{"id":27574,"date":"2022-06-22T07:04:52","date_gmt":"2022-06-22T05:04:52","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=27574"},"modified":"2022-06-22T09:25:35","modified_gmt":"2022-06-22T07:25:35","slug":"jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/","title":{"rendered":"Jazz auf Schloss H\u00f6fling &#8211; ein Sommerabend der ungew\u00f6hnlichen Art mit Lorenz Kellhuber"},"content":{"rendered":"<p><strong>Eine gute Mischung hat sich Hausherr Constantin Graf von Walderdorff f\u00fcr sein Openair im Schlosshof H\u00f6fling nahe Regensburg einfallen lassen. Der S\u00e4nger und Klarinettist, der sich vor f\u00fcnf Jahren aus seiner aktiven Musikerkarriere zur\u00fcckgezogen hat, kennt Axel Zwingenberger aus seinen Wiener Jahren. Der Boogie-Woogie-Star spielte am Freitag Abend, dem 17. Juni 2022, vor vollen Zuschauerr\u00e4ngen.<\/strong><\/p>\n<p>Weitaus ungew\u00f6hnlicher war der zweite Abend besetzt: angefangen vom Outfit des Bassisten bis hin zu den strengen Improvisationen des Trios um die Pianisten Lorenz Kellhuber mit besagtem Felix Henkelhausen (b) und dem Drummer Moritz Baumg\u00e4rtner. Entspannung gab bei dieser &#8222;Contemporary Chambermusic&#8220; erst bei der Zugabe. Aber es war ein durchaus guter Kontrast zum idyllischen Ambiente und ein Kunstgenuss selbstverst\u00e4ndlich.<\/p>\n<h4>&#8222;Wir improvisieren und lassen uns inspirieren &#8211; von der Natur hier, den V\u00f6geln und Ihnen, dem Publikum.&#8220; (Lorenz Kellhuber)<\/h4>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/06\\\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 370px;\" data-original-width=\"840\" data-original-height=\"370\" > <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-1\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27575\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583305&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.002865329512894&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (1)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-1-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (1)\" alt=\"kellhuber_h\u00f6fling_gaisa (1)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-3\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27577\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583429&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;126&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (3)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-3-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (3)\" alt=\"kellhuber_h\u00f6fling_gaisa (3)\" style=\"width: 206px; 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height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-10\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27584\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655588515&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;288&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (10)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-10-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (10)\" alt=\"kellhuber_h\u00f6fling_gaisa (10)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 495px;\" data-original-width=\"840\" data-original-height=\"495\" > <div class=\"gallery-group images-1\" style=\"width: 280px; height: 495px;\" data-original-width=\"280\" data-original-height=\"495\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-12\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"491\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27586\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655588756&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;600&quot;,&quot;shutter_speed&quot;:&quot;0.03030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (12)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?w=276&#038;h=491&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-12-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"276\" height=\"491\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"491\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (12)\" alt=\"kellhuber_h\u00f6fling_gaisa (12)\" style=\"width: 276px; height: 491px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 280px; height: 495px;\" data-original-width=\"280\" data-original-height=\"495\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-13\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"491\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27587\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655588762&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;549&quot;,&quot;shutter_speed&quot;:&quot;0.03030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (13)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?w=276&#038;h=491&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-13-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"276\" height=\"491\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"491\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (13)\" alt=\"kellhuber_h\u00f6fling_gaisa (13)\" style=\"width: 276px; height: 491px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 280px; height: 495px;\" data-original-width=\"280\" data-original-height=\"495\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-16\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"491\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27590\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655580809&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;63&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (16)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?w=276&#038;h=491&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-16-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"276\" height=\"491\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"491\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (16)\" alt=\"kellhuber_h\u00f6fling_gaisa (16)\" style=\"width: 276px; height: 491px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 242px;\" data-original-width=\"840\" data-original-height=\"242\" > <div class=\"gallery-group images-1\" style=\"width: 138px; height: 242px;\" data-original-width=\"138\" data-original-height=\"242\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-18\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"134\"> <meta itemprop=\"height\" content=\"238\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27592\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655581679&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;61&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (18)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?w=134&#038;h=238&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-18-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"134\" height=\"238\" loading=\"lazy\" data-original-width=\"134\" data-original-height=\"238\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (18)\" alt=\"kellhuber_h\u00f6fling_gaisa (18)\" style=\"width: 134px; height: 238px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 426px; height: 242px;\" data-original-width=\"426\" data-original-height=\"242\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-19\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"422\"> <meta itemprop=\"height\" content=\"238\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27593\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg\" data-orig-size=\"2560,1440\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655581731&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;2.13&quot;,&quot;iso&quot;:&quot;58&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (19)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?fit=300%2C169&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?fit=840%2C472&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?w=422&#038;h=238&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=900%2C506&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=1536%2C864&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=2048%2C1152&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?resize=1320%2C743&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-19-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"422\" height=\"238\" loading=\"lazy\" data-original-width=\"422\" data-original-height=\"238\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (19)\" alt=\"kellhuber_h\u00f6fling_gaisa (19)\" style=\"width: 422px; height: 238px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 138px; height: 242px;\" data-original-width=\"138\" data-original-height=\"242\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-20\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"134\"> <meta itemprop=\"height\" content=\"238\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27594\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583098&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;119&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (20)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?w=134&#038;h=238&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-20-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"134\" height=\"238\" loading=\"lazy\" data-original-width=\"134\" data-original-height=\"238\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (20)\" alt=\"kellhuber_h\u00f6fling_gaisa (20)\" style=\"width: 134px; height: 238px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 138px; height: 242px;\" data-original-width=\"138\" data-original-height=\"242\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-22\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"134\"> <meta itemprop=\"height\" content=\"238\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27596\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583140&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;113&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (22)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?w=134&#038;h=238&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-22-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"134\" height=\"238\" loading=\"lazy\" data-original-width=\"134\" data-original-height=\"238\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (22)\" alt=\"kellhuber_h\u00f6fling_gaisa (22)\" style=\"width: 134px; height: 238px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 360px;\" data-original-width=\"840\" data-original-height=\"360\" > <div class=\"gallery-group images-1\" style=\"width: 636px; height: 360px;\" data-original-width=\"636\" data-original-height=\"360\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-23\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"632\"> <meta itemprop=\"height\" content=\"356\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27597\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg\" data-orig-size=\"2560,1440\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583148&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;95&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (23)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?fit=300%2C169&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?fit=840%2C472&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?w=632&#038;h=356&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=900%2C506&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=1536%2C864&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=2048%2C1152&amp;ssl=1 2048w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?resize=1320%2C743&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-23-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"632\" height=\"356\" loading=\"lazy\" data-original-width=\"632\" data-original-height=\"356\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (23)\" alt=\"kellhuber_h\u00f6fling_gaisa (23)\" style=\"width: 632px; height: 356px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 204px; height: 360px;\" data-original-width=\"204\" data-original-height=\"360\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-24\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"200\"> <meta itemprop=\"height\" content=\"356\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27598\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583165&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;109&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (24)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?w=200&#038;h=356&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-24-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"200\" height=\"356\" loading=\"lazy\" data-original-width=\"200\" data-original-height=\"356\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (24)\" alt=\"kellhuber_h\u00f6fling_gaisa (24)\" style=\"width: 200px; height: 356px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 370px;\" data-original-width=\"840\" data-original-height=\"370\" > <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-25\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27599\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583166&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;109&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (25)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-25-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (25)\" alt=\"kellhuber_h\u00f6fling_gaisa (25)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-26\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27600\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583172&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;112&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (26)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-26-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (26)\" alt=\"kellhuber_h\u00f6fling_gaisa (26)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-27\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27601\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583174&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;112&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (27)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-27-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (27)\" alt=\"kellhuber_h\u00f6fling_gaisa (27)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 210px; height: 370px;\" data-original-width=\"210\" data-original-height=\"370\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-28\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"206\"> <meta itemprop=\"height\" content=\"366\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27602\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583189&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;109&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (28)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?w=206&#038;h=366&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-28-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"206\" height=\"366\" loading=\"lazy\" data-original-width=\"206\" data-original-height=\"366\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (28)\" alt=\"kellhuber_h\u00f6fling_gaisa (28)\" style=\"width: 206px; height: 366px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 744px;\" data-original-width=\"840\" data-original-height=\"744\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 744px;\" data-original-width=\"420\" data-original-height=\"744\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-29\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"740\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27603\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583222&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;73&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (29)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?w=416&#038;h=740&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-29-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"416\" height=\"740\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"740\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (29)\" alt=\"kellhuber_h\u00f6fling_gaisa (29)\" style=\"width: 416px; height: 740px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 744px;\" data-original-width=\"420\" data-original-height=\"744\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/kellhuber_hoefling_gaisa-30\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"740\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27604\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg\" data-orig-size=\"1440,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.85&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;M2011K2G&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1655583226&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.83&quot;,&quot;iso&quot;:&quot;78&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"kellhuber_h\u00f6fling_gaisa (30)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?fit=169%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?fit=338%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?w=416&#038;h=740&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?w=1440&amp;ssl=1 1440w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=169%2C300&amp;ssl=1 169w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=338%2C600&amp;ssl=1 338w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=768%2C1365&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=864%2C1536&amp;ssl=1 864w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=1152%2C2048&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/kellhuber_hoefling_gaisa-30-scaled.jpg?resize=1320%2C2347&amp;ssl=1 1320w\" width=\"416\" height=\"740\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"740\" itemprop=\"http:\/\/schema.org\/image\" title=\"kellhuber_h\u00f6fling_gaisa (30)\" alt=\"kellhuber_h\u00f6fling_gaisa (30)\" style=\"width: 416px; height: 740px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Voll wurde es dann &#8211; auch noch bei strahlendem Sommerwetter &#8211; am Sonntagnachmittag mit Steffi Denk und ihren Flexible Friends.<\/p>\n<p>Schloss H\u00f6fling ist in Privatbesitz und wird zweimal im Jahr f\u00fcr Publikum ge\u00f6ffnet &#8222;um den Mensch Freude zu bringen&#8220;, so Walderdorff. Weiter geht&#8217;s am 17. Juli im kleinen Konzertsaal mit dem Pianisten Haowen. Mehr zu Schloss H\u00f6fling und allen Konzerten unter<\/p>\n<h4><a href=\"http:\/\/www.schloss-hoefling.de\">www.schloss-hoefling.de<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Eine gute Mischung hat sich Hausherr Constantin Graf von Walderdorff f\u00fcr sein Openair im Schlosshof H\u00f6fling nahe Regensburg einfallen lassen. Der S\u00e4nger und Klarinettist, der sich vor f\u00fcnf Jahren aus seiner aktiven Musikerkarriere zur\u00fcckgezogen hat, kennt Axel Zwingenberger aus seinen Wiener Jahren. Der Boogie-Woogie-Star spielte am Freitag Abend, dem 17. Juni 2022, vor vollen Zuschauerr\u00e4ngen. Weitaus ungew\u00f6hnlicher war der zweite Abend besetzt: angefangen vom Outfit des Bassisten bis hin zu den strengen Improvisationen des Trios um die Pianisten Lorenz Kellhuber mit besagtem Felix Henkelhausen (b) und dem Drummer Moritz Baumg\u00e4rtner. Entspannung gab bei dieser &#8222;Contemporary Chambermusic&#8220; erst bei der Zugabe. Aber es war ein durchaus guter Kontrast zum idyllischen Ambiente und ein Kunstgenuss selbstverst\u00e4ndlich. &#8222;Wir improvisieren und lassen uns inspirieren &#8211; von der Natur hier, den V\u00f6geln und Ihnen, dem Publikum.&#8220; (Lorenz Kellhuber) Voll wurde es dann &#8211; auch noch bei strahlendem Sommerwetter &#8211; am Sonntagnachmittag mit Steffi Denk und ihren Flexible Friends. Schloss H\u00f6fling ist in Privatbesitz und wird zweimal im Jahr f\u00fcr Publikum ge\u00f6ffnet &#8222;um den Mensch Freude zu bringen&#8220;, so Walderdorff. Weiter geht&#8217;s am 17. Juli im kleinen Konzertsaal mit dem Pianisten &hellip;<\/p>\n","protected":false},"author":18,"featured_media":27578,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1053,652],"tags":[3510,322,1036,4160,2022,4159,982],"coauthors":[695],"class_list":["post-27574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bericht","category-galerie","tag-felix-henkelhausen","tag-konzert-2","tag-lorenz-kellhuber","tag-moritz-buamgaertner","tag-openair","tag-schloss-hoefling","tag-ursula-gaisa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jazz auf Schloss H\u00f6fling - ein Sommerabend der ungew\u00f6hnlichen Art mit Lorenz Kellhuber - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/jazz-auf-schloss-hoefling-ein-sommerabend-der-ungewoehnlichen-art-mit-lorenz-kellhuber\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jazz auf Schloss H\u00f6fling - ein Sommerabend der ungew\u00f6hnlichen Art mit Lorenz Kellhuber - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Eine gute Mischung hat sich Hausherr Constantin Graf von Walderdorff f\u00fcr sein Openair im Schlosshof H\u00f6fling nahe Regensburg einfallen lassen. Der S\u00e4nger und Klarinettist, der sich vor f\u00fcnf Jahren aus seiner aktiven Musikerkarriere zur\u00fcckgezogen hat, kennt Axel Zwingenberger aus seinen Wiener Jahren. Der Boogie-Woogie-Star spielte am Freitag Abend, dem 17. Juni 2022, vor vollen Zuschauerr\u00e4ngen. Weitaus ungew\u00f6hnlicher war der zweite Abend besetzt: angefangen vom Outfit des Bassisten bis hin zu den strengen Improvisationen des Trios um die Pianisten Lorenz Kellhuber mit besagtem Felix Henkelhausen (b) und dem Drummer Moritz Baumg\u00e4rtner. Entspannung gab bei dieser &#8222;Contemporary Chambermusic&#8220; erst bei der Zugabe. Aber es war ein durchaus guter Kontrast zum idyllischen Ambiente und ein Kunstgenuss selbstverst\u00e4ndlich. &#8222;Wir improvisieren und lassen uns inspirieren &#8211; von der Natur hier, den V\u00f6geln und Ihnen, dem Publikum.&#8220; (Lorenz Kellhuber) Voll wurde es dann &#8211; auch noch bei strahlendem Sommerwetter &#8211; am Sonntagnachmittag mit Steffi Denk und ihren Flexible Friends. Schloss H\u00f6fling ist in Privatbesitz und wird zweimal im Jahr f\u00fcr Publikum ge\u00f6ffnet &#8222;um den Mensch Freude zu bringen&#8220;, so Walderdorff. Weiter geht&#8217;s am 17. 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US-Saxofonist Kenny Garrett (6.7.), der legend\u00e4re britische Jazz-Gitarrist John McLaughlin (13.7.), die in Brooklyn lebende franz\u00f6sische S\u00e4ngerin Cyrille Aim\u00e9e\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/05\/Hermeto-Pascoal-Grupo-by-Gabriel-Quintao-scaled.jpg?fit=1200%2C679&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/05\/Hermeto-Pascoal-Grupo-by-Gabriel-Quintao-scaled.jpg?fit=1200%2C679&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/05\/Hermeto-Pascoal-Grupo-by-Gabriel-Quintao-scaled.jpg?fit=1200%2C679&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/05\/Hermeto-Pascoal-Grupo-by-Gabriel-Quintao-scaled.jpg?fit=1200%2C679&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/05\/Hermeto-Pascoal-Grupo-by-Gabriel-Quintao-scaled.jpg?fit=1200%2C679&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":18156,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/12\/magnetische-sternstunde-der-musik-das-lorenz-kellhuber-new-trio-im-stadttheater-regensburg\/","url_meta":{"origin":27574,"position":1},"title":"Magnetische Sternstunde der Musik: Das Lorenz Kellhuber New Trio im Stadttheater Regensburg","author":"Redaktion JazzZeitung","date":"21. Dezember 2018","format":false,"excerpt":"Regensburg. Verpufft, beiseite geschoben, weggewischt. Jeglicher Vorbehalt, ob ein reines Instrumentalkonzert bei den Zuh\u00f6rern auch ankommt, war schlussendlich atomisiert. Anf\u00e4nglich sorgte sich Pianist Lorenz Kellhuber im Theater Regensburg noch, dass Besucher sein Konzert mit dem New Trio vorzeitig verlassen k\u00f6nnten. Am Ende konnte die euphorisierte Menge kaum noch mit Zugaben\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/Trio-Kellhuber_37.jpeg?fit=567%2C370&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/Trio-Kellhuber_37.jpeg?fit=567%2C370&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/Trio-Kellhuber_37.jpeg?fit=567%2C370&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":30338,"url":"https:\/\/www.jazzzeitung.de\/cms\/2023\/11\/poetische-klangbilder-lorenz-kellhubers-low-intervention\/","url_meta":{"origin":27574,"position":2},"title":"Poetische Klangbilder: Lorenz Kellhubers &#8222;Low Intervention&#8220;","author":"Redaktion JazzZeitung","date":"29. November 2023","format":false,"excerpt":"Von Michael Scheiner.\u00a0Berlin\/Regensburg: Als \u201eeines der besten deutschen Piano-Trios\u201c ist Lorenz Kellhuber mit seinen beiden Mitstreitern Felix Henkelhausen (bass) und Moritz Baumg\u00e4rtner (drums) schon h\u00e4ufiger adressiert worden. Dabei muss man sich gar nicht auf einen Wettbewerb um die treffendste W\u00fcrdigung, den goldensten Orden einlassen. Es gen\u00fcgt einfach zu h\u00f6ren und\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/11\/Lorenz-Kellhuber-Trio-6%C2%A9Holger-Riegel.jpg?fit=1200%2C758&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/11\/Lorenz-Kellhuber-Trio-6%C2%A9Holger-Riegel.jpg?fit=1200%2C758&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/11\/Lorenz-Kellhuber-Trio-6%C2%A9Holger-Riegel.jpg?fit=1200%2C758&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/11\/Lorenz-Kellhuber-Trio-6%C2%A9Holger-Riegel.jpg?fit=1200%2C758&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/11\/Lorenz-Kellhuber-Trio-6%C2%A9Holger-Riegel.jpg?fit=1200%2C758&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8167,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/01\/lorenz-kellhuber-live-hfkm-regensburg-erstmalneues7\/","url_meta":{"origin":27574,"position":3},"title":"Lorenz Kellhuber Live @ HfKM Regensburg  \/\/ erstmalneues7","author":"Thomas J. Krebs","date":"21. Januar 2016","format":false,"excerpt":"Der in M\u00fcnchen geborene und mittlerweile Wahl-Berliner Pianist Lorenz Kellhuber ist ein wirklich au\u00dfergew\u00f6hnliches Talent und musikalisch immens umtriebig. Im Dezember war der Pianist gerade mit seinem Standards Trio (gemeinsam mit Orlando le Fleming am Bass und dem Schlagzeuger Obed Calvaire) im Jazzclub Regensburg und stellte sein aktuelles Standards Album\u2026","rel":"","context":"In &quot;Redaktionelle Nachrichten&quot;","block_context":{"text":"Redaktionelle Nachrichten","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/redaktion\/"},"img":{"alt_text":"Kellhuber - Foto TJ Krebs","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/P1410349_Kellhuber-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/P1410349_Kellhuber-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/P1410349_Kellhuber-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/P1410349_Kellhuber-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/01\/P1410349_Kellhuber-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":13923,"url":"https:\/\/www.jazzzeitung.de\/cms\/2017\/10\/lorenz-kellhuber-live-at-the-montreux-jazz-festival\/","url_meta":{"origin":27574,"position":4},"title":"Lorenz Kellhuber: Live at the Montreux Jazz Festival","author":"Thomas J. Krebs","date":"19. Oktober 2017","format":false,"excerpt":"Nach mittlerweile vier Trioalben legt Lorenz Kellhuber nun endlich ein Piano-Soloalbum vor, live aufgenommen beim 49. Montreux Jazzfestival 2015. Der in M\u00fcnchen geborene Kellhuber, mittlerweile 27 Jahre alt, kann auf eine bereits ansehnliche, stringente Biografie blicken. Sowohl mit seinem Trio, in dem eigene Kompositionen ausgelotet werden, als auch mit dem\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Cover Lorenz Kellhuber - Live at the montreux festival","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/10\/Cover-Lorenz-Kellhuber-Live-at-the-montreux-festival.jpg?fit=500%2C500&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6215,"url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/05\/cd-kritik-lorenz-kellhuber-state-mind\/","url_meta":{"origin":27574,"position":5},"title":"CD-Kritik: Lorenz Kellhuber: \u201eState of Mind\u201c","author":"Thomas J. Krebs","date":"22. Mai 2015","format":false,"excerpt":"Von Thomas J. Krebs - Der Pianist Lorenz Kellhuber d\u00fcrfte bisher in erster Linie Jazzconnoissieurs bekannt sein. Bisher! 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Seit gut 20 Jahren spielt er nun Piano, absolvierte unter\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Kellhuber: State Of Mind","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/05\/Kellhuber-Cover.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/05\/Kellhuber-Cover.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/05\/Kellhuber-Cover.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/05\/Kellhuber-Cover.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/05\/Kellhuber-Cover.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=27574"}],"version-history":[{"count":4,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27574\/revisions"}],"predecessor-version":[{"id":27608,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27574\/revisions\/27608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/27578"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=27574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=27574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=27574"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=27574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}