{"id":25172,"date":"2021-07-20T12:39:47","date_gmt":"2021-07-20T10:39:47","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=25172"},"modified":"2021-07-21T12:15:08","modified_gmt":"2021-07-21T10:15:08","slug":"das-40-bayerische-jazzweekend-2021-teil1-die-bilder","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/","title":{"rendered":"Das 40. Bayerische Jazzweekend 2021 Teil1 &#8211; die Bilder"},"content":{"rendered":"<p>Kostenlose Live-Konzerte unter Corona-Bedingungen &#8211; der erste Teil vom \u201eJazzfest 40\u201c des Bayerischen Jazzweekends fand vom 16. bis 18. Juli 2021 im Regensburger Thon-Dittmer-Palais statt. Aufgezeichnet vom Bayerischen Rundfunk stellten musikalische G\u00e4ste aus dem In- und Ausland ihre Kunstfertigkeit im Rahmen von zehn Konzerten unter Beweis. Juan Martin Koch war mit seiner Kamera bei einigen Konzerten vor Ort. Sein Fazit: &#8222;Fabian Rucker [unser Beitragsbild] war eine Urgewalt.&#8220;<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2021\\\/07\\\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 403px;\" data-original-width=\"840\" data-original-height=\"403\" > <div class=\"gallery-group images-1\" style=\"width: 536px; height: 403px;\" data-original-width=\"536\" data-original-height=\"403\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-154\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"532\"> <meta itemprop=\"height\" content=\"399\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25173\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg\" data-orig-size=\"1969,1477\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626635463&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?w=532&#038;h=399&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?resize=1320%2C990&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Lettner-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"532\" height=\"399\" loading=\"lazy\" data-original-width=\"532\" data-original-height=\"399\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Fabian Rucker, Schlagzeuger Andreas Lettner\" style=\"width: 532px; height: 399px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Fabian Rucker, Schlagzeuger Andreas Lettner <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 304px; height: 403px;\" data-original-width=\"304\" data-original-height=\"403\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-155\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"300\"> <meta itemprop=\"height\" content=\"399\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25174\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg\" data-orig-size=\"1920,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626634340&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?fit=225%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?fit=450%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?w=300&#038;h=399&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=450%2C600&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?resize=1320%2C1760&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Fabian-Rucker-5_Andreas-Waelti-c-JM-Koch-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"300\" height=\"399\" loading=\"lazy\" data-original-width=\"300\" data-original-height=\"399\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Fabian Rucker, Bassist Andreas Waelti\" style=\"width: 300px; height: 399px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Fabian Rucker, Bassist Andreas Waelti <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 559px;\" data-original-width=\"840\" data-original-height=\"559\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 559px;\" data-original-width=\"420\" data-original-height=\"559\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-157\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"555\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25176\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg\" data-orig-size=\"1920,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626643278&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?fit=225%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?fit=450%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?w=416&#038;h=555&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=450%2C600&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?resize=1320%2C1760&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Florian-Klinger-c-JM-Koch-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"416\" height=\"555\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"555\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Florian Klinger\" style=\"width: 416px; height: 555px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Florian Klinger <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 559px;\" data-original-width=\"420\" data-original-height=\"559\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-158\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"555\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25177\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg\" data-orig-size=\"1921,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626643190&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?fit=225%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?fit=450%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?w=416&#038;h=555&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?w=1921&amp;ssl=1 1921w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=450%2C600&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=768%2C1023&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=1153%2C1536&amp;ssl=1 1153w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=1537%2C2048&amp;ssl=1 1537w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?resize=1320%2C1759&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Florian-Klinger-Quintett_Raphael-Preuschl-c-JM-Koch-scaled.jpg?w=1680&amp;ssl=1 1680w\" width=\"416\" height=\"555\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"555\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Raphael Preuschl, Florian Klinger Quintett\" style=\"width: 416px; height: 555px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Raphael Preuschl, Florian Klinger Quintett <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 703px;\" data-original-width=\"840\" data-original-height=\"703\" > <div class=\"gallery-group images-3\" style=\"width: 311px; height: 703px;\" data-original-width=\"311\" data-original-height=\"703\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-159\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"307\"> <meta itemprop=\"height\" content=\"231\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25178\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626556691&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;90&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.033333333333333&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?w=307&#038;h=231&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Joe-Aykut_David-Kremer-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"307\" height=\"231\" loading=\"lazy\" data-original-width=\"307\" data-original-height=\"231\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Joe Aykut und David Kremer, Harrycane Orchestra\" style=\"width: 307px; height: 231px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Joe Aykut und David Kremer, Harrycane Orchestra <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-160\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"307\"> <meta itemprop=\"height\" content=\"230\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25179\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626555521&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;90&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?w=307&#038;h=230&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Kay-Fischer_Harry-Alt-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"307\" height=\"230\" loading=\"lazy\" data-original-width=\"307\" data-original-height=\"230\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Kay Fischer und Harry Alt, Harrycane Orchestra\" style=\"width: 307px; height: 230px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Kay Fischer und Harry Alt, Harrycane Orchestra <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-161\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"307\"> <meta itemprop=\"height\" content=\"230\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25180\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626556016&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;82&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?w=307&#038;h=230&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Harrycane-Orchestra_Tarkan-Yesil-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"307\" height=\"230\" loading=\"lazy\" data-original-width=\"307\" data-original-height=\"230\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Tarkan Yesil, Harrycane Orchestra\" style=\"width: 307px; height: 230px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Tarkan Yesil, Harrycane Orchestra <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 529px; height: 703px;\" data-original-width=\"529\" data-original-height=\"703\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-162\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"525\"> <meta itemprop=\"height\" content=\"699\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25181\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg\" data-orig-size=\"1575,2100\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;10&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626537198&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;90&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?fit=225%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?fit=450%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?w=525&#038;h=699&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?w=1575&amp;ssl=1 1575w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=450%2C600&amp;ssl=1 450w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Victhamin_Thatiana-Gomez-c-JM-Koch.jpg?resize=1320%2C1760&amp;ssl=1 1320w\" width=\"525\" height=\"699\" loading=\"lazy\" data-original-width=\"525\" data-original-height=\"699\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Victhamin mit Thatiana Gomez\" style=\"width: 525px; height: 699px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Victhamin mit Thatiana Gomez <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 421px;\" data-original-width=\"840\" data-original-height=\"421\" > <div class=\"gallery-group images-1\" style=\"width: 560px; height: 421px;\" data-original-width=\"560\" data-original-height=\"421\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-163\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"556\"> <meta itemprop=\"height\" content=\"417\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25182\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626470978&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;90&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.05&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?w=556&#038;h=417&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Steffen-Greisiger-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"556\" height=\"417\" loading=\"lazy\" data-original-width=\"556\" data-original-height=\"417\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Steffen Greisiger, Victhamin\" style=\"width: 556px; height: 417px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Steffen Greisiger, Victhamin <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 280px; height: 421px;\" data-original-width=\"280\" data-original-height=\"421\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-164\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"207\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25183\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626469172&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?w=276&#038;h=207&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Tom-Friedrich-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"276\" height=\"207\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"207\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"wenet mit Tom Friedrich\" style=\"width: 276px; height: 207px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> wenet mit Tom Friedrich <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-165\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"206\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25184\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626467888&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;60&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?w=276&#038;h=206&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/wenet_Werner-Neumann-c-JM-Koch.jpg?w=1680&amp;ssl=1 1680w\" width=\"276\" height=\"206\" loading=\"lazy\" data-original-width=\"276\" data-original-height=\"206\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Werner Neumann, wenet\" style=\"width: 276px; height: 206px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Werner Neumann, wenet <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 316px;\" data-original-width=\"840\" data-original-height=\"316\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 316px;\" data-original-width=\"420\" data-original-height=\"316\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-166\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"312\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25185\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626546951&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;113&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?w=416&#038;h=312&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Moritz-Baranczyk_Conrad-Noll.jpg?w=1680&amp;ssl=1 1680w\" width=\"416\" height=\"312\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"312\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Moritz Baranczyk und Conrad Noll, Yaroslav Likhachev Quartett\" style=\"width: 416px; height: 312px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Moritz Baranczyk und Conrad Noll, Yaroslav Likhachev Quartett <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 316px;\" data-original-width=\"420\" data-original-height=\"316\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/olympus-digital-camera-167\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"312\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"25186\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg\" data-orig-size=\"1969,1476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E-M10MarkII&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1626546316&quot;,&quot;copyright&quot;:&quot;Juan Martin Koch&quot;,&quot;focal_length&quot;:&quot;150&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?fit=300%2C225&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?fit=800%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?w=416&#038;h=312&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?w=1969&amp;ssl=1 1969w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?resize=1536%2C1151&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?resize=1320%2C989&amp;ssl=1 1320w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/07\/Yaroslav-Likhachev-Quartet_Yaroslav-Likhachev_Jonathan-Hofmeister.jpg?w=1680&amp;ssl=1 1680w\" width=\"416\" height=\"312\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"312\" itemprop=\"http:\/\/schema.org\/image\" title=\"OLYMPUS DIGITAL CAMERA\" alt=\"Yaroslav Likhachev Quartett\" style=\"width: 416px; height: 312px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Yaroslav Likhachev Quartett <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Vom 23. bis 25. Juli 2021 werden weitere zehn Konzerte i<span style=\"font-size: 1.125rem;\">m Thon-Dittmer-Hof stattfinden (<a href=\"https:\/\/www.okticket.de\/tickets-40-bayerisches-jazzweekend-jazzfest40-g199?event_group_id=199&amp;startReset=ON&amp;cookiecheck=true\">Tickets \u00fcber Ok-Ticket<\/a>. Den Abschluss der sommerlichen Open-Air-Konzerte bilden zehn Veranstaltungen im Gewerbepark Regensburg vom 30. Juli bis 1. August 2021. &#8222;Gro\u00dfe B\u00fchnen, Abst\u00e4nde und Freiluftbedingungen erm\u00f6glichen allerdings keine intimen Momente mit ber\u00fchrenden zarten T\u00f6nen,&#8220; so die Veranstalter. Deshalb werden diese im Winter unter dem Motto \u201eJazzfest 40 \u2013 intim\u201c einen gesch\u00fctzten Rahmen bekommen.\u00a0\u00a0<\/span><\/p>\n<p>Begleitet werden die insgesamt 40 Livekonzerte zum 40. Jubil\u00e4um von On- und Offline-Aktionen, die von Spotify-Playlists bis hin zu Fotoausstellungen im \u00f6ffentlichen Raum reichen.<\/p>\n<p>Weitere Infos immer unter <a href=\"http:\/\/www.bayernjazz.de\">www.bayernjazz.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kostenlose Live-Konzerte unter Corona-Bedingungen &#8211; der erste Teil vom \u201eJazzfest 40\u201c des Bayerischen Jazzweekends fand vom 16. bis 18. Juli 2021 im Regensburger Thon-Dittmer-Palais statt. Aufgezeichnet vom Bayerischen Rundfunk stellten musikalische G\u00e4ste aus dem In- und Ausland ihre Kunstfertigkeit im Rahmen von zehn Konzerten unter Beweis. Juan Martin Koch war mit seiner Kamera bei einigen Konzerten vor Ort. Sein Fazit: &#8222;Fabian Rucker [unser Beitragsbild] war eine Urgewalt.&#8220; Vom 23. bis 25. Juli 2021 werden weitere zehn Konzerte im Thon-Dittmer-Hof stattfinden (Tickets \u00fcber Ok-Ticket. Den Abschluss der sommerlichen Open-Air-Konzerte bilden zehn Veranstaltungen im Gewerbepark Regensburg vom 30. Juli bis 1. August 2021. &#8222;Gro\u00dfe B\u00fchnen, Abst\u00e4nde und Freiluftbedingungen erm\u00f6glichen allerdings keine intimen Momente mit ber\u00fchrenden zarten T\u00f6nen,&#8220; so die Veranstalter. Deshalb werden diese im Winter unter dem Motto \u201eJazzfest 40 \u2013 intim\u201c einen gesch\u00fctzten Rahmen bekommen.\u00a0\u00a0 Begleitet werden die insgesamt 40 Livekonzerte zum 40. Jubil\u00e4um von On- und Offline-Aktionen, die von Spotify-Playlists bis hin zu Fotoausstellungen im \u00f6ffentlichen Raum reichen. Weitere Infos immer unter www.bayernjazz.de<\/p>\n","protected":false},"author":18,"featured_media":25175,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1053,652],"tags":[3456,1910,3453,1552,1797,3454,3455],"coauthors":[695,1735],"class_list":["post-25172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bericht","category-galerie","tag-bayerisches-jazzweekend-2021","tag-bildergalerie","tag-fabian-rucker","tag-juan-martin-koch","tag-regensburg","tag-wenet","tag-yaroslav-likhachev-quartett"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Das 40. Bayerische Jazzweekend 2021 Teil1 - die Bilder - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2021\/07\/das-40-bayerische-jazzweekend-2021-teil1-die-bilder\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Das 40. Bayerische Jazzweekend 2021 Teil1 - die Bilder - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Kostenlose Live-Konzerte unter Corona-Bedingungen &#8211; der erste Teil vom \u201eJazzfest 40\u201c des Bayerischen Jazzweekends fand vom 16. bis 18. Juli 2021 im Regensburger Thon-Dittmer-Palais statt. Aufgezeichnet vom Bayerischen Rundfunk stellten musikalische G\u00e4ste aus dem In- und Ausland ihre Kunstfertigkeit im Rahmen von zehn Konzerten unter Beweis. Juan Martin Koch war mit seiner Kamera bei einigen Konzerten vor Ort. Sein Fazit: &#8222;Fabian Rucker [unser Beitragsbild] war eine Urgewalt.&#8220; Vom 23. bis 25. Juli 2021 werden weitere zehn Konzerte im Thon-Dittmer-Hof stattfinden (Tickets \u00fcber Ok-Ticket. Den Abschluss der sommerlichen Open-Air-Konzerte bilden zehn Veranstaltungen im Gewerbepark Regensburg vom 30. Juli bis 1. August 2021. &#8222;Gro\u00dfe B\u00fchnen, Abst\u00e4nde und Freiluftbedingungen erm\u00f6glichen allerdings keine intimen Momente mit ber\u00fchrenden zarten T\u00f6nen,&#8220; so die Veranstalter. Deshalb werden diese im Winter unter dem Motto \u201eJazzfest 40 \u2013 intim\u201c einen gesch\u00fctzten Rahmen bekommen.\u00a0\u00a0 Begleitet werden die insgesamt 40 Livekonzerte zum 40. Jubil\u00e4um von On- und Offline-Aktionen, die von Spotify-Playlists bis hin zu Fotoausstellungen im \u00f6ffentlichen Raum reichen. 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International gefragte Gr\u00f6\u00dfen des Jazz trafen beim\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/07\/SiEA-Antonia-Dering-c-JM-Koch.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/07\/SiEA-Antonia-Dering-c-JM-Koch.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/07\/SiEA-Antonia-Dering-c-JM-Koch.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/07\/SiEA-Antonia-Dering-c-JM-Koch.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/07\/SiEA-Antonia-Dering-c-JM-Koch.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":26185,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/11\/26185\/","url_meta":{"origin":25172,"position":3},"title":"Bewerbungsphase f\u00fcrs Bayerische Jazzweekend Regensburg gestartet","author":"Redaktion JazzZeitung","date":"18. 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Das Konzept gibt es seit 42 Jahren, dem seit 2022 wirkenden neuen k\u00fcnstlerischen Leiter, Christian Sommerer, gelingt es wie versprochen,\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Monika-Roscher-Big-Band_Lukas-Diller-scaled.jpg?fit=1200%2C794&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Monika-Roscher-Big-Band_Lukas-Diller-scaled.jpg?fit=1200%2C794&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Monika-Roscher-Big-Band_Lukas-Diller-scaled.jpg?fit=1200%2C794&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Monika-Roscher-Big-Band_Lukas-Diller-scaled.jpg?fit=1200%2C794&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Monika-Roscher-Big-Band_Lukas-Diller-scaled.jpg?fit=1200%2C794&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":25652,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/covid-19-und-der-bayernjazz\/","url_meta":{"origin":25172,"position":5},"title":"COVID-19 und der Bayernjazz?","author":"Redaktion JazzZeitung","date":"31. 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