{"id":31602,"date":"2024-09-06T10:59:34","date_gmt":"2024-09-06T08:59:34","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=31602"},"modified":"2024-09-06T10:59:34","modified_gmt":"2024-09-06T08:59:34","slug":"power-together-11-tontraegerinnen-im-schnelldurchlauf","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2024\/09\/power-together-11-tontraegerinnen-im-schnelldurchlauf\/","title":{"rendered":"Power \u2013 Together \u2026 11 Tontr\u00e4ger:innen im Schnelldurchlauf"},"content":{"rendered":"<p>Elf Platten aus dem Jazz und an- und umgrenzenden Bereichen. Die Links f\u00fchren zu den vollst\u00e4ndigen Kritiken in der <a href=\"https:\/\/hoerbar.nmz.de\/\">H\u00f6rBar<\/a> der<a href=\"https:\/\/www.nmz.de\/\"> neuen musikzeitung<\/a>.<\/p>\n<div class=\"tiled-gallery type-square tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2024\\\/09\\\/power-together-11-tontraegerinnen-im-schnelldurchlauf\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 280px;\" data-original-width=\"840\" data-original-height=\"280\" > <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"31617\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg\" data-orig-size=\"960,960\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Benjamin Schaefer \u2013 Power\" data-image-description=\"&lt;p&gt;Benjamin Schaefer \u2013 Power&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schaefer_power.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"276\" height=\"276\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Benjamin Schaefer \u2013 Power\" alt=\"Benjamin Schaefer \u2013 Power\" style=\"width: 276px; height: 276px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Benjamin Schaefer \u2013 Power <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"31614\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face\" data-image-description=\"&lt;p&gt;Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/face_a_face.webp?resize=96%2C96&amp;ssl=1 96w\" width=\"276\" height=\"276\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face\" alt=\"Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face\" style=\"width: 276px; height: 276px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"31618\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg\" data-orig-size=\"1155,1155\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ali N. Askin \u2013 up chute\" data-image-description=\"&lt;p&gt;Ali N. Askin \u2013 up chute&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?w=1155&amp;ssl=1 1155w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/askin_upchute.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"276\" height=\"276\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Ali N. Askin \u2013 up chute\" alt=\"Ali N. Askin \u2013 up chute\" style=\"width: 276px; height: 276px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Ali N. 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Thread: Island Grammar\" data-image-description=\"&lt;p&gt;Loom &amp;#038; Thread: Island Grammar&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?w=206&#038;h=206&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/island_grammar.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"206\" height=\"206\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"206\" itemprop=\"http:\/\/schema.org\/image\" title=\"Loom &amp; Thread: Island Grammar\" alt=\"Loom &amp; Thread: Island Grammar\" style=\"width: 206px; height: 206px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Loom &#038; Thread: Island Grammar <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 210px; height: 210px;\" data-original-width=\"210\" data-original-height=\"210\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schippas.jpg?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"206\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"31619\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/schippas.jpg\" data-orig-size=\"700,700\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"TEKK-TRIO \u2013 MushMix\" data-image-description=\"&lt;p&gt;TEKK-TRIO \u2013 MushMix&lt;\/p&gt; 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height: 206px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> TEKK-TRIO \u2013 MushMix <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 210px; height: 210px;\" data-original-width=\"210\" data-original-height=\"210\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/TON-Cover-3000.png?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"206\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"31622\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/TON-Cover-3000.png\" data-orig-size=\"3000,3000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"TON meets Sarah Davachi\" data-image-description=\"&lt;p&gt;TON meets Sarah Davachi&lt;\/p&gt; 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\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?w=206&#038;h=206&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/cd_gurdjieff.jpg?resize=96%2C96&amp;ssl=1 96w\" width=\"206\" height=\"206\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"206\" itemprop=\"http:\/\/schema.org\/image\" title=\"Gurdjieff \/ De Hartmann: Complete Music for the Piano\" alt=\"Gurdjieff \/ De Hartmann: Complete Music for the Piano\" style=\"width: 206px; height: 206px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Gurdjieff \/ De Hartmann: Complete Music for the Piano <\/div> <\/div> <\/div> <\/div> <\/div>\n<ul>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/03\/benjamin-schaefer-power\/\">Benjamin Schaefer \u2013 Power<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/phillips-kurtag-jr-face-a-face\/\">Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ali-n-askin-up-chute\/\">Ali N. Askin \u2013 up chute<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/loom-thread-island-grammar\/\">Loom &amp; Thread: Island Grammar<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/tekk-trio-mushmix\/\">TEKK-TRIO \u2013 MushMix<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ton-meets-sarah-davachi\/\">TON meets Sarah Davachi<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/koester-die-verwandlung-stufen\/\">K\u00f6ster \/ Die Verwandlung: Stufen<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/philip-zoubek-trio-extended-mirage\/\">Philip Zoubek Trio Extended \u2013 Mirage<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/debacker-javaid-convolution\/\">Debacker \/ Javaid \u2013 Convolution<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/sarah-chaksad-together\/\">Sarah Chaksad \u2013 Together<\/a><\/strong><\/li>\n<\/ul>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/03\/benjamin-schaefer-power\/\"><strong>Benjamin Schaefer \u2013 Power<\/strong><\/a><\/h3>\n<p>\u2026 Mir gef\u00e4llt die musikalische Komplexit\u00e4t, die Schaefer mit seinen einzelnen Kompositionen wie im Gesamtbild des Albums erzeugt und die ihre Wirkung zweifellos nicht verfehlt. \u2026 Die Machart verschwindet in der Formulierung des Resultats als der eines \u00e4sthetischen Ereignisses an sich. Ob das wie bei \u00abThe Gathering\u00bb als Geheimnis zwischen feinsten Kontrasten und Farbstufen im Piano-Inside-Stil passiert oder dann wie bei \u00abHeritage\u00bb sind wieder kinetischer Gel\u00e4ufigkeit und Variantenfreudigkeit ausdr\u00fcckt. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/03\/benjamin-schaefer-power\/\">Weiterlesen<\/a><\/p>\n<iframe loading=\"lazy\" width=\"400\" height=\"472\" style=\"position: relative; display: block; width: 400px; height: 472px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=505304871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/phillips-kurtag-jr-face-a-face\/\"><strong>Phillips \/ Kurt\u00e1g jr. \u2013 Face \u00e0 Face<\/strong><\/a><\/h3>\n<p>Barre und Kurt\u00e1g jr. begeben sich auf Klangspurensuche mit den Mitteln von Electronics und einem traditionellen akustischen Kontrabass. Dabei geht es drunter und drunterer. Ein filigranes Gespinst aus Kl\u00e4ngen formulieren sie in Echtzeit, so ziellos wie bestimmt und konzentriert. Da geht die erklingende Musik verloren im Ungewissen, was toll ist. <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/phillips-kurtag-jr-face-a-face\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Face \u00e0 Face\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5MoFSUdyoVdN0UNygUi0iv?si=vWH_fDkSTBSmUnbzr91Igg&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ali-n-askin-up-chute\/\"><strong>Ali N. Askin \u2013 up chute<\/strong><\/a><\/h3>\n<p>Die Musik wird zum Strom. \u2026 Eine Verschlingung von Harmoniewechseln, Variantenheterophonie in den Sololinien der Bl\u00e4ser vermittels elektronischer Selbstverfolgung. \u2026 Das Tiefh\u00f6ren auf der Energie eines Surfbretts im Wellengang einer detailverliebten Iteration schadet nicht. <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ali-n-askin-up-chute\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Up Chute\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1qyB2ptGEIw76A86z99dZF?si=Rz2RkAfaQQOLc5u5cuLyzg&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/loom-thread-island-grammar\/\"><strong>Loom &amp; Thread: Island Grammar<\/strong><\/a><\/h3>\n<p>\u2026 Die Scheibe frickelt auf diese Weise musikalisch in ihrem eigenen Treibsand aus Glasperlen. Das ist immer auch gef\u00e4hrlich, vor allem f\u00fcr die Musiker. Aber sie sinken nicht ab. F\u00fcr ein H\u00e4ndeindieluftrei\u00dfen besteht echt kein Anlass. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/loom-thread-island-grammar\/\">Weiterlesen<\/a><\/p>\n<iframe loading=\"lazy\" width=\"400\" height=\"472\" style=\"position: relative; display: block; width: 400px; height: 472px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=3091011514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/tekk-trio-mushmix\/\"><strong>TEKK-TRIO \u2013 MushMix<\/strong><\/a><\/h3>\n<p>\u2026 Dann flippen sie zwischendrin egotripend wieder mal aus, als g\u00e4be es keine Welt um sie herum, und machen einen auf Rock\u2019n\u2019Roll-T\u00e4nzchen in Adiletten. Wann kehrt da wieder Ruhe ein. Vergesst das. Ruhewohl ist morgen \u2013 lal\u00fc, lala. Und schon trippelt das Trio l\u00e4ngst gemeinsam in drei Richtungen weiter, w\u00e4hrend man ihre Klangschatten noch an einer Wand verbleichen sieht. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/tekk-trio-mushmix\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Mushmix\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5afFx15ImBAyIiT85D3Wp5?si=EtdE5ij3SryT2n0h13jYcA&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ton-meets-sarah-davachi\/\"><strong>TON meets Sarah Davachi<\/strong><\/a><\/h3>\n<p>\u2026 so entsteht hier ein in sich mimetisch verschlungenes neues Ganzes. Das\u00a0 modelliert sich zu einem langen Klangband in deren t\u00f6nenden DNA der Orgelklang nie verschwindet, aber nicht mehr die alleinige Aufmerksamkeit an sich bindet. Der Raum der Kunst-Station St. Peter in K\u00f6ln spielt dabei mit. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/ton-meets-sarah-davachi\/\">Weiterlesen<\/a><\/p>\n<iframe loading=\"lazy\" width=\"480\" height=\"208\" style=\"position: relative; display: block; width: 480px; height: 208px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=1075143294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/koester-die-verwandlung-stufen\/\"><strong>K\u00f6ster \/ Die Verwandlung: Stufen<\/strong><\/a><\/h3>\n<p>\u2026 Wie macht der, wie machen die das? Dass, obwohl die Sachen so ausgefeilt und differenziert musiziert, alles extrem geradeaus und simpel klingt? Ich w\u00fcrde denken, dass dies der gro\u00dfe Kniff ist: Wenn die Grundgedanken pr\u00e4zise ohne allen Schnickschnack komponiert werden, kann man umso freier (nicht unbedingt wilder, aber das auch schon mal) dar\u00fcber seine Runden drehen. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/koester-die-verwandlung-stufen\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Stufen\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5GTedGPLWWFxG5IRIncJEh?si=C9Tc6THqQuKVRFq_8lUAeA&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/philip-zoubek-trio-extended-mirage\/\"><strong>Philip Zoubek Trio Extended \u2013 Mirage<\/strong><\/a><\/h3>\n<p>\u2026 Das ist so gut gemacht und musiziert wie selten. Zoubek erweist sich hier als Komponist der Rekombination und mit seinen Musiker:innen zugleich als Klangvollstecker und quietschvergn\u00fcgter Spielleiter einer Buntheit breitester Spektralit\u00e4t. \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/philip-zoubek-trio-extended-mirage\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Mirage\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/09DBtYKabYaUbHUGXPkvkx?si=7PoTrmCyR26RcbBJRmT86w&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><strong><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/debacker-javaid-convolution\/\">Debacker \/ Javaid \u2013 Convolution<\/a><\/strong><\/h3>\n<p>\u00abConvolution\u00bb ist auch der Versuch, das Prinzip \u00abDuo\u00bb aufzuheben, n\u00e4mlich als ein Geist und ein Instrument zu handeln, eine Art musikalische Legierung zu schaffen. So viel \u00abMeta\u00bb darf gerne sein. \u2026 die hier t\u00f6nenden Ereignisse sind geradezu unersch\u00f6pflich und unendlich fein, ber\u00fchrend leicht und auch melancholisch schwer \u2026 <a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/debacker-javaid-convolution\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Convolution\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6YtpSPmEC1VVAX7Khy4PN9?si=51mzz5uUSNKem7K6qFxQgg&#038;utm_source=oembed\"><\/iframe><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/sarah-chaksad-together\/\"><strong>Sarah Chaksad \u2013 Together<\/strong><\/a><\/h3>\n<p>Das h\u00f6rt man der Platte auch auch an. Es ist eine Art Solist:innensensemble, bei dem der Fokus f\u00fcr jeden Track neu gelegt wird und neu auszubalancieren gewesen ist. Das macht Gesamteindruck stilistisch vielf\u00e4ltig, zugleich aber zerf\u00e4llt dabei das Gesamtbild in Einzelteile. <a href=\"https:\/\/hoerbar.nmz.de\/2024\/01\/sarah-chaksad-together\/\">Weiterlesen<\/a><\/p>\n<p><iframe title=\"Spotify Embed: Together\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0I1zZGGIX8JyQLzhoIj5D6?si=V5ZyvPoCSPiaxcqjK-Xc3w&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2024\/02\/gurdjieff-de-hartmann-complete-music-for-the-piano\/\"><strong>Gurdjieff \/ De Hartmann: Complete Music for the Piano<\/strong><\/a><\/h3>\n<p>\u2026 Man wird die St\u00fccke wahrscheinlich so peu a peu sich zu Ohren f\u00fchren, ebenso wie sie eingespielt worden sind. Jeroen van Veen selbst erledigt das ohne gro\u00dfe B\u00f6gen zu bauen, sondern in einem Rutsch und einem Rausch.<\/p>\n<p><iframe title=\"Spotify Embed: Gurdjieff \/ De Hartmann: Complete Music for the Piano\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/30JYQEl2Y4sceyw6XIZI63?si=mEMy2giISRuClSm8TnA8cw&#038;utm_source=oembed\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elf Platten aus dem Jazz und an- und umgrenzenden Bereichen. Von Benjamin Schaefers \u201ePower\u201c bis zu Sarah Chaksads \u201eTogether\u201c &#8211; und das Klaviergesamtwerk von Gurdjieff \/ De Hartmann spielte Jeroen van Veen ein. <\/p>\n","protected":false},"author":2,"featured_media":31621,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[5483,802,189,5481,5480,5482],"coauthors":[680],"class_list":["post-31602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-ali-n-askin","tag-benjamin-schaefer","tag-frederik-koester","tag-philip-zoubek","tag-sarah-chaksad","tag-sarah-davachi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Power \u2013 Together \u2026 11 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2024\/09\/power-together-11-tontraegerinnen-im-schnelldurchlauf\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Power \u2013 Together \u2026 11 Tontr\u00e4ger:innen im Schnelldurchlauf - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Elf Platten aus dem Jazz und an- und umgrenzenden Bereichen. Von Benjamin Schaefers \u201ePower\u201c bis zu Sarah Chaksads \u201eTogether\u201c - und das Klaviergesamtwerk von Gurdjieff \/ De Hartmann spielte Jeroen van Veen ein.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2024\/09\/power-together-11-tontraegerinnen-im-schnelldurchlauf\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-06T08:59:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/09\/Mirage-Cover.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1054\" \/>\n\t<meta property=\"og:image:height\" content=\"1058\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2024\\\/09\\\/power-together-11-tontraegerinnen-im-schnelldurchlauf\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2024\\\/09\\\/power-together-11-tontraegerinnen-im-schnelldurchlauf\\\/\"},\"author\":{\"name\":\"Huflaikhan\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\"},\"headline\":\"Power \u2013 Together \u2026 11 Tontr\u00e4ger:innen im Schnelldurchlauf\",\"datePublished\":\"2024-09-06T08:59:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2024\\\/09\\\/power-together-11-tontraegerinnen-im-schnelldurchlauf\\\/\"},\"wordCount\":828,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2024\\\/09\\\/power-together-11-tontraegerinnen-im-schnelldurchlauf\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/Mirage-Cover.jpeg?fit=1054%2C1058&ssl=1\",\"keywords\":[\"Ali N. 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Enso: A Simplified Space Gerdes: Songs and Improvisations Perplexities On Mars: Perseverances Joray: Updraft Gramss\u2019 States Of Play: Urschall Gu\u00f0mundsd\u00f3ttir \/ \u00c1rnason: Poems Trovesi \/ Montanari: Stravaganze\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Gramss\u2019 States Of Play: Urschall","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/05\/gramss_urschall.jpg?fit=1200%2C1049&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3052,"url":"https:\/\/www.jazzzeitung.de\/cms\/2013\/11\/gebhard-ullmann-uebernimmt-vorsitz-der-union-deutscher-jazzmusiker\/","url_meta":{"origin":31602,"position":5},"title":"Gebhard Ullmann \u00fcbernimmt Vorsitz der Union Deutscher Jazzmusiker","author":"Redaktion JazzZeitung","date":"27. November 2013","format":false,"excerpt":"Der Berliner Multiinstrumentalist und Komponist Gebhard Ullmann ist neuer Vorsitzender der Union Deutscher Jazzmusiker. \u201eNach zwei sehr intensiven und fruchtbaren Jahren freue ich mich \u00fcber einen so renommierten und hochgesch\u00e4tzten Kollegen als Nachfolger\u201c, so Julia H\u00fclsmann, die der Union Deutscher Jazzmusiker seit Februar 2012 vorgestanden hatte und auf eigenen Wunsch\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"Gebhard Ullmann und Julia H\u00fclsmann","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/UDJ-Ullmann-Huelsmann-c-Union-Deutscher-Jazzmusiker-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/31602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=31602"}],"version-history":[{"count":4,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/31602\/revisions"}],"predecessor-version":[{"id":31625,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/31602\/revisions\/31625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/31621"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=31602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=31602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=31602"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=31602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}