1","author":"Benjamin Schaefer","date":"15. April 2014","format":false,"excerpt":"Der Wecker klingelt wie gestellt. Der Taxifahrer klingelt wie bestellt. Auch der Zug, der mich zum Flughafen bringt, ist auf die Minute p\u00fcnktlich. Abfertigung reibungslos, Flug ohne Turbulenzen. Ankunft um 14:48. Raus aus der Schalterhalle, rein ins allt\u00e4gliche Chaos. Lautes Stimmengewirr, ich verstehe kein Wort. Stau. Enge. Ein Paradies f\u00fcr\u2026","rel":"","context":"In "Blog"","block_context":{"text":"Blog","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/blog\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4944,"url":"https:\/\/www.jazzzeitung.de\/cms\/2014\/11\/improvisation-ueber-improvisation-13\/","url_meta":{"origin":4255,"position":4},"title":"Improvisation \u00fcber Improvisation #13","author":"Benjamin Schaefer","date":"16. November 2014","format":false,"excerpt":"In den bisherigen Folgen dieser Blogreihe habe ich viel \u00fcber Improvisation im musikalischen Kontext geschrieben. H\u00f6chste Zeit, auch einmal in andere Bereiche zu schauen. Google, hilfreich wie immer, lieferte mir den Vorschlag \u201eImprovisation Wirtschaft\u201c. Das f\u00fchrte mich unter anderem zu folgenden Definitionen: \u201eVor\u00fcbergehende Regelung einer begrenzten Anzahl von Teilhandlungen im\u2026","rel":"","context":"In "Blog"","block_context":{"text":"Blog","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/blog\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":15562,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/04\/newsjazzahead-2018-ganztaegige-fachtagung-improvisation-jazz-fuer-kinder\/","url_meta":{"origin":4255,"position":5},"title":"+++News+++jazzahead! 2018: Ganzt\u00e4gige Fachtagung \u201eImprovisation & Jazz f\u00fcr Kinder“+++","author":"Redaktion JazzZeitung","date":"5. April 2018","format":false,"excerpt":"Im Rahmen der diesj\u00e4hrigen jazzahead! in Bremen findet am 19. April eine ganzt\u00e4ge Fachtagung zum Thema \u201eImprovisation & Jazz f\u00fcr Kinder\u201c statt. Hierzu kann man sich noch bis zum 12.04.2018 anmelden. Im Fokus stehen Improvisation und Jazz als an Kinder zu vermittelnde Praxis \u2013 ob im Schulensemble, im Musikunterricht, in\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/jazzahead2of3YXzJanRathke_MesseBremen.jpg?fit=1200%2C604&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/jazzahead2of3YXzJanRathke_MesseBremen.jpg?fit=1200%2C604&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/jazzahead2of3YXzJanRathke_MesseBremen.jpg?fit=1200%2C604&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/jazzahead2of3YXzJanRathke_MesseBremen.jpg?fit=1200%2C604&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/jazzahead2of3YXzJanRathke_MesseBremen.jpg?fit=1200%2C604&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/4255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=4255"}],"version-history":[{"count":1,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/4255\/revisions"}],"predecessor-version":[{"id":4256,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/4255\/revisions\/4256"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=4255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=4255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=4255"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=4255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}