{"id":27931,"date":"2022-07-25T08:30:58","date_gmt":"2022-07-25T06:30:58","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=27931"},"modified":"2022-07-22T11:57:58","modified_gmt":"2022-07-22T09:57:58","slug":"covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/","title":{"rendered":"Covers &#038; Cinema \u2013 Jazz-CDs in der H\u00f6rBar Juli 2022\/02"},"content":{"rendered":"<p>Es gibt hier einiges Gecovertes, obwohl? Eigentlich sind es ja Standards. Nur halt nicht die \u00dcblichen. Es gibt Depri-Musik, Luftiges und Cineastisches: The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band | Baier \/ Wehrmann: Connected | Florian Hartz\u2018 Flo &amp; Fauna: Try Harder | Lothar Dithmar: Trains and Rivers | Lukas Langguth Trio: Save Me From Myself. Rezensionen in der<a href=\"https:\/\/hoerbar.nmz.de\/\"> H\u00f6rBar<\/a> der<a href=\"https:\/\/www.nmz.de\/\"> neuen musikzeitung<\/a>.<\/p>\n<div data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/&quot;}' id='gallery-1' class='gallery galleryid-27931 gallery-columns-5 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_rick_hollander\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band\" aria-describedby=\"gallery-1-27940\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"27940\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_rick_hollander\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band\" data-image-description=\"&lt;p&gt;The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?fit=600%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27940'>\n\t\t\t\tThe Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_wehrmann\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Baier \/ Wehrmann: Connected\" aria-describedby=\"gallery-1-27939\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"27939\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_wehrmann\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?fit=500%2C500&amp;ssl=1\" data-orig-size=\"500,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Baier \/ Wehrmann: Connected\" data-image-description=\"&lt;p&gt;Baier \/ Wehrmann: Connected&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Baier \/ Wehrmann: Connected&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?fit=500%2C500&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27939'>\n\t\t\t\tBaier \/ Wehrmann: Connected\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_hartz\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Florian Hartz\u2018 Flo &amp; Fauna: Try Harder\" aria-describedby=\"gallery-1-27938\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"27938\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_hartz\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder\" data-image-description=\"&lt;p&gt;Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?fit=600%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27938'>\n\t\t\t\tFlorian Hartz\u2018 Flo &#038; Fauna: Try Harder\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_dithmar\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Lothar Dithmar: Trains and Rivers\" aria-describedby=\"gallery-1-27937\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"27937\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_dithmar\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1500%2C1345&amp;ssl=1\" data-orig-size=\"1500,1345\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Lothar Dithmar: Trains and Rivers\" data-image-description=\"&lt;p&gt;Lothar Dithmar: Trains and Rivers&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Lothar Dithmar: Trains and Rivers&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=669%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27937'>\n\t\t\t\tLothar Dithmar: Trains and Rivers\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_langguth\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"Lukas Langguth Trio: Save Me From Myself\" aria-describedby=\"gallery-1-27936\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=1320%2C1320&amp;ssl=1 1320w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"27936\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_langguth\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?fit=1440%2C1440&amp;ssl=1\" data-orig-size=\"1440,1440\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Lukas Langguth Trio: Save Me From Myself\" data-image-description=\"&lt;p&gt;Lukas Langguth Trio: Save Me From Myself&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Lukas Langguth Trio: Save Me From Myself&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?fit=600%2C600&amp;ssl=1\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27936'>\n\t\t\t\tLukas Langguth Trio: Save Me From Myself\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li aria-level=\"1\"><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/the-rick-hollander-quartet-sgt-peppers-lonely-hearts-club-band\/\">The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band<\/a><\/li>\n<li aria-level=\"1\"><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/baier-wehrmann-connected\/\">Baier \/ Wehrmann: Connected<\/a><\/li>\n<li aria-level=\"1\"><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/florian-hartz-flo-fauna-try-harder\/\">Florian Hartz\u2018 Flo &amp; Fauna: Try Harder<\/a><\/li>\n<li aria-level=\"1\"><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/lothar-dithmar-trains-and-rivers\/\">Lothar Dithmar: Trains and Rivers<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/lukas-langguth-trio-save-me-from-myself\/\">Lukas Langguth Trio: Save Me From Myself<\/a><\/li>\n<\/ul>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/the-rick-hollander-quartet-sgt-peppers-lonely-hearts-club-band\/\">The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band<\/a><\/h3>\n<figure id=\"attachment_27940\" aria-describedby=\"caption-attachment-27940\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27940\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_rick_hollander\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band\" data-image-description=\"&lt;p&gt;The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27940\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=150%2C150&#038;ssl=1\" alt=\"The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_rick_hollander.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27940\" class=\"wp-caption-text\">The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band<\/figcaption><\/figure>\n<p>Eine gro\u00dfe Freude. Die Platte der Beatles wird aufs netteste aus dem Pophimmel auf den Jazzboden geholt und hoppelt da wie ein Hase vermittels Steeldrums und des unspektakul\u00e4r-klugen Gesangs \u00fcber die doch teils komplexen Kompositionen von John Lennon, Paul McCartney und George Harrison mit kindischem Vergn\u00fcgen und verschmitztem Ernst.<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Penny Lane\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/42Skxiv7H1v2AlEfRRKxyv?si=d42d17df63c64424&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/baier-wehrmann-connected\/\">Baier \/ Wehrmann: Connected<\/a><\/h3>\n<figure id=\"attachment_27939\" aria-describedby=\"caption-attachment-27939\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27939\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_wehrmann\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?fit=500%2C500&amp;ssl=1\" data-orig-size=\"500,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Baier \/ Wehrmann: Connected\" data-image-description=\"&lt;p&gt;Baier \/ Wehrmann: Connected&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Baier \/ Wehrmann: Connected&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?fit=500%2C500&amp;ssl=1\" class=\"size-thumbnail wp-image-27939\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Baier \/ Wehrmann: Connected\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_wehrmann.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27939\" class=\"wp-caption-text\">Baier \/ Wehrmann: Connected<\/figcaption><\/figure>\n<p>Das Duo mit den beiden aus Funkpopjazz \u201egroovyoutainment\u201c \u00fcber die Kapelle \u201esidesteps\u201c bekannten Musikern hat sich ein paar Pop- und Rocksongs vorgekn\u00f6pft und mit der Liebe einer nichtendenwollenden Musikalit\u00e4t mit aller Schmacht- und Fetzkunst versehen.<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Back to the Ground\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/4bHLLB4mLmODFNrb9EO7Zn?si=a9494f3f9c0b4c3f&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/florian-hartz-flo-fauna-try-harder\/\">Florian Hartz\u2018 Flo &amp; Fauna: Try Harder<\/a><\/h3>\n<figure id=\"attachment_27938\" aria-describedby=\"caption-attachment-27938\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27938\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_hartz\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder\" data-image-description=\"&lt;p&gt;Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Florian Hartz\u2018 Flo &amp;#038; Fauna: Try Harder&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27938\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Florian Hartz\u2018 Flo &amp; Fauna: Try Harder\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_hartz.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27938\" class=\"wp-caption-text\">Florian Hartz\u2018 Flo &amp; Fauna: Try Harder<\/figcaption><\/figure>\n<p>Das ist im besten Sinne fast schon Popmusik, mindestens Soundtrack der vernehmbaren Zeitenwelten.<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Zehenspitzen\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/6epT2RUfdXCbxJRLVAqjbc?si=1067007dfc754dff&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/lothar-dithmar-trains-and-rivers\/\">Lothar Dithmar: Trains and Rivers<\/a><\/h3>\n<figure id=\"attachment_27937\" aria-describedby=\"caption-attachment-27937\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27937\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_dithmar\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1500%2C1345&amp;ssl=1\" data-orig-size=\"1500,1345\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Lothar Dithmar: Trains and Rivers\" data-image-description=\"&lt;p&gt;Lothar Dithmar: Trains and Rivers&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Lothar Dithmar: Trains and Rivers&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=669%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27937\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Lothar Dithmar: Trains and Rivers\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27937\" class=\"wp-caption-text\">Lothar Dithmar: Trains and Rivers<\/figcaption><\/figure>\n<p>Ein l\u00e4ssiges Album mit neun St\u00fccken, die einfach so bequem vor sich dahin hotten. Mal vertr\u00e4umt und nach innen schauend, mal etwas fluffiger groovend. Harmonisch ausgefeilt klar, doch nie langweilig.<\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/07\/lukas-langguth-trio-save-me-from-myself\/\">Lukas Langguth Trio: Save Me From Myself<\/a><\/h3>\n<figure id=\"attachment_27936\" aria-describedby=\"caption-attachment-27936\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27936\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/29_langguth\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?fit=1440%2C1440&amp;ssl=1\" data-orig-size=\"1440,1440\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Lukas Langguth Trio: Save Me From Myself\" data-image-description=\"&lt;p&gt;Lukas Langguth Trio: Save Me From Myself&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Lukas Langguth Trio: Save Me From Myself&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27936\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Lukas Langguth Trio: Save Me From Myself\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_langguth.jpg?w=1440&amp;ssl=1 1440w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27936\" class=\"wp-caption-text\">Lukas Langguth Trio: Save Me From Myself<\/figcaption><\/figure>\n<p>Jedes St\u00fcck ein faszinierendes \u00e4sthetisches Bonbon, bei dem man nicht mal das Cellophan der Verpackung wegwerfen m\u00f6chte. \u201eLa Pomme Rouge\u201c ist dabei gleich zu Beginn der H\u00f6hepunkt des Albums bei dem sich die Ohren \u2013 zack! \u2013 aufstellen.<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: La Pomme rouge\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/7HUGVCGS6xaHaZBodte6pP?si=6e02d7be7c29436a&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Es gibt hier einiges Gecovertes, obwohl? Eigentlich sind es ja Standards. Nur halt nicht die \u00dcblichen. Es gibt Depri-Musik, Luftiges und Cineastisches: The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band | Baier \/ Wehrmann: Connected | Florian Hartz\u2018 Flo &amp; Fauna: Try Harder | Lothar Dithmar: Trains and Rivers | Lukas Langguth Trio: Save Me From Myself. Rezensionen in der H\u00f6rBar der neuen musikzeitung. The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band Baier \/ Wehrmann: Connected Florian Hartz\u2018 Flo &amp; Fauna: Try Harder Lothar Dithmar: Trains and Rivers Lukas Langguth Trio: Save Me From Myself The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band Eine gro\u00dfe Freude. Die Platte der Beatles wird aufs netteste aus dem Pophimmel auf den Jazzboden geholt und hoppelt da wie ein Hase vermittels Steeldrums und des unspektakul\u00e4r-klugen Gesangs \u00fcber die doch teils komplexen Kompositionen von John Lennon, Paul McCartney und George Harrison mit kindischem Vergn\u00fcgen und verschmitztem Ernst. Baier \/ Wehrmann: Connected Das Duo mit den beiden aus Funkpopjazz \u201egroovyoutainment\u201c \u00fcber die Kapelle \u201esidesteps\u201c bekannten Musikern hat sich ein paar Pop- und Rocksongs vorgekn\u00f6pft und &hellip;<\/p>\n","protected":false},"author":2,"featured_media":27937,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[109,4223,4227,3582,4226,4225,4224,1186,4229,4222,4228],"coauthors":[680],"class_list":["post-27931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-cd","tag-florian-hartz-flo-fauna","tag-gerd-baier","tag-hoerbar","tag-lothar-dithmar","tag-lukas-langguth","tag-lukas-langguth-trio","tag-rezension","tag-the-beatles","tag-the-rick-hollander-quartet","tag-uli-wehrmann"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Covers &amp; Cinema \u2013 Jazz-CDs in der H\u00f6rBar Juli 2022\/02 - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Covers &amp; Cinema \u2013 Jazz-CDs in der H\u00f6rBar Juli 2022\/02 - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Es gibt hier einiges Gecovertes, obwohl? Eigentlich sind es ja Standards. Nur halt nicht die \u00dcblichen. Es gibt Depri-Musik, Luftiges und Cineastisches: The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band | Baier \/ Wehrmann: Connected | Florian Hartz\u2018 Flo &amp; Fauna: Try Harder | Lothar Dithmar: Trains and Rivers | Lukas Langguth Trio: Save Me From Myself. Rezensionen in der H\u00f6rBar der neuen musikzeitung. The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band Baier \/ Wehrmann: Connected Florian Hartz\u2018 Flo &amp; Fauna: Try Harder Lothar Dithmar: Trains and Rivers Lukas Langguth Trio: Save Me From Myself The Rick Hollander Quartet: Sgt. Pepper\u2019s Lonely Hearts Club Band Eine gro\u00dfe Freude. Die Platte der Beatles wird aufs netteste aus dem Pophimmel auf den Jazzboden geholt und hoppelt da wie ein Hase vermittels Steeldrums und des unspektakul\u00e4r-klugen Gesangs \u00fcber die doch teils komplexen Kompositionen von John Lennon, Paul McCartney und George Harrison mit kindischem Vergn\u00fcgen und verschmitztem Ernst. Baier \/ Wehrmann: Connected Das Duo mit den beiden aus Funkpopjazz \u201egroovyoutainment\u201c \u00fcber die Kapelle \u201esidesteps\u201c bekannten Musikern hat sich ein paar Pop- und Rocksongs vorgekn\u00f6pft und &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-25T06:30:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/29_dithmar.jpg?fit=1500%2C1345&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1345\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/07\\\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/07\\\/covers-cinema-jazz-cds-in-der-hoerbar-juli-2022-02\\\/\"},\"author\":{\"name\":\"Huflaikhan\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\"},\"headline\":\"Covers &#038; 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Mai 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] | H\u00e5kon Kornstad Trio: Im Treibhaus [2019] | Modern String Quartet: The Rite Of Swing [2019] | Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] | Clemens Christian\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":20612,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/09\/schnelldurchlauf-jazz-cds-mit-bend-monder-und-anderen\/","url_meta":{"origin":27931,"position":3},"title":"Schnelldurchlauf: Jazz-CDs mit Ben Monder und anderen","author":"Martin Hufner","date":"5. 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Jungen M\u00fcnchner Jazzpreises im Club Unterfahrt","author":"Redaktion JazzZeitung","date":"17. November 2021","format":false,"excerpt":"Der Junge M\u00fcnchner Jazzpreis hat auch ein bisschen Gl\u00fcck gehabt. Als im vergangenen Jahr zum Beispiel viele Veranstaltungen abgesagt werden mussten, lag er so g\u00fcnstig zwischen den pandemischen Verschlussphasen, dass er sogar live vor Publikum durchgef\u00fchrt werden konnte. 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Juni 2025","format":false,"excerpt":"20 CDs im Schnelldurchlauf: 1. Bo van de Graaf \u2013 One Way Ticket to Tibet, 2. Leykam \/ Meyer \/ Schaller \u2013 Krautinsel; 3. European Guitar Quartet \u2013 Fourtune; 4. Sigurd Hole Ensemble \u2013 Extinction Sounds; 5. Stuppin & Berger: Aurora Borealis; 6. Florian Paul & Die Kapelle der letzten\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Bo van de Graaf \u2013 One Way Ticket to Tibet","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/06\/va_de_graaf.jpeg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=27931"}],"version-history":[{"count":2,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27931\/revisions"}],"predecessor-version":[{"id":27942,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27931\/revisions\/27942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/27937"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=27931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=27931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=27931"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=27931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}