{"id":25446,"date":"2021-08-18T09:01:11","date_gmt":"2021-08-18T07:01:11","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=25446"},"modified":"2021-08-17T12:41:44","modified_gmt":"2021-08-17T10:41:44","slug":"aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","title":{"rendered":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith"},"content":{"rendered":"<p>In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft bis an den Kern der Materie.<\/p>\n<p><!--more--><strong>Flat Earth Society \u2013 Boggamasta III<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"O2U0MmpElB\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/08\/flat-earth-society-boggamasta-iii\/\">Flat Earth Society \u2013 Boggamasta III<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Flat Earth Society \u2013 Boggamasta III&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/08\/flat-earth-society-boggamasta-iii\/embed\/#?secret=O2U0MmpElB\" data-secret=\"O2U0MmpElB\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Jost Nickel \u2013 The Check In<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"OJOOPFleNY\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/08\/jost-nickel-the-check-in\/\">Jost Nickel \u2013 The Check In<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Jost Nickel \u2013 The Check In&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/08\/jost-nickel-the-check-in\/embed\/#?secret=OJOOPFleNY\" data-secret=\"OJOOPFleNY\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Luciano Biondini: Dialogues<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"yviavWCsRk\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/08\/luciano-biondini-dialogues\/\">Luciano Biondini: Dialogues<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Luciano Biondini: Dialogues&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/08\/luciano-biondini-dialogues\/embed\/#?secret=yviavWCsRk\" data-secret=\"yviavWCsRk\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Fumio Yasuda \u2013 My Choice<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"huG3ELG7x4\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/08\/fumio-yasuda-my-choice\/\">Fumio Yasuda \u2013 My Choice<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Fumio Yasuda \u2013 My Choice&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/08\/fumio-yasuda-my-choice\/embed\/#?secret=huG3ELG7x4\" data-secret=\"huG3ELG7x4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>records &amp; other stuff: Fanfare \u2013 rocket sciene \u2013 HOHNOR<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"KQVNJxvdyI\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/07\/2028\/\">records &#038; other stuff:  Fanfare \u2013 rocket sciene \u2013 HOHNOR<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;records &#038; other stuff:  Fanfare \u2013 rocket sciene \u2013 HOHNOR&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/07\/2028\/embed\/#?secret=KQVNJxvdyI\" data-secret=\"KQVNJxvdyI\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Beyond \/W Bernhardt. feat. The Micronaut + Meuroer Mandolinenorchester \u2013 Fire &amp; Coal<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"CXXyxEiHVj\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/06\/beyond-w-bernhardt-feat-the-micronaut-meuroer-mandolinenorchester-fire-coal\/\">Beyond \/W Bernhardt. feat. The Micronaut + Meuroer Mandolinenorchester \u2013 Fire &#038; Coal<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Beyond \/W Bernhardt. feat. The Micronaut + Meuroer Mandolinenorchester \u2013 Fire &#038; Coal&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/06\/beyond-w-bernhardt-feat-the-micronaut-meuroer-mandolinenorchester-fire-coal\/embed\/#?secret=CXXyxEiHVj\" data-secret=\"CXXyxEiHVj\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong>Dan Tepfer: Natural Machines<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"aBtqWlBB1P\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2021\/06\/dan-tepfer-natural-machines\/\">Dan Tepfer: Natural Machines<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Dan Tepfer: Natural Machines&#8220; &#8212; H\u00f6rBar der nmz\" src=\"https:\/\/hoerbar.nmz.de\/2021\/06\/dan-tepfer-natural-machines\/embed\/#?secret=aBtqWlBB1P\" data-secret=\"aBtqWlBB1P\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft bis an den Kern der Materie.<\/p>\n","protected":false},"author":2,"featured_media":25454,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[3585,3583,3584,3582,2124,1720],"coauthors":[680],"class_list":["post-25446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-dan-tepfer","tag-flat-earth-society","tag-fumio-yasuda","tag-hoerbar","tag-jost-nickel","tag-luciano-biondini"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft bis an den Kern der Materie.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2021-08-18T07:01:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2200\" \/>\n\t<meta property=\"og:image:height\" content=\"1650\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/\"},\"author\":{\"name\":\"Huflaikhan\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\"},\"headline\":\"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith\",\"datePublished\":\"2021-08-18T07:01:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/\"},\"wordCount\":144,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1\",\"keywords\":[\"Dan Tepfer\",\"Flat Earth Society\",\"Fumio Yasuda\",\"H\u00f6rBar\",\"Jost Nickel\",\"Luciano Biondini\"],\"articleSection\":[\"Rezension\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/\",\"name\":\"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1\",\"datePublished\":\"2021-08-18T07:01:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2021\\\/08\\\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1\",\"width\":2200,\"height\":1650,\"caption\":\"Listen to \u2026 Foto: Hufner\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/08\\\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/1ba404714b9455401502bc409a7df45e\",\"name\":\"Huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=18afacd5aa7627f2840c013425f5a4164\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2013\\\/11\\\/huf-06.jpg?resize=96%2C96&ssl=1\",\"caption\":\"Huflaikhan\"},\"description\":\"Huflaikhan (aka Martin Hufner) hat Musikwissenschaft, Philosophie und Psychologie in Gie\u00dfen studiert und mit einer Arbeit \u00fcber Adorno und die Zw\u00f6lftontechnik promoviert. Seit 1995 ist er freiberuflich als Autor, Fotograf und Netzmacher unterwegs.\",\"sameAs\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\",\"https:\\\/\\\/www.facebook.com\\\/hufner\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/hufi\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","og_locale":"de_DE","og_type":"article","og_title":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung","og_description":"In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft bis an den Kern der Materie.","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_author":"https:\/\/www.facebook.com\/hufner","article_published_time":"2021-08-18T07:01:11+00:00","og_image":[{"width":2200,"height":1650,"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","type":"image\/jpeg"}],"author":"Huflaikhan","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/"},"author":{"name":"Huflaikhan","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/1ba404714b9455401502bc409a7df45e"},"headline":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith","datePublished":"2021-08-18T07:01:11+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/"},"wordCount":144,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","keywords":["Dan Tepfer","Flat Earth Society","Fumio Yasuda","H\u00f6rBar","Jost Nickel","Luciano Biondini"],"articleSection":["Rezension"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","name":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#primaryimage"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","datePublished":"2021-08-18T07:01:11+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#primaryimage","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","width":2200,"height":1650,"caption":"Listen to \u2026 Foto: Hufner"},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/1ba404714b9455401502bc409a7df45e","name":"Huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=18afacd5aa7627f2840c013425f5a4164","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2013\/11\/huf-06.jpg?resize=96%2C96&ssl=1","caption":"Huflaikhan"},"description":"Huflaikhan (aka Martin Hufner) hat Musikwissenschaft, Philosophie und Psychologie in Gie\u00dfen studiert und mit einer Arbeit \u00fcber Adorno und die Zw\u00f6lftontechnik promoviert. Seit 1995 ist er freiberuflich als Autor, Fotograf und Netzmacher unterwegs.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch","https:\/\/www.facebook.com\/hufner"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/hufi\/"}]}},"wp-worthy-pixel":{"ignored":true,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":"Listen to \u2026","source_text":"Foto: Martin Hufner","source_url":"https:\/\/hoerbar.nmz.de\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=2200%2C1650&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-6Cq","jetpack-related-posts":[{"id":24578,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/03\/rezensionen-drei-big-bands-und-ein-quartett\/","url_meta":{"origin":25446,"position":0},"title":"Rezensionen: Drei Big Bands und ein Quartett","author":"Huflaikhan","date":"22. M\u00e4rz 2021","format":false,"excerpt":"Huflaikhan hat seine Ohren wieder etwas ge\u00f6ffnet und drei Big Band sowie das Simon Below Quartett f\u00fcr die H\u00f6rBar der nmz besprochen. Die Big Band-Konzepte sind wunderbar verschieden. Das Quartett spielt herrlich pr\u00e4zise und macht Genuss! Michael Leonhart Orchestra: Suite Extracts Vol. 1 [2019] The NuH[u]ssel Orchestra: The Forest [2019]\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Huflaikhan hat seine Ohren wieder etwas ge\u00f6ffnet und drei Big Band sowie die Simon Below Quartett f\u00fcr die H\u00f6rBar der nmz besprochen.","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":24737,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/04\/rezensionen-johaenntgen-vatter-sclavis\/","url_meta":{"origin":25446,"position":1},"title":"Rezensionen: Joh\u00e4nntgen \/ Vatter \/ Sclavis","author":"Huflaikhan","date":"23. April 2021","format":false,"excerpt":"Drei CDs in den Ohren von Rezensent Huflaikhan: Bei Nicole Joh\u00e4nntgens \u201eHenry III\u201c \u201esaftelt sich da leicht \u00fcber den Dancefloor oder durch den musikalischen Kriechkeller\u201c. Bei Martin Vatters \u201eHomeland\u201c muss \u201enicht immer alles eitel Dissonanz sein\u201c und Louis Sclavis' \u201eCharakters On A Wall\u201c wirkt \"perforiert, angegriffen und angegangen. Sie kann\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Rezensionen: Joh\u00e4nntgen \/ Vatter \/ Sclavis","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/hoerbar_jazz_04_01.jpg?fit=1200%2C840&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/hoerbar_jazz_04_01.jpg?fit=1200%2C840&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/hoerbar_jazz_04_01.jpg?fit=1200%2C840&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/hoerbar_jazz_04_01.jpg?fit=1200%2C840&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/hoerbar_jazz_04_01.jpg?fit=1200%2C840&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":24631,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/04\/rezensionen-vergebliche-befreiungen-zwitschernder-krach\/","url_meta":{"origin":25446,"position":2},"title":"Rezensionen: Vergebliche Befreiungen &#038; Zwitschernder Krach","author":"Huflaikhan","date":"5. April 2021","format":false,"excerpt":"Unser Schnellkritiker huflaikhan hat in der nmz-H\u00f6rBar vier neuere Titel einer sprachlichen Tonw\u00e4sche unterzogen: Marcel & The Bathing Birds: Tweet [2020] +++ Ulrich Drechsler: Caramel [2020] +++ Ron Davis: The Instrumental Music Liberation Front [2020] +++ Bobby Previte, Jamie Saft, Nels Cline: Music from the Early 21st Century [2020]. Die\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Vier Platten in der H\u00f6rbar der nmz.","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":24950,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/06\/aus-der-hoerbar-der-nmz-tobias-meinhart-trio-elf-heisig-klare\/","url_meta":{"origin":25446,"position":3},"title":"Aus der H\u00f6rBar der nmz: Tobias Meinhart \/ Trio Elf \/ Heisig-Klare","author":"Redaktion JazzZeitung","date":"7. Juni 2021","format":false,"excerpt":"Jazz in der H\u00f6rBar der nmz: Die ganze Platte durchziehe \u201eein Impuls des druckvoll L\u00e4ssigen, Einnehmenden\u201c, meint Martin Hufner in der Besprechung von Tobias Meinharts \u201eThe Painter\u201c. Es laufe alles \u201eab in und auf einer staunenmachenden Elastizit\u00e4t der Rhythmusgruppe.\u201c Juan Martin Koch sagt zur neuen Platte von Trio Elf \u201eFram\u201c:\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Jazz in der H\u00f6rBar","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":20612,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/09\/schnelldurchlauf-jazz-cds-mit-bend-monder-und-anderen\/","url_meta":{"origin":25446,"position":4},"title":"Schnelldurchlauf: Jazz-CDs mit Ben Monder und anderen","author":"Martin Hufner","date":"5. September 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Michael Formanek \u2013 Elusion Quartet: Time like This (2018) Swiss Jazz Orchestra: Swiss Jazz Orchestra & Guillermo Klein (2019) Ben Monder: Day After Day (2019) Greg Reitan: West 6oth (2019) Denny Zeitlin: Remembering Miles (2019) Frederico Albanese: The Twelve (2019)\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/09\/screenshot-hoerbar.nmz_.de-2019.09.04-09_35_31.png?fit=1133%2C565&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":19616,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/05\/schnelldurchlauf-neue-aufnahmen-von-phraim-bis-zum-modern-string-quartet\/","url_meta":{"origin":25446,"position":5},"title":"Schnelldurchlauf: Neue Aufnahmen von Phraim bis zum Modern String Quartet","author":"Huflaikhan","date":"29. Mai 2019","format":false,"excerpt":"Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] | H\u00e5kon Kornstad Trio: Im Treibhaus [2019] | Modern String Quartet: The Rite Of Swing [2019] | Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] | Clemens Christian\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/screenshot-hoerbar.nmz_.de-jazz_mai.png?fit=1136%2C424&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/25446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=25446"}],"version-history":[{"count":3,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/25446\/revisions"}],"predecessor-version":[{"id":25457,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/25446\/revisions\/25457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/25454"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=25446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=25446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=25446"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=25446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}