{"id":32707,"date":"2025-06-24T14:00:34","date_gmt":"2025-06-24T12:00:34","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=32707"},"modified":"2025-06-24T13:04:29","modified_gmt":"2025-06-24T11:04:29","slug":"irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/","title":{"rendered":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf"},"content":{"rendered":"<p>20 Platten aus dem Jazz und an- und umgrenzenden Bereichen. Die Links f\u00fchren zu den vollst\u00e4ndigen Kritiken in der <a href=\"https:\/\/hoerbar.nmz.de\/\">H\u00f6rBar<\/a> der<a href=\"https:\/\/www.nmz.de\/\"> neuen musikzeitung<\/a>. Nicht nur Jazz, sondern auch andere aktuelle neue Musik.<\/p>\n<hr \/>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/bo-van-de-graaf-one-way-ticket-to-tibet\/\">Bo van de Graaf \u2013 One Way Ticket to Tibet<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/leykam-meyer-schaller-krautinsel\/\">Leykam \/ Meyer \/ Schaller \u2013 Krautinsel<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/european-guitar-quartet-fourtune\/\">European Guitar Quartet \u2013 Fourtune<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/sigurd-hole-ensemble-extinction-sounds\/\">Sigurd Hole Ensemble \u2013 Extinction Sounds<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/stuppin-berger-aurora-borealis\/\">Stuppin &amp; Berger: Aurora Borealis<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/florian-paul-die-kapelle-der-letzten-hoffnung\/\">Florian Paul &amp; Die Kapelle der letzten Hoffnung<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/kavall-inmitten\/\">Kavall \u2013 Inmitten<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/schallplatten-die-grosse-mode\/\">Schallplatten \u2013 die gro\u00dfe Mode<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/younee-improvisations\/\">Younee \u2013 Improvisations<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/tobias-hoffmann-jazz-orchestra-innuendo\/\">Tobias Hoffmann Jazz Orchestra \u2013 Innuendo<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/jarrett-the-old-country\/\">Keith Jarrett \u2013 The Old Country<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/wolfgang-muthspiel-etudes-quietudes\/\">Wolfgang Muthspiel \u2013 Etudes \/ Quietudes<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/stefan-goldmann-alluvium\/\">Stefan Goldmann \u2013 Alluvium<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/schick-tuerlinckx-zoepf-ensemble-a\/\">Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/kerim-koenig-grounded\/\">Kerim K\u00f6nig \u2013 Grounded<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/mengamo-trio-chat-bizarre\/\">Mengamo Trio: Chat bizarre<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/m-e-a-n-drei\/\">M.E.A.N.: drei<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/doering-and-other-strange-songs-from-the-remote-planets\/\">D\u00f6ring: And other strange songs from the remote planets<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/gerdes-african-contemporary-piano-music\/\">Gerdes: African contemporary piano music<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/moss-loopcity-1\/\">Moss: Loopcity 1<\/a><\/li>\n<li style=\"list-style-type: none;\"><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<hr \/>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 550px;\" data-original-width=\"840\" data-original-height=\"550\" > <div class=\"gallery-group images-1\" style=\"width: 550px; height: 550px;\" data-original-width=\"550\" data-original-height=\"550\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/va_de_graaf\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"546\"> <meta itemprop=\"height\" content=\"546\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32723\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg\" data-orig-size=\"1920,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Bo van de Graaf \u2013 One Way Ticket to Tibet\" data-image-description=\"&lt;p&gt;Bo van de Graaf \u2013 One Way Ticket to Tibet&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?w=546&#038;h=546&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?w=1680&amp;ssl=1 1680w\" width=\"546\" height=\"546\" loading=\"lazy\" data-original-width=\"546\" data-original-height=\"546\" itemprop=\"http:\/\/schema.org\/image\" title=\"Bo van de Graaf \u2013 One Way Ticket to Tibet\" alt=\"Bo van de Graaf \u2013 One Way Ticket to Tibet\" style=\"width: 546px; height: 546px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Bo van de Graaf \u2013 One Way Ticket to Tibet <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 290px; height: 550px;\" data-original-width=\"290\" data-original-height=\"550\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/leykam_krautinsel\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"286\"> <meta itemprop=\"height\" content=\"257\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32724\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg\" data-orig-size=\"1200,1079\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Leykam \/ Meyer \/ Schaller \u2013 Krautinsel\" data-image-description=\"&lt;p&gt;Leykam \/ Meyer \/ Schaller \u2013 Krautinsel&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?fit=300%2C270&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?fit=667%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?w=286&#038;h=257&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?resize=667%2C600&amp;ssl=1 667w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/leykam_krautinsel.jpg?resize=768%2C691&amp;ssl=1 768w\" width=\"286\" height=\"257\" loading=\"lazy\" data-original-width=\"286\" data-original-height=\"257\" itemprop=\"http:\/\/schema.org\/image\" title=\"Leykam \/ Meyer \/ Schaller \u2013 Krautinsel\" alt=\"Leykam \/ Meyer \/ Schaller \u2013 Krautinsel\" style=\"width: 286px; height: 257px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Leykam \/ Meyer \/ Schaller \u2013 Krautinsel <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/heart-1018_egq_np0035_1tray-indd\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"286\"> <meta itemprop=\"height\" content=\"285\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32722\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg\" data-orig-size=\"2560,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;HEART 1018_EGQ_NP0035_1tray.indd&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"European Guitar Quartet \u2013 Fourtune\" data-image-description=\"&lt;p&gt;European Guitar Quartet \u2013 Fourtune&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?w=286&#038;h=285&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/european-guitar-quartet-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"286\" height=\"285\" loading=\"lazy\" data-original-width=\"286\" data-original-height=\"285\" itemprop=\"http:\/\/schema.org\/image\" title=\"European Guitar Quartet \u2013 Fourtune\" alt=\"European Guitar Quartet \u2013 Fourtune\" style=\"width: 286px; height: 285px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> European Guitar Quartet \u2013 Fourtune <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 398px;\" data-original-width=\"840\" data-original-height=\"398\" > <div class=\"gallery-group images-1\" style=\"width: 398px; height: 398px;\" data-original-width=\"398\" data-original-height=\"398\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/sirgurd_hole\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"394\"> <meta itemprop=\"height\" content=\"394\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32725\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sigurd Hole Ensemble \u2013 Extinction Sounds\" data-image-description=\"&lt;p&gt;Sigurd Hole Ensemble \u2013 Extinction Sounds&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?w=394&#038;h=394&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/sirgurd_hole.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"394\" height=\"394\" loading=\"lazy\" data-original-width=\"394\" data-original-height=\"394\" itemprop=\"http:\/\/schema.org\/image\" title=\"Sigurd Hole Ensemble \u2013 Extinction Sounds\" alt=\"Sigurd Hole Ensemble \u2013 Extinction Sounds\" style=\"width: 394px; height: 394px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Sigurd Hole Ensemble \u2013 Extinction Sounds <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 442px; height: 398px;\" data-original-width=\"442\" data-original-height=\"398\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/jhm314_aurora_borealis\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"438\"> <meta itemprop=\"height\" content=\"394\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32727\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg\" data-orig-size=\"1200,1079\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Stuppin &amp;#038; Berger: Aurora Borealis\" data-image-description=\"&lt;p&gt;Stuppin &amp;#038; Berger: Aurora Borealis&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?fit=300%2C270&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?fit=667%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?w=438&#038;h=394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?resize=667%2C600&amp;ssl=1 667w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jhm314_aurora_borealis.jpg?resize=768%2C691&amp;ssl=1 768w\" width=\"438\" height=\"394\" loading=\"lazy\" data-original-width=\"438\" data-original-height=\"394\" itemprop=\"http:\/\/schema.org\/image\" title=\"Stuppin &amp; Berger: Aurora Borealis\" alt=\"Stuppin &amp; Berger: Aurora Borealis\" style=\"width: 438px; height: 394px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Stuppin &#038; Berger: Aurora Borealis <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<hr \/>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/bo-van-de-graaf-one-way-ticket-to-tibet\/\">Bo van de Graaf \u2013 One Way Ticket to Tibet<\/a><\/h2>\n<p>Es ist kompliziert. So richtig einleuchtend kann ich den Albumtitel nicht dem Aufbau zuordnen. Es handelt sich um ein nahezu klassisches Live-Konzert-Erlebnis improvisierter Musik \u2013 hier mit den \u00fcblichen Ingredienzien der Sprachen des heutigen Jazz.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/leykam-meyer-schaller-krautinsel\/\">Leykam \/ Meyer \/ Schaller \u2013 Krautinsel<\/a><\/h2>\n<p>Zur\u00fccklehnen und eintauchen. Das Nervensystem wird die Sache zu w\u00fcrdigen wissen. Und manchen Kurzkitsch durchleiten zu den Synapsen. Muss man auch k\u00f6nnen, als H\u00f6render. \u00abLet the filter wirbel!\u00bb<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/03\/european-guitar-quartet-fourtune\/\">European Guitar Quartet \u2013 Fourtune<\/a><\/h2>\n<p>Gute Laune macht das Mith\u00f6ren bei den vier Gitarristen, die sich hier zum Zupf-Quartell vereinigen. Man kann nur ahnen, welche Kunst dazu geh\u00f6rt, diese Musiken dann unter den vier Musikern zu timen, dass nichts klappert oder verkruschelt. \u2026 Wird Zeit f\u00fcr einen Turnaround dieser Welt.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/sigurd-hole-ensemble-extinction-sounds\/\">Sigurd Hole Ensemble \u2013 Extinction Sounds<\/a><\/h2>\n<p>\u00abExitinction Sounds\u00bb von Sigurd Hole bewahrt den komponierten Verlust der Tonwelten ganz einzigartig, wird zu einer Trauermusik ihrer selbst.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/stuppin-berger-aurora-borealis\/\">Stuppin &amp; Berger: Aurora Borealis<\/a><\/h2>\n<p>Es sind ganz besondere Momente, wenn es schon beim ersten Ton \u00abKlick\u00bb macht und man sofort eine Pr\u00e4senz musikalischer Gestaltung sp\u00fcrt, bei der man wei\u00df, hier wird es nix mit Larifari.<\/p>\n<hr \/>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 658px;\" data-original-width=\"840\" data-original-height=\"658\" > <div class=\"gallery-group images-2\" style=\"width: 329px; height: 658px;\" data-original-width=\"329\" data-original-height=\"658\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/alleswirdbesser-scaled\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"325\"> <meta itemprop=\"height\" content=\"325\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32726\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg\" data-orig-size=\"2560,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Florian Paul &amp;#038; Die Kapelle der letzten Hoffnung\" data-image-description=\"&lt;p&gt;Florian Paul &amp;#038; Die Kapelle der letzten Hoffnung&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?w=325&#038;h=325&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alleswirdbesser-scaled-1.jpg?w=1680&amp;ssl=1 1680w\" width=\"325\" height=\"325\" loading=\"lazy\" data-original-width=\"325\" data-original-height=\"325\" itemprop=\"http:\/\/schema.org\/image\" title=\"Florian Paul &amp; Die Kapelle der letzten Hoffnung\" alt=\"Florian Paul &amp; Die Kapelle der letzten Hoffnung\" style=\"width: 325px; height: 325px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Florian Paul &#038; Die Kapelle der letzten Hoffnung <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/kavall\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"325\"> <meta itemprop=\"height\" content=\"325\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32712\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Kavall \u2013 Inmitten\" data-image-description=\"&lt;p&gt;Kavall \u2013 Inmitten&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?w=325&#038;h=325&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/kavall.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"325\" height=\"325\" loading=\"lazy\" data-original-width=\"325\" data-original-height=\"325\" itemprop=\"http:\/\/schema.org\/image\" title=\"Kavall \u2013 Inmitten\" alt=\"Kavall \u2013 Inmitten\" style=\"width: 325px; height: 325px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Kavall \u2013 Inmitten <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 511px; height: 658px;\" data-original-width=\"511\" data-original-height=\"658\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/schallplaten_diegrossemode\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"507\"> <meta itemprop=\"height\" content=\"654\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32714\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg\" data-orig-size=\"600,774\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Schallplatten \u2013 die gro\u00dfe Mode\" data-image-description=\"&lt;p&gt;Schallplatten \u2013 die gro\u00dfe Mode&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?fit=233%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?fit=465%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?w=507&#038;h=654&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?resize=233%2C300&amp;ssl=1 233w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schallplaten_diegrossemode.jpg?resize=465%2C600&amp;ssl=1 465w\" width=\"507\" height=\"654\" loading=\"lazy\" data-original-width=\"507\" data-original-height=\"654\" itemprop=\"http:\/\/schema.org\/image\" title=\"Schallplatten \u2013 die gro\u00dfe Mode\" alt=\"Schallplatten \u2013 die gro\u00dfe Mode\" style=\"width: 507px; height: 654px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Schallplatten \u2013 die gro\u00dfe Mode <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 377px;\" data-original-width=\"840\" data-original-height=\"377\" > <div class=\"gallery-group images-1\" style=\"width: 418px; height: 377px;\" data-original-width=\"418\" data-original-height=\"377\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/cd_younee_improvisations_cover\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"414\"> <meta itemprop=\"height\" content=\"373\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32709\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg\" data-orig-size=\"1654,1488\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Younee \u2013 Improvisations\" data-image-description=\"&lt;p&gt;Younee \u2013 Improvisations&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?fit=300%2C270&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?fit=667%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?w=414&#038;h=373&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?w=1654&amp;ssl=1 1654w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?resize=667%2C600&amp;ssl=1 667w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?resize=768%2C691&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?resize=1536%2C1382&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/CD_Younee_Improvisations_Cover.jpg?resize=1320%2C1188&amp;ssl=1 1320w\" width=\"414\" height=\"373\" loading=\"lazy\" data-original-width=\"414\" data-original-height=\"373\" itemprop=\"http:\/\/schema.org\/image\" title=\"Younee \u2013 Improvisations\" alt=\"Younee \u2013 Improvisations\" style=\"width: 414px; height: 373px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Younee \u2013 Improvisations <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 422px; height: 377px;\" data-original-width=\"422\" data-original-height=\"377\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/hoffmann_innuendo\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"418\"> <meta itemprop=\"height\" content=\"373\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32710\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg\" data-orig-size=\"1200,1070\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tobias Hoffmann Jazz Orchestra \u2013 Innuendo\" data-image-description=\"&lt;p&gt;Tobias Hoffmann Jazz Orchestra \u2013 Innuendo&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?fit=300%2C268&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?fit=673%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?w=418&#038;h=373&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?resize=300%2C268&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?resize=673%2C600&amp;ssl=1 673w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/hoffmann_innuendo.jpg?resize=768%2C685&amp;ssl=1 768w\" width=\"418\" height=\"373\" loading=\"lazy\" data-original-width=\"418\" data-original-height=\"373\" itemprop=\"http:\/\/schema.org\/image\" title=\"Tobias Hoffmann Jazz Orchestra \u2013 Innuendo\" alt=\"Tobias Hoffmann Jazz Orchestra \u2013 Innuendo\" style=\"width: 418px; height: 373px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Tobias Hoffmann Jazz Orchestra \u2013 Innuendo <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<hr \/>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2025\/01\/florian-paul-die-kapelle-der-letzten-hoffnung\/\">Florian Paul &amp; Die Kapelle der letzten Hoffnung<\/a><\/h2>\n<p>Und dann kommt man wieder ein superschluchziges Anr\u00fchrst\u00fcck \u2013 schluck \u2013 das dann diese Kehrt- und K.O.-Wendungen der harmonischen Fortschreitungen zur Anwendung bringt, f\u00fcr die man den Komponisten, Autoren, S\u00e4nger und Arrangeur schlichtweg umarmen m\u00f6chte (Track: \u00abWohin Du willst\u00bb). \u2026<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/kavall-inmitten\/\">Kavall \u2013 Inmitten<\/a><\/h2>\n<p>Ferdinand Kavall spielt hier Gitarre, in den einzelnen St\u00fccken jeweils ein zentrales musikalisches Problem oder Ph\u00e4nomen aufnehmend. Der Gitarrist sitzt inmitten einer Wabe aus sechs Lautsprechern. Heraus kommt eine Grundstimmung, die man wegen ihrer minimalen Verarbeitungsdichte und -geschwindigkeit als meditativ bezeichnen k\u00f6nnte. Am Ende muss jede und jeder f\u00fcr sich entscheiden, ob ihm das \u00abzu wenig\u00bb reich genug ist, oder ob sie oder er sich lieber mit anderer Musik die Zeit teilen m\u00f6chte.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/schallplatten-die-grosse-mode\/\">Schallplatten \u2013 die gro\u00dfe Mode<\/a><\/h2>\n<p>Ja, so spiegelt sich die Gesellschaft ihrer Zeit in den Klangkernen der popul\u00e4ren Kunstwerke wider und bewahrt darin eine historische Wahrheit auf. Das klingt hier auf den drei CDs immer mit. Die zugeh\u00f6rige Publikation ist reichhaltig illustriert und darin auch Zeit-Dokument.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/younee-improvisations\/\">Younee \u2013 Improvisations<\/a><\/h2>\n<p>Dieses Doppelalbum von Younee macht einfach nur Spa\u00df, weil es bunt in der Art des musikalischen Umgangs mit konkreten Situationen ist. Zugleich ist es eine wilde Reise durch Raum und Zeit \u2026<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/tobias-hoffmann-jazz-orchestra-innuendo\/\">Tobias Hoffmann Jazz Orchestra \u2013 Innuendo<\/a><\/h2>\n<p>\u2026\u00a0Die Mischung aus relativ simplem Grundmaterial, das dann in jeder Komposition zur Entfaltung gebracht wird, bei der die Klangsumme wie bei einer Pflanze w\u00e4chst und zum Bl\u00fchen gebracht wird, ist unwiderstehlich. \u2026<\/p>\n<hr \/>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 560px;\" data-original-width=\"840\" data-original-height=\"560\" > <div class=\"gallery-group images-1\" style=\"width: 560px; height: 560px;\" data-original-width=\"560\" data-original-height=\"560\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/jarrett-my-old-country\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"556\"> <meta itemprop=\"height\" content=\"556\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32711\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Keith Jarrett \u2013 The Old Country\" data-image-description=\"&lt;p&gt;Keith Jarrett \u2013 The Old Country&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?w=556&#038;h=556&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/jarrett-my-old-country.webp?resize=96%2C96&amp;ssl=1 96w\" width=\"556\" height=\"556\" loading=\"lazy\" data-original-width=\"556\" data-original-height=\"556\" itemprop=\"http:\/\/schema.org\/image\" title=\"Keith Jarrett \u2013 The Old Country\" alt=\"Keith Jarrett \u2013 The Old Country\" style=\"width: 556px; height: 556px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Keith Jarrett \u2013 The Old Country <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 280px; height: 560px;\" data-original-width=\"280\" data-original-height=\"560\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/wm_cyh_cd_etudes-quietudes_front\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32716\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg\" data-orig-size=\"1500,1500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Wolfgang Muthspiel \u2013 Etudes \/ Quietudes\" data-image-description=\"&lt;p&gt;Wolfgang Muthspiel \u2013 Etudes \/ Quietudes&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/WM_CYH_CD_ETUDES-QUIETUDES_FRONT.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"276\" height=\"276\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Wolfgang Muthspiel \u2013 Etudes \/ Quietudes\" alt=\"Wolfgang Muthspiel \u2013 Etudes \/ Quietudes\" style=\"width: 276px; height: 276px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Wolfgang Muthspiel \u2013 Etudes \/ Quietudes <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/alluvium_goldmann\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32708\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Stefan Goldmann \u2013 Alluvium\" data-image-description=\"&lt;p&gt;Stefan Goldmann \u2013 Alluvium&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/alluvium_goldmann.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"276\" height=\"276\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Stefan Goldmann \u2013 Alluvium\" alt=\"Stefan Goldmann \u2013 Alluvium\" style=\"width: 276px; height: 276px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Stefan Goldmann \u2013 Alluvium <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 397px;\" data-original-width=\"840\" data-original-height=\"397\" > <div class=\"gallery-group images-1\" style=\"width: 443px; height: 397px;\" data-original-width=\"443\" data-original-height=\"397\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/schlick\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"439\"> <meta itemprop=\"height\" content=\"393\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32715\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg\" data-orig-size=\"1200,1072\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A\" data-image-description=\"&lt;p&gt;Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?fit=300%2C268&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?fit=672%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?w=439&#038;h=393&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?resize=300%2C268&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?resize=672%2C600&amp;ssl=1 672w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/schlick.jpg?resize=768%2C686&amp;ssl=1 768w\" width=\"439\" height=\"393\" loading=\"lazy\" data-original-width=\"439\" data-original-height=\"393\" itemprop=\"http:\/\/schema.org\/image\" title=\"Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A\" alt=\"Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A\" style=\"width: 439px; height: 393px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 397px; height: 397px;\" data-original-width=\"397\" data-original-height=\"397\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/koenig_grounded\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"393\"> <meta itemprop=\"height\" content=\"393\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32713\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Kerim K\u00f6nig \u2013 Grounded\" data-image-description=\"&lt;p&gt;Kerim K\u00f6nig \u2013 Grounded&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?w=393&#038;h=393&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/koenig_grounded.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"393\" height=\"393\" loading=\"lazy\" data-original-width=\"393\" data-original-height=\"393\" itemprop=\"http:\/\/schema.org\/image\" title=\"Kerim K\u00f6nig \u2013 Grounded\" alt=\"Kerim K\u00f6nig \u2013 Grounded\" style=\"width: 393px; height: 393px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Kerim K\u00f6nig \u2013 Grounded <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<hr \/>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/11\/jarrett-the-old-country\/\">Keith Jarrett \u2013 The Old Country<\/a><\/h2>\n<p>\u2026 das Triospiel au\u00dferordentlich in Balance, Mood und Interaktion und erzeugt diesen \u00e4sthetischen Reichtum, an dem man sich nicht satth\u00f6ren kann. Zugleich versagen sich hier meine F\u00e4higkeiten, in Worte zu fassen, wie hier das Spiel der drei ineinandergreift; so selbstverst\u00e4ndlich und doch voller Vielf\u00e4ltigkeit im Ausdruck ist es. Ein musikalischer Gl\u00fccksfall mit froh-sentimentalen Momenten, die andauern \u2026<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/wolfgang-muthspiel-etudes-quietudes\/\">Wolfgang Muthspiel \u2013 Etudes \/ Quietudes<\/a><\/h2>\n<p>Zum Ende des Albums schwingt er musikalisch zu Johann Sebastian Bach und zu Paul Motion aus, die nebeneinander und zueinander stehen wie zarteste Bl\u00fcten, musikalischen Andachten des Gl\u00fccks. Ja, ein Gl\u00fccksfall, dieses Album von Wolfgang Muthspiel.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/stefan-goldmann-alluvium\/\">Stefan Goldmann \u2013 Alluvium<\/a><\/h2>\n<p>\u2026\u00a0Stefan Goldmann ist ganz sicher jemand aus dem Bereich der DJ-Culture, der kompliziertere Beats herzustellen vermag, ohne dass es chaotisch wird oder mindfucking&#8230; <a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/stefan-goldmann-alluvium\/\">Read more.<\/a><\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/schick-tuerlinckx-zoepf-ensemble-a\/\">Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A<\/a><\/h2>\n<p>\u2026\u00a0eher eine Mitarbeits-Musik, der man sich anvertrauen muss. Dann aber entsteht genau das, was man ein \u00e4sthetisches Gl\u00fccksversprechen nennen kann, bei dem man h\u00f6rend die F\u00e4den immer neu ziehen darf.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/kerim-koenig-grounded\/\">Kerim K\u00f6nig \u2013 Grounded<\/a><\/h2>\n<p>\u2026 In der Tat sind die Mittel, die K\u00f6nig hier in Sachen Klang anwendet, durchaus kunstvoll und zugleich absolut \u00f6konomisch eingesetzt. Kleine Finessen finden&#8230; <a href=\"https:\/\/hoerbar.nmz.de\/2024\/10\/kerim-koenig-grounded\/\">Read more.<\/a><\/p>\n<hr \/>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 551px;\" data-original-width=\"840\" data-original-height=\"551\" > <div class=\"gallery-group images-1\" style=\"width: 551px; height: 551px;\" data-original-width=\"551\" data-original-height=\"551\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/5166js-mengamo-trio\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"547\"> <meta itemprop=\"height\" content=\"547\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32717\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg\" data-orig-size=\"1600,1600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mengamo Trio: Chat bizarre\" data-image-description=\"&lt;p&gt;Mengamo Trio: Chat bizarre&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?w=547&#038;h=547&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/5166JS-Mengamo-Trio.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"547\" height=\"547\" loading=\"lazy\" data-original-width=\"547\" data-original-height=\"547\" itemprop=\"http:\/\/schema.org\/image\" title=\"Mengamo Trio: Chat bizarre\" alt=\"Mengamo Trio: Chat bizarre\" style=\"width: 547px; height: 547px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Mengamo Trio: Chat bizarre <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 289px; height: 551px;\" data-original-width=\"289\" data-original-height=\"551\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/mean\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"285\"> <meta itemprop=\"height\" content=\"257\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32721\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg\" data-orig-size=\"1900,1713\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"M.E.A.N.: drei\" data-image-description=\"&lt;p&gt;M.E.A.N.: drei&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?fit=300%2C270&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?fit=665%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?w=285&#038;h=257&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?w=1900&amp;ssl=1 1900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?resize=665%2C600&amp;ssl=1 665w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?resize=768%2C692&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?resize=1536%2C1385&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?resize=1320%2C1190&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/mean.jpg?w=1680&amp;ssl=1 1680w\" width=\"285\" height=\"257\" loading=\"lazy\" data-original-width=\"285\" data-original-height=\"257\" itemprop=\"http:\/\/schema.org\/image\" title=\"M.E.A.N.: drei\" alt=\"M.E.A.N.: drei\" style=\"width: 285px; height: 257px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> M.E.A.N.: drei <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/doering\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"285\"> <meta itemprop=\"height\" content=\"286\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32718\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"D\u00f6ring: And other strange songs from the remote planets\" data-image-description=\"&lt;p&gt;D\u00f6ring: And other strange songs from the remote planets&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?w=285&#038;h=286&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/doering.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"285\" height=\"286\" loading=\"lazy\" data-original-width=\"285\" data-original-height=\"286\" itemprop=\"http:\/\/schema.org\/image\" title=\"D\u00f6ring: And other strange songs from the remote planets\" alt=\"D\u00f6ring: And other strange songs from the remote planets\" style=\"width: 285px; height: 286px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> D\u00f6ring: And other strange songs from the remote planets <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 420px;\" data-original-width=\"840\" data-original-height=\"420\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 420px;\" data-original-width=\"420\" data-original-height=\"420\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/gerdes\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"416\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32719\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Gerdes: African contemporary piano music\" data-image-description=\"&lt;p&gt;Gerdes: African contemporary piano music&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?w=416&#038;h=416&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/gerdes.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"416\" height=\"416\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"416\" itemprop=\"http:\/\/schema.org\/image\" title=\"Gerdes: African contemporary piano music\" alt=\"Gerdes: African contemporary piano music\" style=\"width: 416px; height: 416px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Gerdes: African contemporary piano music <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 420px;\" data-original-width=\"420\" data-original-height=\"420\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/loopcity1_2500\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"416\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"32720\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg\" data-orig-size=\"2500,2500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Moss: Loopcity 1\" data-image-description=\"&lt;p&gt;Moss: Loopcity 1&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?w=416&#038;h=416&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?w=2500&amp;ssl=1 2500w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/Loopcity1_2500.jpg?w=1680&amp;ssl=1 1680w\" width=\"416\" height=\"416\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"416\" itemprop=\"http:\/\/schema.org\/image\" title=\"Moss: Loopcity 1\" alt=\"Moss: Loopcity 1\" style=\"width: 416px; height: 416px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Moss: Loopcity 1 <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<hr \/>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/mengamo-trio-chat-bizarre\/\">Mengamo Trio: Chat bizarre<\/a><\/h2>\n<p>Blendend aufgelegt ist das Trio von Sebastian Scobel an der Orgel, Philipp Br\u00e4mswig an der Gitarre und Thomas Sauerborn am Schlagzeug. An der \u00fcbern\u00e4chsten Ecke geben die drei wieder Stoff unter den Rausch und h\u00e4mmern pustevoll und geradeheraus den Popbrei durch die Formt\u00fclle, geradezu Prince-zisch beim Schlusstitel. Wadatsch!<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/m-e-a-n-drei\/\">M.E.A.N.: drei<\/a><\/h2>\n<p>Die vier Musiker schlabbern mit einer Spielfreude durch Genres und Klanggef\u00fchle: Mit Druck und L\u00e4ssigkeit. Mit Leidenschaft und Verwirrtuosit\u00e4t sondergleichen.<\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/doering-and-other-strange-songs-from-the-remote-planets\/\">D\u00f6ring: And other strange songs from the remote planets<\/a><\/h2>\n<p>Musik auf einem einzigartigen, elektrifizierten Harmonium: Herausgekommen ist f\u00fcr mein Gef\u00fchl eine relativ spezielle Klangknete und so das Mysterium des Geheimnisvollen&#8230; <a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/doering-and-other-strange-songs-from-the-remote-planets\/\">Read more.<\/a><\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/gerdes-african-contemporary-piano-music\/\">Gerdes: African contemporary piano music<\/a><\/h2>\n<p>Ein exzellentes Album mit spektakul\u00e4rer Musik, gespielt mit einer liebensw\u00fcrdig-kr\u00e4ftigen Sorgfalt und einer weichen Pr\u00e4zision. Da werden auch selbst Et\u00fcden&#8230; <a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/gerdes-african-contemporary-piano-music\/\">Read more.<\/a><\/p>\n<h2 class=\"western\"><a href=\"https:\/\/hoerbar.nmz.de\/2024\/07\/moss-loopcity-1\/\">Moss: Loopcity 1<\/a><\/h2>\n<p>Welcome in Loopcity 1. Man steht einem Ampelm\u00e4nnchen gleich am Klangspuren\u00fcberweg und l\u00e4sst die Stimm- und Sprachfetzen durchrauschen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>20 CDs im Schnelldurchlauf: 1. Bo van de Graaf \u2013 One Way Ticket to Tibet,  2. Leykam \/ Meyer \/ Schaller \u2013 Krautinsel; 3. European Guitar Quartet \u2013 Fourtune;  4. Sigurd Hole Ensemble \u2013 Extinction Sounds; 5. Stuppin &#038; Berger: Aurora Borealis; 6. Florian Paul &#038; Die Kapelle der letzten Hoffnung; 7. Kavall \u2013 Inmitten; 8. Schallplatten \u2013 die gro\u00dfe Mode; 9. Younee \u2013 Improvisations; 10. Tobias Hoffmann Jazz Orchestra \u2013 Innuendo; 11. Keith Jarrett \u2013 The Old Country; 12. Wolfgang Muthspiel \u2013 Etudes \/ Quietudes; 13. Stefan Goldmann \u2013 Alluvium; 14. Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A;  15. Kerim K\u00f6nig \u2013 Grounded; 16. Mengamo Trio: Chat bizarre; 17. M.E.A.N.: drei; 18. D\u00f6ring: And other strange songs from the remote planets; 19. Gerdes: African contemporary piano music; 20. Moss: Loopcity 1<\/p>\n","protected":false},"author":2,"featured_media":32723,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[5100,5649,5650,2738,5354,311,5648,5647,1560,3114,2207],"coauthors":[680],"class_list":["post-32707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-david-moss","tag-ferdinand-kavall","tag-florian-paul","tag-hoerbar-der-nmz","tag-jan-gerdes","tag-keith-jarrett","tag-kerim-koenig","tag-stefan-goldmann","tag-tobias-hoffmann","tag-wolfgang-muthspiel","tag-younee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"20 CDs im Schnelldurchlauf: 1. Bo van de Graaf \u2013 One Way Ticket to Tibet, 2. Leykam \/ Meyer \/ Schaller \u2013 Krautinsel; 3. European Guitar Quartet \u2013 Fourtune; 4. Sigurd Hole Ensemble \u2013 Extinction Sounds; 5. Stuppin &amp; Berger: Aurora Borealis; 6. Florian Paul &amp; Die Kapelle der letzten Hoffnung; 7. Kavall \u2013 Inmitten; 8. Schallplatten \u2013 die gro\u00dfe Mode; 9. Younee \u2013 Improvisations; 10. Tobias Hoffmann Jazz Orchestra \u2013 Innuendo; 11. Keith Jarrett \u2013 The Old Country; 12. Wolfgang Muthspiel \u2013 Etudes \/ Quietudes; 13. Stefan Goldmann \u2013 Alluvium; 14. Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A; 15. Kerim K\u00f6nig \u2013 Grounded; 16. Mengamo Trio: Chat bizarre; 17. M.E.A.N.: drei; 18. D\u00f6ring: And other strange songs from the remote planets; 19. Gerdes: African contemporary piano music; 20. Moss: Loopcity 1\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-24T12:00:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/\"},\"author\":{\"name\":\"Huflaikhan\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\"},\"headline\":\"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf\",\"datePublished\":\"2025-06-24T12:00:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/\"},\"wordCount\":977,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1\",\"keywords\":[\"David Moss\",\"Ferdinand Kavall\",\"Florian Paul\",\"H\u00f6rBar der nmz\",\"Jan Gerdes\",\"Keith Jarrett\",\"Kerim K\u00f6nig\",\"Stefan Goldmann\",\"Tobias Hoffmann\",\"Wolfgang Muthspiel\",\"Younee\"],\"articleSection\":[\"Rezension\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/\",\"name\":\"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1\",\"datePublished\":\"2025-06-24T12:00:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2025\\\/06\\\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1\",\"width\":1920,\"height\":1920,\"caption\":\"Bo van de Graaf \u2013 One Way Ticket to Tibet\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2025\\\/06\\\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\",\"name\":\"Huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=18afacd5aa7627f2840c013425f5a4164\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=1\",\"caption\":\"Huflaikhan\"},\"description\":\"Huflaikhan (aka Martin Hufner) hat Musikwissenschaft, Philosophie und Psychologie in Gie\u00dfen studiert und mit einer Arbeit \u00fcber Adorno und die Zw\u00f6lftontechnik promoviert. Seit 1995 ist er freiberuflich als Autor, Fotograf und Netzmacher unterwegs.\",\"sameAs\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\",\"https:\\\/\\\/www.facebook.com\\\/hufner\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/hufi\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/","og_locale":"de_DE","og_type":"article","og_title":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung","og_description":"20 CDs im Schnelldurchlauf: 1. Bo van de Graaf \u2013 One Way Ticket to Tibet, 2. Leykam \/ Meyer \/ Schaller \u2013 Krautinsel; 3. European Guitar Quartet \u2013 Fourtune; 4. Sigurd Hole Ensemble \u2013 Extinction Sounds; 5. Stuppin & Berger: Aurora Borealis; 6. Florian Paul & Die Kapelle der letzten Hoffnung; 7. Kavall \u2013 Inmitten; 8. Schallplatten \u2013 die gro\u00dfe Mode; 9. Younee \u2013 Improvisations; 10. Tobias Hoffmann Jazz Orchestra \u2013 Innuendo; 11. Keith Jarrett \u2013 The Old Country; 12. Wolfgang Muthspiel \u2013 Etudes \/ Quietudes; 13. Stefan Goldmann \u2013 Alluvium; 14. Schick \/ Tuerlinckx \/ Zoepf \u2013 Ensemble A; 15. Kerim K\u00f6nig \u2013 Grounded; 16. Mengamo Trio: Chat bizarre; 17. M.E.A.N.: drei; 18. D\u00f6ring: And other strange songs from the remote planets; 19. Gerdes: African contemporary piano music; 20. Moss: Loopcity 1","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_author":"https:\/\/www.facebook.com\/hufner","article_published_time":"2025-06-24T12:00:34+00:00","og_image":[{"width":1920,"height":1920,"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","type":"image\/jpeg"}],"author":"Huflaikhan","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/"},"author":{"name":"Huflaikhan","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/1ba404714b9455401502bc409a7df45e"},"headline":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf","datePublished":"2025-06-24T12:00:34+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/"},"wordCount":977,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","keywords":["David Moss","Ferdinand Kavall","Florian Paul","H\u00f6rBar der nmz","Jan Gerdes","Keith Jarrett","Kerim K\u00f6nig","Stefan Goldmann","Tobias Hoffmann","Wolfgang Muthspiel","Younee"],"articleSection":["Rezension"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/","name":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#primaryimage"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","datePublished":"2025-06-24T12:00:34+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#primaryimage","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","width":1920,"height":1920,"caption":"Bo van de Graaf \u2013 One Way Ticket to Tibet"},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2025\/06\/irgendwo-zwischen-tibet-und-loopcity-20-tontraegerinnen-im-schnelldurchlauf\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Irgendwo zwischen Tibet und Loopcity \u2026 20 Tontr\u00e4ger:innen im Schnelldurchlauf"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/1ba404714b9455401502bc409a7df45e","name":"Huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=18afacd5aa7627f2840c013425f5a4164","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=1","caption":"Huflaikhan"},"description":"Huflaikhan (aka Martin Hufner) hat Musikwissenschaft, Philosophie und Psychologie in Gie\u00dfen studiert und mit einer Arbeit \u00fcber Adorno und die Zw\u00f6lftontechnik promoviert. Seit 1995 ist er freiberuflich als Autor, Fotograf und Netzmacher unterwegs.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch","https:\/\/www.facebook.com\/hufner"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/hufi\/"}]}},"wp-worthy-pixel":{"ignored":true,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":"Bo van de Graaf \u2013 One Way Ticket to Tibet","source_text":"","source_url":""},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1920%2C1920&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-8vx","jetpack-related-posts":[{"id":20612,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/09\/schnelldurchlauf-jazz-cds-mit-bend-monder-und-anderen\/","url_meta":{"origin":32707,"position":0},"title":"Schnelldurchlauf: Jazz-CDs mit Ben Monder und anderen","author":"Martin Hufner","date":"5. September 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Michael Formanek \u2013 Elusion Quartet: Time like This (2018) Swiss Jazz Orchestra: Swiss Jazz Orchestra & Guillermo Klein (2019) Ben Monder: Day After Day (2019) Greg Reitan: West 6oth (2019) Denny Zeitlin: Remembering Miles (2019) Frederico Albanese: The Twelve (2019)\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":27931,"url":"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/","url_meta":{"origin":32707,"position":1},"title":"Covers &#038; Cinema \u2013 Jazz-CDs in der H\u00f6rBar Juli 2022\/02","author":"Huflaikhan","date":"25. Juli 2022","format":false,"excerpt":"Es gibt hier einiges Gecovertes, obwohl? Eigentlich sind es ja Standards. Nur halt nicht die \u00dcblichen. Es gibt Depri-Musik, Luftiges und Cineastisches: The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band | Baier \/ Wehrmann: Connected | Florian Hartz\u2018 Flo & Fauna: Try Harder | Lothar Dithmar: Trains and\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Lothar Dithmar: Trains and Rivers","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1200%2C1076&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1200%2C1076&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1200%2C1076&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1200%2C1076&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1200%2C1076&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":19616,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/05\/schnelldurchlauf-neue-aufnahmen-von-phraim-bis-zum-modern-string-quartet\/","url_meta":{"origin":32707,"position":2},"title":"Schnelldurchlauf: Neue Aufnahmen von Phraim bis zum Modern String Quartet","author":"Huflaikhan","date":"29. Mai 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] | H\u00e5kon Kornstad Trio: Im Treibhaus [2019] | Modern String Quartet: The Rite Of Swing [2019] | Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] | Clemens Christian\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":31010,"url":"https:\/\/www.jazzzeitung.de\/cms\/2024\/05\/simplified-urschall-atlas-10-rezensionen-im-schnelldurchlauf\/","url_meta":{"origin":32707,"position":3},"title":"Simplified Urschall-Atlas \u2026 10 Rezensionen im Schnelldurchlauf","author":"Huflaikhan","date":"8. Mai 2024","format":false,"excerpt":"Zehn Platten aus dem Jazz und an- und umgrenzenden Bereichen. Die Links f\u00fchren zu den vollst\u00e4ndigen Kritiken in der H\u00f6rBar der neuen musikzeitung. Enso: A Simplified Space Gerdes: Songs and Improvisations Perplexities On Mars: Perseverances Joray: Updraft Gramss\u2019 States Of Play: Urschall Gu\u00f0mundsd\u00f3ttir \/ \u00c1rnason: Poems Trovesi \/ Montanari: Stravaganze\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Gramss\u2019 States Of Play: Urschall","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":29950,"url":"https:\/\/www.jazzzeitung.de\/cms\/2023\/08\/zeitloses-und-newcomerndes-jazz-cds-in-der-hoerbar\/","url_meta":{"origin":32707,"position":4},"title":"Zeitloses und Newcomerndes \u2013 Jazz-CDs in der H\u00f6rBar","author":"Huflaikhan","date":"16. August 2023","format":false,"excerpt":"Aktuelle Platten von T.ON, Jens Joneleit, Jane Bunnett, dem Victoria Pohl Trio und Daniel Besthorn. Dabei mit Daniel Besthorn eine Debut-CD und Musik, die an den R\u00e4ndern des Jazzselbstverst\u00e4ndnisses sich bewegt (das, wie wir wissen, ja eher gar nicht so selbstverst\u00e4ndlich ist). Hier im Schnelldurchlauf, bei Klick auf die Links,\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"VIctoria Pohl Trio \u2013 Mr. H\u00e4hnry","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/08\/MrHaehnry_Cover_ONLINE_FRONT.jpg?fit=1200%2C1082&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/08\/MrHaehnry_Cover_ONLINE_FRONT.jpg?fit=1200%2C1082&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/08\/MrHaehnry_Cover_ONLINE_FRONT.jpg?fit=1200%2C1082&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/08\/MrHaehnry_Cover_ONLINE_FRONT.jpg?fit=1200%2C1082&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/08\/MrHaehnry_Cover_ONLINE_FRONT.jpg?fit=1200%2C1082&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":32372,"url":"https:\/\/www.jazzzeitung.de\/cms\/2025\/03\/irgendwo-zwischen-dichterliebe-und-future-17-tontraegerinnen-im-schnelldurchlauf\/","url_meta":{"origin":32707,"position":5},"title":"Irgendwo zwischen Dichterliebe und Future \u2026 17 Tontr\u00e4ger:innen im Schnelldurchlauf","author":"Huflaikhan","date":"26. M\u00e4rz 2025","format":false,"excerpt":"17 Platten aus dem Jazz und an- und umgrenzenden Bereichen. Lock: Ephemerist +++ Stax + Max Stadtfeld: Fancy Future +++ Gabriel Vic\u00e9ns \u2013 Mural +++ Live At FreeJazzSaar 2019 +++ Koppel\/Blade\/Koppel \u2013 Time Again +++ Koppel: Story Of Mankind \u2013 A Requiem +++ Taranczewski: LOM +++ Poetzsch \/ Dirks \u2013\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/03\/blidur.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/03\/blidur.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/03\/blidur.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/03\/blidur.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/03\/blidur.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/32707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=32707"}],"version-history":[{"count":6,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/32707\/revisions"}],"predecessor-version":[{"id":32737,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/32707\/revisions\/32737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/32723"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=32707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=32707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=32707"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=32707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}