{"id":19616,"date":"2019-05-29T08:00:48","date_gmt":"2019-05-29T06:00:48","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=19616"},"modified":"2019-05-28T10:02:24","modified_gmt":"2019-05-28T08:02:24","slug":"schnelldurchlauf-neue-aufnahmen-von-phraim-bis-zum-modern-string-quartet","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2019\/05\/schnelldurchlauf-neue-aufnahmen-von-phraim-bis-zum-modern-string-quartet\/","title":{"rendered":"Schnelldurchlauf: Neue Aufnahmen von Phraim bis zum Modern String Quartet"},"content":{"rendered":"<p>Durch- und abgeh\u00f6rt hat Huflaikhan in der <a href=\"https:\/\/hoerbar.nmz.de\/\">H\u00f6rbar der nmz<\/a>:<\/p>\n<ul>\n<li><strong>Rainer B\u00f6hm + Norbert Scholly<\/strong>: El Movimiento del Gato Negro [2019] |<\/li>\n<li><strong>H\u00e5kon Kornstad Trio<\/strong>: Im Treibhaus [2019] |<\/li>\n<li><strong>Modern String Quartet<\/strong>: The Rite Of Swing [2019] |<\/li>\n<li><strong>Don Byron, Aru\u00e1n Ortiz<\/strong>: Random Dances and (A)tonalities [2018] |<\/li>\n<li><strong>Clemens Christian Poetzsch<\/strong>: Remember Tomorrow [2019] |<\/li>\n<li><strong>Francesco Tristano<\/strong>: Tokyo Stories [2019] |<\/li>\n<li><strong>Jamie Saft<\/strong>: You Don\u2019t Know the Life [2019] |<\/li>\n<li><strong>Phraim<\/strong>: Phraim [2019]<\/li>\n<\/ul>\n<hr \/>\n<blockquote class=\"wp-embedded-content\" data-secret=\"vmvCKlc2l0\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/rainer-boehm-norbert-scholly-el-movimiento-del-gato-negro-2019\/\">Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/rainer-boehm-norbert-scholly-el-movimiento-del-gato-negro-2019\/embed\/#?secret=vmvCKlc2l0\" data-secret=\"vmvCKlc2l0\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"Q2sjKh7w0J\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/hakon-kornstad-trio-im-treibhaus-2019\/\">H\u00e5kon Kornstad Trio: Im Treibhaus [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;H\u00e5kon Kornstad Trio: Im Treibhaus [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/hakon-kornstad-trio-im-treibhaus-2019\/embed\/#?secret=Q2sjKh7w0J\" data-secret=\"Q2sjKh7w0J\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"UpZfprK41g\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/modern-string-quartet-the-rite-of-swing-2019\/\">Modern String Quartet: The Rite Of Swing [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Modern String Quartet: The Rite Of Swing [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/modern-string-quartet-the-rite-of-swing-2019\/embed\/#?secret=UpZfprK41g\" data-secret=\"UpZfprK41g\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"h4lwNOSQtr\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/don-byron-aruan-ortiz-random-dances-and-atonalities-2018\/\">Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/don-byron-aruan-ortiz-random-dances-and-atonalities-2018\/embed\/#?secret=h4lwNOSQtr\" data-secret=\"h4lwNOSQtr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"H6MhtGvkeH\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/clemens-christian-poetzsch-remember-tomorrow-2019\/\">Clemens Christian Poetzsch: Remember Tomorrow [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Clemens Christian Poetzsch: Remember Tomorrow [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/clemens-christian-poetzsch-remember-tomorrow-2019\/embed\/#?secret=H6MhtGvkeH\" data-secret=\"H6MhtGvkeH\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"aHdoANog86\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/francesco-tristano-tokyo-stories-2019\/\">Francesco Tristano: Tokyo Stories [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Francesco Tristano: Tokyo Stories [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/francesco-tristano-tokyo-stories-2019\/embed\/#?secret=aHdoANog86\" data-secret=\"aHdoANog86\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"xgXFjTbyZ5\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/jamie-saft-you-dont-know-the-life-2019\/\">Jamie Saft: You Don&#8217;t Know the Life [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Jamie Saft: You Don&#8217;t Know the Life [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/jamie-saft-you-dont-know-the-life-2019\/embed\/#?secret=xgXFjTbyZ5\" data-secret=\"xgXFjTbyZ5\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"vnsStey8MN\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/05\/phraim-phraim-2019\/\">Phraim: Phraim [2019]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8222;Phraim: Phraim [2019]&#8220; &#8212; H\u00f6rBar der nmz\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/05\/phraim-phraim-2019\/embed\/#?secret=vnsStey8MN\" data-secret=\"vnsStey8MN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Durch- und abgeh\u00f6rt hat Huflaikhan in der H\u00f6rbar der nmz: Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] | H\u00e5kon Kornstad Trio: Im Treibhaus [2019] | Modern String Quartet: The Rite Of Swing [2019] | Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] | Clemens Christian Poetzsch: Remember Tomorrow [2019] | Francesco Tristano: Tokyo Stories [2019] | Jamie Saft: You Don\u2019t Know the Life [2019] | Phraim: Phraim [2019] Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] H\u00e5kon Kornstad Trio: Im Treibhaus [2019] Modern String Quartet: The Rite Of Swing [2019] Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] Clemens Christian Poetzsch: Remember Tomorrow [2019] Francesco Tristano: Tokyo Stories [2019] Jamie Saft: You Don&#8217;t Know the Life [2019] Phraim: Phraim [2019]<\/p>\n","protected":false},"author":2,"featured_media":19625,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[2465,2464,1086,2466,2468,2467,1165,1164],"coauthors":[680],"class_list":["post-19616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-aruan-ortiz","tag-don-byron","tag-francesco-tristano","tag-hakon-kornstad-trio","tag-jamie-saft","tag-modern-string-quartet","tag-norbert-scholly","tag-rainer-boehm"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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and (A)tonalities [2018] | Clemens Christian Poetzsch: Remember Tomorrow [2019] | Francesco Tristano: Tokyo Stories [2019] | Jamie Saft: You Don\u2019t Know the Life [2019] | Phraim: Phraim [2019] Rainer B\u00f6hm + Norbert Scholly: El Movimiento del Gato Negro [2019] H\u00e5kon Kornstad Trio: Im Treibhaus [2019] Modern String Quartet: The Rite Of Swing [2019] Don Byron, Aru\u00e1n Ortiz: Random Dances and (A)tonalities [2018] Clemens Christian Poetzsch: Remember Tomorrow [2019] Francesco Tristano: Tokyo Stories [2019] Jamie Saft: You Don&#8217;t Know the Life [2019] Phraim: Phraim [2019]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/05\/schnelldurchlauf-neue-aufnahmen-von-phraim-bis-zum-modern-string-quartet\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" 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April 2021","format":false,"excerpt":"Unser Schnellkritiker huflaikhan hat in der nmz-H\u00f6rBar vier neuere Titel einer sprachlichen Tonw\u00e4sche unterzogen: Marcel & The Bathing Birds: Tweet [2020] +++ Ulrich Drechsler: Caramel [2020] +++ Ron Davis: The Instrumental Music Liberation Front [2020] +++ Bobby Previte, Jamie Saft, Nels Cline: Music from the Early 21st Century [2020]. Die\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Vier Platten in der H\u00f6rbar der nmz.","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/04\/screenshot-hoerbar.nmz_.de-2021.04.03-19_36_21.png?fit=1200%2C690&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=19616"}],"version-history":[{"count":2,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19616\/revisions"}],"predecessor-version":[{"id":19627,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19616\/revisions\/19627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/19625"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=19616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=19616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=19616"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=19616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}