{"id":28808,"date":"2022-12-21T12:26:01","date_gmt":"2022-12-21T11:26:01","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=28808"},"modified":"2022-12-21T12:29:35","modified_gmt":"2022-12-21T11:29:35","slug":"da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/","title":{"rendered":"Da Vinci Jazz, Musik mit Schwungs und Genreclash \u2013 Jazz-CDs in der H\u00f6rBar Dez. 2022\/01"},"content":{"rendered":"<p>Drei aktuelle Platten vom italienischen Label Da Vinci Jazz, dazu eine genre\u00fcbergreifende Jazz-Folk-Pop-Platte und ein Trio mit Marimba, Bassklarinette und Gesang. Und \u00fcberall wird \u201eauch\u201c von Frauen gesungen. Die Jazz-Rezensionen in der<a href=\"https:\/\/hoerbar.nmz.de\/\"> H\u00f6rBar<\/a> der<a href=\"https:\/\/www.nmz.de\/\"> neuen musikzeitung<\/a>.<\/p>\n<div data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/&quot;}' id='gallery-1' class='gallery galleryid-28808 gallery-columns-5 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/44_single\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Teresa Bergman \u2013 33, Single &amp; Broke\" aria-describedby=\"gallery-1-28807\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=96%2C96&amp;ssl=1 96w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"28807\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/44_single\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Teresa Bergman \u2013 33, Single &amp;#038; Broke\" data-image-description=\"&lt;p&gt;Teresa Bergman \u2013 33, Single &amp;#038; Broke&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Teresa Bergman \u2013 33, Single &amp;#038; Broke&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?fit=600%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28807'>\n\t\t\t\tTeresa Bergman \u2013 33, Single &#038; Broke\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_mimanee-the-invisible-will-remain\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Miman\u00e9e \u2013 The Invisible Will Remain\" aria-describedby=\"gallery-1-28806\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=96%2C96&amp;ssl=1 96w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"28806\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_mimanee-the-invisible-will-remain\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?fit=500%2C500&amp;ssl=1\" data-orig-size=\"500,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Miman\u00e9e \u2013 The Invisible Will Remain\" data-image-description=\"&lt;p&gt;Miman\u00e9e \u2013 The Invisible Will Remain&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Miman\u00e9e \u2013 The Invisible Will Remain&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?fit=500%2C500&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28806'>\n\t\t\t\tMiman\u00e9e \u2013 The Invisible Will Remain\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_pagine_vere\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Ceccarelli \u2013 Pagine Vere\" aria-describedby=\"gallery-1-28805\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"28805\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_pagine_vere\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?fit=1650%2C1476&amp;ssl=1\" data-orig-size=\"1650,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ceccarelli \u2013 Pagine Vere\" data-image-description=\"&lt;p&gt;Ceccarelli \u2013 Pagine Vere&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Ceccarelli \u2013 Pagine Vere&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?fit=671%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28805'>\n\t\t\t\tCeccarelli \u2013 Pagine Vere\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_questo\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Questo Tempo\" aria-describedby=\"gallery-1-28804\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?w=1398&amp;ssl=1 1398w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=96%2C96&amp;ssl=1 96w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"28804\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_questo\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?fit=1398%2C1398&amp;ssl=1\" data-orig-size=\"1398,1398\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Questo Tempo\" data-image-description=\"&lt;p&gt;Questo Tempo&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Questo Tempo&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?fit=600%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28804'>\n\t\t\t\tQuesto Tempo\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_subcon\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Subconscious Trio \u2013 Water Shapes\" aria-describedby=\"gallery-1-28803\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"28803\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_subcon\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?fit=1643%2C1482&amp;ssl=1\" data-orig-size=\"1643,1482\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Subconscious Trio \u2013 Water Shapes\" data-image-description=\"&lt;p&gt;Subconscious Trio \u2013 Water Shapes&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Subconscious Trio \u2013 Water Shapes&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?fit=665%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28803'>\n\t\t\t\tSubconscious Trio \u2013 Water Shapes\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<ul>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/12\/mimanee-the-invisible-will-remain\/\">Miman\u00e9e \u2013 The Invisible Will Remain<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/12\/subconscious-trio-water-shapes\/\">Subconscious Trio \u2013 Water Shapes<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/questo-tempo\/\">Questo Tempo<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/teresa-bergman-33-single-broke\/\">Teresa Bergman \u2013 33, Single &amp; Broke<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/ceccarelli-pagine-vere\/\">Ceccarelli \u2013 Pagine Vere<\/a><\/li>\n<\/ul>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/12\/mimanee-the-invisible-will-remain\/\">Miman\u00e9e \u2013 The Invisible Will Remain<\/a><\/h3>\n<figure id=\"attachment_28806\" aria-describedby=\"caption-attachment-28806\" style=\"width: 300px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"28806\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_mimanee-the-invisible-will-remain\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?fit=500%2C500&amp;ssl=1\" data-orig-size=\"500,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Miman\u00e9e \u2013 The Invisible Will Remain\" data-image-description=\"&lt;p&gt;Miman\u00e9e \u2013 The Invisible Will Remain&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Miman\u00e9e \u2013 The Invisible Will Remain&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?fit=500%2C500&amp;ssl=1\" class=\"size-medium wp-image-28806\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Miman\u00e9e \u2013 The Invisible Will Remain\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_Mimanee-The-Invisible-Will-Remain.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28806\" class=\"wp-caption-text\">Miman\u00e9e \u2013 The Invisible Will Remain<\/figcaption><\/figure>\n<p>\u00abDie Musik sumpft nie zu, sie l\u00e4sst vielmehr den H\u00f6renden die Freiheit, sich hineinzuschwingen und einflechten zu lassen \u2013 ebenso locker kommt man da auch wieder mit Schwungs heraus.\u00bb<\/p>\n<p><iframe title=\"Spotify Embed: Komm schon! Mach schon! Geh schon!\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/7HFHfHieYe5DIRhEPiXMy4?si=9c707ac9c05a4bd9&#038;utm_source=oembed\"><\/iframe><\/p>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/12\/subconscious-trio-water-shapes\/\">Subconscious Trio \u2013 Water Shapes<\/a><\/h3>\n<figure id=\"attachment_28803\" aria-describedby=\"caption-attachment-28803\" style=\"width: 300px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"28803\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_subcon\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?fit=1643%2C1482&amp;ssl=1\" data-orig-size=\"1643,1482\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Subconscious Trio \u2013 Water Shapes\" data-image-description=\"&lt;p&gt;Subconscious Trio \u2013 Water Shapes&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Subconscious Trio \u2013 Water Shapes&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?fit=665%2C600&amp;ssl=1\" class=\"size-medium wp-image-28803\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=300%2C271&#038;ssl=1\" alt=\"Subconscious Trio \u2013 Water Shapes\" width=\"300\" height=\"271\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=300%2C271&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=665%2C600&amp;ssl=1 665w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=768%2C693&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=1536%2C1385&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?resize=1320%2C1191&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg?w=1643&amp;ssl=1 1643w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28803\" class=\"wp-caption-text\">Subconscious Trio \u2013 Water Shapes<\/figcaption><\/figure>\n<p>\u00abDie \u00e4sthetische Eigenart dieses Trio liegt meines Erachtens darin, dass es den Musikerinnen immer wieder gelingt, den zun\u00e4chst geplanten Aufbau innerhalb der einzelnen St\u00fccke (dem man ja wie selbstverst\u00e4ndlich mitfolgt) irgendwann mehr oder weniger pl\u00f6tzlich zu transformieren und man sich in einer anderen Tiefenschicht h\u00f6rend wiederfindet.\u00bb<\/p>\n<p><iframe title=\"Spotify Embed: I Like My Bed More Than I Like Most People\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/7LWcBknQIXBIkTCrKF5NmP?si=690d34853130409d&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/questo-tempo\/\">Questo Tempo<\/a><\/h3>\n<figure id=\"attachment_28804\" aria-describedby=\"caption-attachment-28804\" style=\"width: 300px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"28804\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_questo\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?fit=1398%2C1398&amp;ssl=1\" data-orig-size=\"1398,1398\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Questo Tempo\" data-image-description=\"&lt;p&gt;Questo Tempo&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Questo Tempo&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-medium wp-image-28804\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Questo Tempo\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_questo.jpg?w=1398&amp;ssl=1 1398w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28804\" class=\"wp-caption-text\">Questo Tempo<\/figcaption><\/figure>\n<p>\u00abZehn Bilder gestaltet das Quartett auf diese Weise. Unhektisch, nicht in Eile, nicht in lange Weile verfallend. So frei die B\u00f6gen der einzelnen St\u00fccke gestaltet sind, ja beinahe vegetativ, so pr\u00e4zise ist am Ende doch alles getimt \u2013 ohne doch durchkomponiert zu sein. Zugrunde liegen Texte weiblicher Autorinnen, auch wenn der Pressetext betont, \u00abeven in the full belief that the word poet is universal without any gender distinction. The choice of the text falls therefore on poems of representative poetesses of the last decades\u2019 poetry.\u00bb So wenig die Auswahl zuf\u00e4llig ist, so wenig liegt ihr eine genderspezifische Annahme zugrunde. Sympathisch \u2026\u00bb<\/p>\n<p><iframe title=\"Spotify Embed: Moltitudini\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/0XwNdS8NRVsKkSyx4BXufe?si=97ee30f54a9643fd&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/teresa-bergman-33-single-broke\/\">Teresa Bergman \u2013 33, Single &amp; Broke<\/a><\/h3>\n<figure id=\"attachment_28807\" aria-describedby=\"caption-attachment-28807\" style=\"width: 300px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"28807\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/44_single\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Teresa Bergman \u2013 33, Single &amp;#038; Broke\" data-image-description=\"&lt;p&gt;Teresa Bergman \u2013 33, Single &amp;#038; Broke&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Teresa Bergman \u2013 33, Single &amp;#038; Broke&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-medium wp-image-28807\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Teresa Bergman \u2013 33, Single &amp; Broke\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=24%2C24&amp;ssl=1 24w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=48%2C48&amp;ssl=1 48w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?resize=96%2C96&amp;ssl=1 96w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/44_single.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28807\" class=\"wp-caption-text\">Teresa Bergman \u2013 33, Single &amp; Broke<\/figcaption><\/figure>\n<p>\u00abVielleicht klingt es merkw\u00fcrdig, aber in der Faktur auch dieses Tracks offenbart sich eine Art Gestus der Kolossalit\u00e4t, die ganz gro\u00dfe Konzeption, die im kammermusikalischen Geiste ausgetragen wird. Das geht nat\u00fcrlich nur, wenn man dabei locker bleibt und gesanglich flexibel. Da darf es dann schon mal auch s\u00fcffig kitschfrei zugehen und \u00fcberdreht. Eine sympathische, unvergr\u00fcbelte Platte, die einen immer wieder auch da \u00fcberrascht, wo man denkt, dass einen nix mehr \u00fcberraschen kann. Der Genreclash lebt \u2013 \u00dc30 sogar besonders intelligent.\u2026\u00bb<\/p>\n<p><iframe title=\"Spotify Embed: So Many Men\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/20RTX5QNcsNulCgKE8zBms?si=e0d13b0994e642b3&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/11\/ceccarelli-pagine-vere\/\">Ceccarelli \u2013 Pagine Vere<\/a><\/h3>\n<figure id=\"attachment_28805\" aria-describedby=\"caption-attachment-28805\" style=\"width: 300px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"28805\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/48_pagine_vere\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?fit=1650%2C1476&amp;ssl=1\" data-orig-size=\"1650,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ceccarelli \u2013 Pagine Vere\" data-image-description=\"&lt;p&gt;Ceccarelli \u2013 Pagine Vere&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Ceccarelli \u2013 Pagine Vere&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?fit=671%2C600&amp;ssl=1\" class=\"size-medium wp-image-28805\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=300%2C268&#038;ssl=1\" alt=\"Ceccarelli \u2013 Pagine Vere\" width=\"300\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=300%2C268&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=671%2C600&amp;ssl=1 671w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=768%2C687&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=1536%2C1374&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?resize=1320%2C1181&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_pagine_vere.webp?w=1650&amp;ssl=1 1650w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-28805\" class=\"wp-caption-text\">Ceccarelli \u2013 Pagine Vere<\/figcaption><\/figure>\n<p>\u00abEin kammermusikalisches Perlchen: Manchmal \u00fcber das d\u00fcnne Seilchen zum Kitsch mehr stolpernd als fallend, statt auf diesem selbst mit Schirm, Charme und Zitronen jonglierend zu t\u00e4nzeln. \u2026\u00bb<\/p>\n<p><iframe title=\"Spotify Embed: Semplice\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6Y2mMmYSCwNjhFJHTa5yPT?si=fa689c365bed48a8&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drei aktuelle Platten vom italienischen Label Da Vinci Jazz, dazu eine genre\u00fcbergreifende Jazz-Folk-Pop-Platte und ein Trio mit Marimba, Bassklarinette und Gesang. Und \u00fcberall wird \u201eauch\u201c von Frauen gesungen. Die Jazz-Rezensionen in der H\u00f6rBar der neuen musikzeitung. Miman\u00e9e \u2013 The Invisible Will Remain Subconscious Trio \u2013 Water Shapes Questo Tempo Teresa Bergman \u2013 33, Single &amp; Broke Ceccarelli \u2013 Pagine Vere Miman\u00e9e \u2013 The Invisible Will Remain \u00abDie Musik sumpft nie zu, sie l\u00e4sst vielmehr den H\u00f6renden die Freiheit, sich hineinzuschwingen und einflechten zu lassen \u2013 ebenso locker kommt man da auch wieder mit Schwungs heraus.\u00bb Subconscious Trio \u2013 Water Shapes \u00abDie \u00e4sthetische Eigenart dieses Trio liegt meines Erachtens darin, dass es den Musikerinnen immer wieder gelingt, den zun\u00e4chst geplanten Aufbau innerhalb der einzelnen St\u00fccke (dem man ja wie selbstverst\u00e4ndlich mitfolgt) irgendwann mehr oder weniger pl\u00f6tzlich zu transformieren und man sich in einer anderen Tiefenschicht h\u00f6rend wiederfindet.\u00bb &nbsp; Questo Tempo \u00abZehn Bilder gestaltet das Quartett auf diese Weise. Unhektisch, nicht in Eile, nicht in lange Weile verfallend. So frei die B\u00f6gen der einzelnen St\u00fccke gestaltet sind, ja beinahe vegetativ, so pr\u00e4zise ist am Ende doch alles &hellip;<\/p>\n","protected":false},"author":2,"featured_media":28803,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[4412,4413,3582,4416,2936,4415,4414],"coauthors":[680],"class_list":["post-28808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-ceccarelli","tag-da-vinci-jazz","tag-hoerbar","tag-mimanee","tag-neuerscheinungen","tag-subconscious-trio","tag-teresa-bergman"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Da Vinci Jazz, Musik mit Schwungs und Genreclash \u2013 Jazz-CDs in der H\u00f6rBar Dez. 2022\/01 - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Da Vinci Jazz, Musik mit Schwungs und Genreclash \u2013 Jazz-CDs in der H\u00f6rBar Dez. 2022\/01 - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Drei aktuelle Platten vom italienischen Label Da Vinci Jazz, dazu eine genre\u00fcbergreifende Jazz-Folk-Pop-Platte und ein Trio mit Marimba, Bassklarinette und Gesang. Und \u00fcberall wird \u201eauch\u201c von Frauen gesungen. Die Jazz-Rezensionen in der H\u00f6rBar der neuen musikzeitung. Miman\u00e9e \u2013 The Invisible Will Remain Subconscious Trio \u2013 Water Shapes Questo Tempo Teresa Bergman \u2013 33, Single &amp; Broke Ceccarelli \u2013 Pagine Vere Miman\u00e9e \u2013 The Invisible Will Remain \u00abDie Musik sumpft nie zu, sie l\u00e4sst vielmehr den H\u00f6renden die Freiheit, sich hineinzuschwingen und einflechten zu lassen \u2013 ebenso locker kommt man da auch wieder mit Schwungs heraus.\u00bb Subconscious Trio \u2013 Water Shapes \u00abDie \u00e4sthetische Eigenart dieses Trio liegt meines Erachtens darin, dass es den Musikerinnen immer wieder gelingt, den zun\u00e4chst geplanten Aufbau innerhalb der einzelnen St\u00fccke (dem man ja wie selbstverst\u00e4ndlich mitfolgt) irgendwann mehr oder weniger pl\u00f6tzlich zu transformieren und man sich in einer anderen Tiefenschicht h\u00f6rend wiederfindet.\u00bb &nbsp; Questo Tempo \u00abZehn Bilder gestaltet das Quartett auf diese Weise. Unhektisch, nicht in Eile, nicht in lange Weile verfallend. So frei die B\u00f6gen der einzelnen St\u00fccke gestaltet sind, ja beinahe vegetativ, so pr\u00e4zise ist am Ende doch alles &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/12\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-21T11:26:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-21T11:29:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/12\/48_subcon.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1643\" \/>\n\t<meta property=\"og:image:height\" content=\"1482\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/\"},\"author\":{\"name\":\"Huflaikhan\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\"},\"headline\":\"Da Vinci Jazz, Musik mit Schwungs und Genreclash \u2013 Jazz-CDs in der H\u00f6rBar Dez. 2022\\\/01\",\"datePublished\":\"2022-12-21T11:26:01+00:00\",\"dateModified\":\"2022-12-21T11:29:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/\"},\"wordCount\":517,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/48_subcon.jpg?fit=1643%2C1482&ssl=1\",\"keywords\":[\"Ceccarelli\",\"Da Vinci Jazz\",\"H\u00f6rBar\",\"Miman\u00e9e\",\"Neuerscheinungen\",\"Subconscious Trio\",\"Teresa Bergman\"],\"articleSection\":[\"Rezension\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/12\\\/da-vinci-jazz-musik-mit-schwungs-und-genreclash-jazz-cds-in-der-hoerbar-dez-2022-01\\\/\",\"name\":\"Da Vinci Jazz, Musik mit Schwungs und Genreclash \u2013 Jazz-CDs in der H\u00f6rBar Dez. 2022\\\/01 - 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