{"id":27225,"date":"2022-04-29T13:12:36","date_gmt":"2022-04-29T11:12:36","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=27225"},"modified":"2022-04-30T07:48:47","modified_gmt":"2022-04-30T05:48:47","slug":"viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/","title":{"rendered":"Viel Krach und einiges Filigranes. CDs in der H\u00f6rBar April 2022"},"content":{"rendered":"<p>Eine bunte Mischung aus der Welt der mehr oder minder improvisierten Musik hat Huflaikhan im April in der <a href=\"https:\/\/hoerbar.nmz.de\/\">H\u00f6rBar der nmz<\/a> rezensiert.<\/p>\n<ul>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/markus-reuter-truce-2\/\">Markus Reuter: Truce 2<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/roever-quartett-hells-the-hippest-way-to-go\/\">Roever Quartett: Hell\u2019s The Hippest Way To Go<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/moritz-preisler-trio-raureif\/\">Moritz Preisler Trio: Raureif<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/colonel-petrovs-good-judgement-hypomaniac\/\">Colonel Petrov\u2019s Good Judgement: Hypomaniac<\/a><\/li>\n<li><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/initiative-h-polar-star\/\">Initiative H: Polar Star<\/a><\/li>\n<\/ul>\n<div class=\"tiled-gallery type-square tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2022\\\/04\\\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 168px;\" data-original-width=\"840\" data-original-height=\"168\" > <div class=\"gallery-group\" style=\"width: 168px; height: 168px;\" data-original-width=\"168\" data-original-height=\"168\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_truce2\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"164\"> <meta itemprop=\"height\" content=\"164\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27230\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Markus Reuter: Truce 2\" data-image-description=\"&lt;p&gt;Markus Reuter: Truce 2&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?w=164&#038;h=164&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=768%2C768&amp;ssl=1 768w\" width=\"164\" height=\"164\" loading=\"lazy\" data-original-width=\"164\" data-original-height=\"164\" itemprop=\"http:\/\/schema.org\/image\" title=\"Markus Reuter: Truce 2\" alt=\"Markus Reuter: Truce 2\" style=\"width: 164px; height: 164px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Markus Reuter: Truce 2 <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 168px; height: 168px;\" data-original-width=\"168\" data-original-height=\"168\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_roever\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"164\"> <meta itemprop=\"height\" content=\"164\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27229\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg\" data-orig-size=\"1200,1079\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Roever Quartett: Hell\u2019s The Hippest Way To Go\" data-image-description=\"&lt;p&gt;Roever Quartett: Hell\u2019s The Hippest Way To Go&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?fit=300%2C270&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?fit=667%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?w=164&#038;h=164&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?zoom=2&amp;resize=164%2C164&amp;ssl=1 328w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?zoom=3&amp;resize=164%2C164&amp;ssl=1 492w\" width=\"164\" height=\"164\" loading=\"lazy\" data-original-width=\"164\" data-original-height=\"164\" itemprop=\"http:\/\/schema.org\/image\" title=\"Roever Quartett: Hell\u2019s The Hippest Way To Go\" alt=\"Roever Quartett: Hell\u2019s The Hippest Way To Go\" style=\"width: 164px; height: 164px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Roever Quartett: Hell\u2019s The Hippest Way To Go <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 168px; height: 168px;\" data-original-width=\"168\" data-original-height=\"168\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_preisler\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"164\"> <meta itemprop=\"height\" content=\"164\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27228\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Moritz Preisler Trio: Raureif\" data-image-description=\"&lt;p&gt;Moritz Preisler Trio: Raureif&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?w=164&#038;h=164&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=768%2C768&amp;ssl=1 768w\" width=\"164\" height=\"164\" loading=\"lazy\" data-original-width=\"164\" data-original-height=\"164\" itemprop=\"http:\/\/schema.org\/image\" title=\"Moritz Preisler Trio: Raureif\" alt=\"Moritz Preisler Trio: Raureif\" style=\"width: 164px; height: 164px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Moritz Preisler Trio: Raureif <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 168px; height: 168px;\" data-original-width=\"168\" data-original-height=\"168\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_initiativeh\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"164\"> <meta itemprop=\"height\" content=\"164\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27227\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg\" data-orig-size=\"1414,1414\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Initiative H: Polar Star\" data-image-description=\"&lt;p&gt;Initiative H: Polar Star&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?w=164&#038;h=164&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?w=1414&amp;ssl=1 1414w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=1320%2C1320&amp;ssl=1 1320w\" width=\"164\" height=\"164\" loading=\"lazy\" data-original-width=\"164\" data-original-height=\"164\" itemprop=\"http:\/\/schema.org\/image\" title=\"Initiative H: Polar Star\" alt=\"Initiative H: Polar Star\" style=\"width: 164px; height: 164px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Initiative H: Polar Star <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 168px; height: 168px;\" data-original-width=\"168\" data-original-height=\"168\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_petrov\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"164\"> <meta itemprop=\"height\" content=\"164\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"27226\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Colonel Petrov\u2019s Good Judgement: Hypomaniac\" data-image-description=\"&lt;p&gt;Colonel Petrov\u2019s Good Judgement: Hypomaniac&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?fit=300%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?fit=600%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?w=164&#038;h=164&#038;crop=1&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=768%2C768&amp;ssl=1 768w\" width=\"164\" height=\"164\" loading=\"lazy\" data-original-width=\"164\" data-original-height=\"164\" itemprop=\"http:\/\/schema.org\/image\" title=\"Colonel Petrov\u2019s Good Judgement: Hypomaniac\" alt=\"Colonel Petrov\u2019s Good Judgement: Hypomaniac\" style=\"width: 164px; height: 164px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Colonel Petrov\u2019s Good Judgement: Hypomaniac <\/div> <\/div> <\/div> <\/div> <\/div>\n<hr \/>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/markus-reuter-truce-2\/\">Markus Reuter: Truce 2<\/a><\/h3>\n<figure id=\"attachment_27230\" aria-describedby=\"caption-attachment-27230\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27230\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_truce2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Markus Reuter: Truce 2\" data-image-description=\"&lt;p&gt;Markus Reuter: Truce 2&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Markus Reuter: Truce 2&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27230\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Markus Reuter: Truce 2\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_truce2.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27230\" class=\"wp-caption-text\">Markus Reuter: Truce 2<\/figcaption><\/figure>\n<p>\u2026 Das Trio um Markus Reuter findet sich zusammen in einer krachenden Orgie aus musikalischer Energie. Robustes Musizieren in sieben utopischen R\u00e4umen. Das kr\u00e4chzt zu Beginn aus den Lautsprechern in einer Mischung purer losgelassener Klangrhythmen.\u2026<\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/roever-quartett-hells-the-hippest-way-to-go\/\">Niklas Roever Quartett: Hell\u2019s The Hippest Way To Go<\/a><\/h3>\n<figure id=\"attachment_27229\" aria-describedby=\"caption-attachment-27229\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27229\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_roever\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?fit=1200%2C1079&amp;ssl=1\" data-orig-size=\"1200,1079\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Roever Quartett: Hell\u2019s The Hippest Way To Go\" data-image-description=\"&lt;p&gt;Roever Quartett: Hell\u2019s The Hippest Way To Go&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Roever Quartett: Hell\u2019s The Hippest Way To Go&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?fit=667%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27229\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Roever Quartett: Hell\u2019s The Hippest Way To Go\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_roever.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27229\" class=\"wp-caption-text\">Roever Quartett: Hell\u2019s The Hippest Way To Go<\/figcaption><\/figure>\n<p>\u2026Musik, die einen einfach selig machen kann, weil sie mit so eleganter Freundlichkeit den T\u00f6nen nichts abpresst, sondern sich laufen l\u00e4sst \u2026<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Maman (Live)\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/3f8r2q5wRPeTjy0A83JcND?si=9091329299844d29&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/moritz-preisler-trio-raureif\/\">Moritz Preisler Trio: Raureif<\/a><\/h3>\n<figure id=\"attachment_27228\" aria-describedby=\"caption-attachment-27228\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27228\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_preisler\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?fit=1000%2C1000&amp;ssl=1\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Moritz Preisler Trio: Raureif\" data-image-description=\"&lt;p&gt;Moritz Preisler Trio: Raureif&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Moritz Preisler Trio: Raureif&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27228\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Moritz Preisler Trio: Raureif\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_preisler.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27228\" class=\"wp-caption-text\">Moritz Preisler Trio: Raureif<\/figcaption><\/figure>\n<p>\u2026 Wenn bei der letzten Nummer \u201ePulverisation\u201c der Bass von David Helm irgendwann allein im Raum steht, erreicht diese Musik eine derartige Konzentration in Leere, dass man kurz versinkt und die Musik schlie\u00dflich ausatmen kann in den anschlie\u00dfenden Klangsplittern von Moritz Preislers Klavier und den Rhythmusresten des Schlagzeugs von Jan Philipp. Sch\u00f6n das! \u2026<\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/colonel-petrovs-good-judgement-hypomaniac\/\">Colonel Petrov\u2019s Good Judgement: Hypomaniac<\/a><\/h3>\n<figure id=\"attachment_27226\" aria-describedby=\"caption-attachment-27226\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27226\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_petrov\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?fit=1200%2C1200&amp;ssl=1\" data-orig-size=\"1200,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Colonel Petrov\u2019s Good Judgement: Hypomaniac\" data-image-description=\"&lt;p&gt;Colonel Petrov\u2019s Good Judgement: Hypomaniac&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Colonel Petrov\u2019s Good Judgement: Hypomaniac&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27226\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Colonel Petrov\u2019s Good Judgement: Hypomaniac\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_petrov.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27226\" class=\"wp-caption-text\">Colonel Petrov\u2019s Good Judgement: Hypomaniac<\/figcaption><\/figure>\n<p>\u2026Die Frage ist allein noch die: Handelt es sich dabei also um einen polymorphen Klumpatsch? Oder eine besonders harte oder elastische Form von Musik. Die Antwort f\u00e4llt eher schwer. Das Titelst\u00fcck brettert einen was weg. \u2026<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Hypomaniac\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/3ciCxBPjT35h3tz7i5RbmZ?si=3d445cb7946e4238&#038;utm_source=oembed\"><\/iframe><\/p>\n<h3><a href=\"https:\/\/hoerbar.nmz.de\/2022\/04\/initiative-h-polar-star\/\">Initiative H: Polar Star<\/a><\/h3>\n<figure id=\"attachment_27227\" aria-describedby=\"caption-attachment-27227\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"27227\" data-permalink=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/17_initiativeh\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?fit=1414%2C1414&amp;ssl=1\" data-orig-size=\"1414,1414\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Initiative H: Polar Star\" data-image-description=\"&lt;p&gt;Initiative H: Polar Star&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Initiative H: Polar Star&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?fit=600%2C600&amp;ssl=1\" class=\"size-thumbnail wp-image-27227\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Initiative H: Polar Star\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?resize=1320%2C1320&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/04\/17_initiativeH.jpg?w=1414&amp;ssl=1 1414w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><figcaption id=\"caption-attachment-27227\" class=\"wp-caption-text\">Initiative H: Polar Star<\/figcaption><\/figure>\n<p>\u2026 das liegt an der ausgiebigen Freude an repetitiven Mustern, denen man immer wieder im Aufbau der Songstruktur folgt, aber eben doch locker! Wenn dann ein Melisma wie bei \u201eCrystal Trap\u201c dar\u00fcber entschwebt, f\u00e4ngt man selbst an ganz leicht zu werden. Ja, die Welt des Mittelmeeres, die vielen Kulturen \u2026 die sich hier aber den Welten des Eismeeres annehmen. \u2026<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Crystal Trap\" style=\"border-radius: 12px\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/track\/3GMkJQRbPHIWEWrPfe2GlP?si=9380e1dcf6c54551&#038;utm_source=oembed\"><\/iframe><\/p>\n<style><\/style>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eine bunte Mischung aus der Welt der mehr oder minder improvisierten Musik hat Huflaikhan im April in der H\u00f6rBar der nmz rezensiert. Markus Reuter: Truce 2 Roever Quartett: Hell\u2019s The Hippest Way To Go Moritz Preisler Trio: Raureif Colonel Petrov\u2019s Good Judgement: Hypomaniac Initiative H: Polar Star Markus Reuter: Truce 2 \u2026 Das Trio um Markus Reuter findet sich zusammen in einer krachenden Orgie aus musikalischer Energie. Robustes Musizieren in sieben utopischen R\u00e4umen. Das kr\u00e4chzt zu Beginn aus den Lautsprechern in einer Mischung purer losgelassener Klangrhythmen.\u2026 Niklas Roever Quartett: Hell\u2019s The Hippest Way To Go \u2026Musik, die einen einfach selig machen kann, weil sie mit so eleganter Freundlichkeit den T\u00f6nen nichts abpresst, sondern sich laufen l\u00e4sst \u2026 Moritz Preisler Trio: Raureif \u2026 Wenn bei der letzten Nummer \u201ePulverisation\u201c der Bass von David Helm irgendwann allein im Raum steht, erreicht diese Musik eine derartige Konzentration in Leere, dass man kurz versinkt und die Musik schlie\u00dflich ausatmen kann in den anschlie\u00dfenden Klangsplittern von Moritz Preislers Klavier und den Rhythmusresten des Schlagzeugs von Jan Philipp. Sch\u00f6n das! \u2026 Colonel Petrov\u2019s Good Judgement: Hypomaniac \u2026Die Frage ist allein noch &hellip;<\/p>\n","protected":false},"author":2,"featured_media":27226,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[1763,109,2935,4083,3582,2738,4082,4086,4084,4087,421,4088,4085],"coauthors":[680],"class_list":["post-27225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-bass","tag-cd","tag-cds","tag-colonel-petrovs-good-judgement","tag-hoerbar","tag-hoerbar-der-nmz","tag-initiative-h","tag-markus-reuter","tag-moritz-preisler-trio","tag-neue-cds","tag-nmz","tag-review","tag-roever-quartett"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Viel Krach und einiges Filigranes. CDs in der H\u00f6rBar April 2022 - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2022\/04\/viel-krach-und-einiges-filligranes-cds-in-der-hoerbar-april-2022\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viel Krach und einiges Filigranes. CDs in der H\u00f6rBar April 2022 - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Eine bunte Mischung aus der Welt der mehr oder minder improvisierten Musik hat Huflaikhan im April in der H\u00f6rBar der nmz rezensiert. Markus Reuter: Truce 2 Roever Quartett: Hell\u2019s The Hippest Way To Go Moritz Preisler Trio: Raureif Colonel Petrov\u2019s Good Judgement: Hypomaniac Initiative H: Polar Star Markus Reuter: Truce 2 \u2026 Das Trio um Markus Reuter findet sich zusammen in einer krachenden Orgie aus musikalischer Energie. Robustes Musizieren in sieben utopischen R\u00e4umen. 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Michael Leonhart Orchestra: Suite Extracts Vol. 1 [2019] The NuH[u]ssel Orchestra: The Forest [2019]\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Huflaikhan hat seine Ohren wieder etwas ge\u00f6ffnet und drei Big Band sowie die Simon Below Quartett f\u00fcr die H\u00f6rBar der nmz besprochen.","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":24950,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/06\/aus-der-hoerbar-der-nmz-tobias-meinhart-trio-elf-heisig-klare\/","url_meta":{"origin":27225,"position":1},"title":"Aus der H\u00f6rBar der nmz: Tobias Meinhart \/ Trio Elf \/ Heisig-Klare","author":"Redaktion JazzZeitung","date":"7. Juni 2021","format":false,"excerpt":"Jazz in der H\u00f6rBar der nmz: Die ganze Platte durchziehe \u201eein Impuls des druckvoll L\u00e4ssigen, Einnehmenden\u201c, meint Martin Hufner in der Besprechung von Tobias Meinharts \u201eThe Painter\u201c. Es laufe alles \u201eab in und auf einer staunenmachenden Elastizit\u00e4t der Rhythmusgruppe.\u201c Juan Martin Koch sagt zur neuen Platte von Trio Elf \u201eFram\u201c:\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Jazz in der H\u00f6rBar","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":20612,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/09\/schnelldurchlauf-jazz-cds-mit-bend-monder-und-anderen\/","url_meta":{"origin":27225,"position":2},"title":"Schnelldurchlauf: Jazz-CDs mit Ben Monder und anderen","author":"Martin Hufner","date":"5. September 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Michael Formanek \u2013 Elusion Quartet: Time like This (2018) Swiss Jazz Orchestra: Swiss Jazz Orchestra & Guillermo Klein (2019) Ben Monder: Day After Day (2019) Greg Reitan: West 6oth (2019) Denny Zeitlin: Remembering Miles (2019) Frederico Albanese: The Twelve (2019)\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":25446,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","url_meta":{"origin":27225,"position":3},"title":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith","author":"Huflaikhan","date":"18. August 2021","format":false,"excerpt":"In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Listen to \u2026 Foto: Hufner","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":25615,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/09\/aus-der-hoerbar-der-nmz-duos-in-jazz-und-improvisation\/","url_meta":{"origin":27225,"position":4},"title":"Aus der H\u00f6rBar der nmz: Duos in Jazz und Improvisation","author":"Huflaikhan","date":"1. September 2021","format":false,"excerpt":"Ob Aki Takase mit Daniel Erdmann oder Daniel Herskedahl mit Magnus Moksnes Myhre. In der vorletzten Woche hat sich @huflaikhan in der H\u00f6rBar f\u00fcnf aktuelle CDs in Duoformationen etwas genauer angeh\u00f6rt: Takase\/Erdmann \u2013 Isn\u2019t it Romantic?, Poulsen\/Fryland \u2013 Dream a World, Fleischwolf \u2013 Einst, Duo Sonoma I und Herskedahl, Myhre\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Takase\/Erdmann \u2013 Isn\u2019t it Romantic?","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/kw33_takase_erdmann.jpg?fit=1200%2C1063&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/kw33_takase_erdmann.jpg?fit=1200%2C1063&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/kw33_takase_erdmann.jpg?fit=1200%2C1063&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/kw33_takase_erdmann.jpg?fit=1200%2C1063&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/kw33_takase_erdmann.jpg?fit=1200%2C1063&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":27974,"url":"https:\/\/www.jazzzeitung.de\/cms\/2022\/07\/timing-murks-und-bleeps-jazz-cds-in-der-hoerbar-juni-2022-01\/","url_meta":{"origin":27225,"position":5},"title":"Timing, Murks und Bleeps \u2013 Jazz-CDs in der H\u00f6rBar Juni 2022\/01","author":"Huflaikhan","date":"30. Juli 2022","format":false,"excerpt":"\u00dcbersichtliches und Un\u00fcbersichtliches. Manchmal t\u00f6nelt es recht kreisf\u00f6rmig, manchmal fliegt man flugs fort. Rezensionen in der H\u00f6rBar der neuen musikzeitung. AHL6: If Life Were A Liquid Oded Tzur: Isabela Moritz Fasbender: RABBITS (EP) \u00a0 AHL6: If Life Were A Liquid \u2026 Der rhapsodische Stil im Versuch, ihn rhythmisch immer wieder\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Moritz Fasbender: RABBITS (EP)","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/26_fasbender.jpg?fit=1200%2C1185&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/26_fasbender.jpg?fit=1200%2C1185&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/26_fasbender.jpg?fit=1200%2C1185&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/26_fasbender.jpg?fit=1200%2C1185&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/07\/26_fasbender.jpg?fit=1200%2C1185&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=27225"}],"version-history":[{"count":5,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27225\/revisions"}],"predecessor-version":[{"id":27238,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/27225\/revisions\/27238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/27226"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=27225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=27225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=27225"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=27225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}