{"id":19019,"date":"2019-03-27T12:45:13","date_gmt":"2019-03-27T11:45:13","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=19019"},"modified":"2019-03-27T12:34:30","modified_gmt":"2019-03-27T11:34:30","slug":"charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","title":{"rendered":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen"},"content":{"rendered":"<p>Als sechster und letzter Gast kam Altsaxophonist Rudresh Mahanthappa mit Rez Abbasi an der Gitarre, Bobby Avey am Klavier, Fran\u00e7ois Moutin am Bass und Rudy Royston am Schlagzeug zur Auswahlmatinee in den Doppelkegel der BMW Welt.<\/p>\n<p>Kennzeichnend f\u00fcr Mahanthappas Spiel ist die Verschmelzung von Modern Jazz mit den komplexen rhythmischen Strukturen indischer Musik. In die BMW Welt kam der Sohn s\u00fcdindischer Eltern mit seiner Version der Musik von Saxophonlegende Charlie \u201eBird\u201c Parker. Statt Originalkompositionen im Modus &#8222;Thema-Soli-Thema&#8220; nachzuspielen, verarbeitete er Parkers Kompositionen, indem er sie ein einen v\u00f6llig anderen Kontext stellt. &#8222;Parker recomposed&#8220; k\u00f6nnte als \u00dcberschrift \u00fcber diesem packenden Matinee-Konzert stehen. Thomas J. Krebs hat das Feuer und die Faszination Mahanthappas in seinen Fotos eingefangen.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 239px;\" data-original-width=\"840\" data-original-height=\"239\" > <div class=\"gallery-group images-1\" style=\"width: 357px; height: 239px;\" data-original-width=\"357\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268614-mahanthappa-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"353\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19021\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?w=353&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?resize=900%2C600&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268614-Mahanthappa-Foto-TJ-Krebs.jpg?resize=120%2C80&amp;ssl=1 120w\" width=\"353\" height=\"235\" loading=\"lazy\" data-original-width=\"353\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Mahanthappa am Saxophon. Foto: T. J. Krebs\" style=\"width: 353px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Mahanthappa am Saxophon. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268937-royston-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19020\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg\" data-orig-size=\"800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268937-Royston-Foto-TJ-Krebs.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Royston am Schlagzeug. Foto: T. J. Krebs\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Royston am Schlagzeug. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268558-avey-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19022\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg\" data-orig-size=\"800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268558-Avey-Foto-TJ-Krebs.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Avey am Piano. Foto: T. J. Krebs\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Avey am Piano. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 161px; height: 239px;\" data-original-width=\"161\" data-original-height=\"239\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268532-moutin-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"157\"> <meta itemprop=\"height\" content=\"235\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19023\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg\" data-orig-size=\"800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?w=157&#038;h=235&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268532-Moutin-Foto-TJ-Krebs.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"157\" height=\"235\" loading=\"lazy\" data-original-width=\"157\" data-original-height=\"235\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Moutin am Bass. Foto: T. J. Krebs\" style=\"width: 157px; height: 235px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Moutin am Bass. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 628px;\" data-original-width=\"840\" data-original-height=\"628\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 628px;\" data-original-width=\"420\" data-original-height=\"628\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268445-abbasi-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"624\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19024\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg\" data-orig-size=\"800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?w=416&#038;h=624&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268445-Abbasi-Foto-TJ-Krebs.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"416\" height=\"624\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"624\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Abbasi an der Gitarre. Foto: T. J. Krebs\" style=\"width: 416px; height: 624px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Abbasi an der Gitarre. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 628px;\" data-original-width=\"420\" data-original-height=\"628\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268428-mahanthappa-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"624\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19025\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg\" data-orig-size=\"800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?w=416&#038;h=624&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268428-Mahanthappa-Foto-TJ-Krebs.jpg?resize=400%2C600&amp;ssl=1 400w\" width=\"416\" height=\"624\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"624\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Mahanthappa. Foto: T. J. Krebs\" style=\"width: 416px; height: 624px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Mahanthappa. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 561px;\" data-original-width=\"840\" data-original-height=\"561\" > <div class=\"gallery-group images-1\" style=\"width: 840px; height: 561px;\" data-original-width=\"840\" data-original-height=\"561\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/p1268352-mahanthappa-quintett-foto-tj-krebs\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"836\"> <meta itemprop=\"height\" content=\"557\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"19026\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?w=836&#038;h=557&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?resize=900%2C600&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/P1268352-Mahanthappa-Quintett-Foto-TJ-Krebs.jpg?resize=120%2C80&amp;ssl=1 120w\" width=\"836\" height=\"557\" loading=\"lazy\" data-original-width=\"836\" data-original-height=\"557\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Mahanthappa Quintett. Foto: T. J. Krebs\" style=\"width: 836px; height: 557px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Mahanthappa Quintett. Foto: T. J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Als sechster und letzter Gast kam Altsaxophonist Rudresh Mahanthappa mit Rez Abbasi an der Gitarre, Bobby Avey am Klavier, Fran\u00e7ois Moutin am Bass und Rudy Royston am Schlagzeug zur Auswahlmatinee in den Doppelkegel der BMW Welt. Kennzeichnend f\u00fcr Mahanthappas Spiel ist die Verschmelzung von Modern Jazz mit den komplexen rhythmischen Strukturen indischer Musik. In die BMW Welt kam der Sohn s\u00fcdindischer Eltern mit seiner Version der Musik von Saxophonlegende Charlie \u201eBird\u201c Parker. Statt Originalkompositionen im Modus &#8222;Thema-Soli-Thema&#8220; nachzuspielen, verarbeitete er Parkers Kompositionen, indem er sie ein einen v\u00f6llig anderen Kontext stellt. &#8222;Parker recomposed&#8220; k\u00f6nnte als \u00dcberschrift \u00fcber diesem packenden Matinee-Konzert stehen. Thomas J. Krebs hat das Feuer und die Faszination Mahanthappas in seinen Fotos eingefangen.<\/p>\n","protected":false},"author":18,"featured_media":19027,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[633],"tags":[1763,85,111,149,1911,1876,254,322,1418,401,2139,1564,1176,1260],"coauthors":[695],"class_list":["post-19019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nachrichten","tag-bass","tag-bmw-welt","tag-charlie-parker","tag-doppelkegel","tag-fotos","tag-jazz","tag-jazz-award","tag-konzert-2","tag-krebs","tag-muenchen","tag-s","tag-schlagzeug","tag-soli","tag-thomas-j-krebs"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Als sechster und letzter Gast kam Altsaxophonist Rudresh Mahanthappa mit Rez Abbasi an der Gitarre, Bobby Avey am Klavier, Fran\u00e7ois Moutin am Bass und Rudy Royston am Schlagzeug zur Auswahlmatinee in den Doppelkegel der BMW Welt. Kennzeichnend f\u00fcr Mahanthappas Spiel ist die Verschmelzung von Modern Jazz mit den komplexen rhythmischen Strukturen indischer Musik. In die BMW Welt kam der Sohn s\u00fcdindischer Eltern mit seiner Version der Musik von Saxophonlegende Charlie \u201eBird\u201c Parker. Statt Originalkompositionen im Modus &#8222;Thema-Soli-Thema&#8220; nachzuspielen, verarbeitete er Parkers Kompositionen, indem er sie ein einen v\u00f6llig anderen Kontext stellt. &#8222;Parker recomposed&#8220; k\u00f6nnte als \u00dcberschrift \u00fcber diesem packenden Matinee-Konzert stehen. Thomas J. Krebs hat das Feuer und die Faszination Mahanthappas in seinen Fotos eingefangen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-27T11:45:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen\",\"datePublished\":\"2019-03-27T11:45:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/\"},\"wordCount\":138,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1\",\"keywords\":[\"Bass\",\"bmw welt\",\"Charlie Parker\",\"Doppelkegel\",\"Fotos\",\"Jazz\",\"Jazz Award\",\"Konzert\",\"krebs\",\"M\u00fcnchen\",\"S\",\"Schlagzeug\",\"Soli\",\"Thomas J. Krebs\"],\"articleSection\":[\"News\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/\",\"name\":\"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1\",\"datePublished\":\"2019-03-27T11:45:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1\",\"width\":1200,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/03\\\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\",\"name\":\"Redaktion JazzZeitung\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"caption\":\"Redaktion JazzZeitung\"},\"description\":\"Artikel der Redaktion der JazzZeitung.\",\"sameAs\":[\"http:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/redaktion\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","og_locale":"de_DE","og_type":"article","og_title":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung","og_description":"Als sechster und letzter Gast kam Altsaxophonist Rudresh Mahanthappa mit Rez Abbasi an der Gitarre, Bobby Avey am Klavier, Fran\u00e7ois Moutin am Bass und Rudy Royston am Schlagzeug zur Auswahlmatinee in den Doppelkegel der BMW Welt. Kennzeichnend f\u00fcr Mahanthappas Spiel ist die Verschmelzung von Modern Jazz mit den komplexen rhythmischen Strukturen indischer Musik. In die BMW Welt kam der Sohn s\u00fcdindischer Eltern mit seiner Version der Musik von Saxophonlegende Charlie \u201eBird\u201c Parker. Statt Originalkompositionen im Modus &#8222;Thema-Soli-Thema&#8220; nachzuspielen, verarbeitete er Parkers Kompositionen, indem er sie ein einen v\u00f6llig anderen Kontext stellt. &#8222;Parker recomposed&#8220; k\u00f6nnte als \u00dcberschrift \u00fcber diesem packenden Matinee-Konzert stehen. Thomas J. Krebs hat das Feuer und die Faszination Mahanthappas in seinen Fotos eingefangen.","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2019-03-27T11:45:13+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","type":"image\/jpeg"}],"author":"Redaktion JazzZeitung","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/"},"author":{"name":"Redaktion JazzZeitung","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b"},"headline":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen","datePublished":"2019-03-27T11:45:13+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/"},"wordCount":138,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","keywords":["Bass","bmw welt","Charlie Parker","Doppelkegel","Fotos","Jazz","Jazz Award","Konzert","krebs","M\u00fcnchen","S","Schlagzeug","Soli","Thomas J. Krebs"],"articleSection":["News"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","name":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#primaryimage"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","datePublished":"2019-03-27T11:45:13+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#primaryimage","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","width":1200,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b","name":"Redaktion JazzZeitung","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","caption":"Redaktion JazzZeitung"},"description":"Artikel der Redaktion der JazzZeitung.","sameAs":["http:\/\/www.jazzzeitung.de\/cms\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/redaktion\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/03\/BBP1268619-Mahanthappa-Quintett-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-4WL","jetpack-related-posts":[{"id":19056,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/04\/bmw-welt-jazz-award-finalisten-2019-maciej-obara-quartet-und-rudresh-mahanthappa-quintet\/","url_meta":{"origin":19019,"position":0},"title":"BMW Welt Jazz Award Finalisten 2019: Maciej Obara Quartet und Rudresh Mahanthappa Quintet","author":"Redaktion JazzZeitung","date":"1. April 2019","format":false,"excerpt":"Nach sechs rauschenden Matineen geht der BMW Welt Jazz Award 2019 am 4. Mai in die finale Runde. Dabei treten das Maciej Obara Quartet und Rudresh Mahanthappa Quintet in den \"Zweikampf\" und performen ihre Interpretation des diesj\u00e4hrigen Mottos \u201eSaxophone Worlds\u201c im Auditorium der BMW Welt. Nach dem Duell von Quartett\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/P90332911-highRes.jpg?fit=1200%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/P90332911-highRes.jpg?fit=1200%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/P90332911-highRes.jpg?fit=1200%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/P90332911-highRes.jpg?fit=1200%2C600&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/P90332911-highRes.jpg?fit=1200%2C600&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":19376,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/05\/maciej-obara-quartett-gewinnt-den-bmw-welt-jazz-award-2019\/","url_meta":{"origin":19019,"position":1},"title":"Maciej Obara Quartett gewinnt den BMW Welt Jazz Award 2019","author":"Redaktion JazzZeitung","date":"6. Mai 2019","format":false,"excerpt":"M\u00fcnchen, 4. Mai 2019. \u201eSaxophone Worlds\u201c verwandelte das Auditorium der BMW Welt zu einem Jazz Erlebnis der besonderen Art. Das Maciej Obara Quartett mit Dominik Wania am Klavier, Ole Morten Vagan am Bass und Gard Nilssen am Schlagzeug konnte sich gegen das Rudresh Mahanthappa Quintett durchsetzen und den Wettbewerb f\u00fcr\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/P1335598-Obara-Quartett-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/P1335598-Obara-Quartett-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/P1335598-Obara-Quartett-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/P1335598-Obara-Quartett-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/05\/P1335598-Obara-Quartett-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":18144,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/12\/bmw-welt-jazz-award-2019-der-elfte-wettbewerb-feiert-jazz-mit-dem-motto-saxophone-worlds\/","url_meta":{"origin":19019,"position":2},"title":"BMW Welt Jazz Award 2019:  Der elfte Wettbewerb feiert Jazz mit dem Motto \u201eSaxophone Worlds\u201c","author":"Redaktion JazzZeitung","date":"17. Dezember 2018","format":false,"excerpt":"M\u00fcnchen. Der elfte BMW Welt Jazz Award wird mit dem Leitmotiv \u201eSaxophone Worlds\u201c zelebriert. So sind auch im Jahr 2019 Jazz-Begeisterte und solche, die es werden wollen, wieder zu sechs kostenfreien Sonntagsmatineen von Januar bis M\u00e4rz eingeladen. Im Mittelpunkt steht dabei das Instrument, das wie kein anderes den Jazz repr\u00e4sentiert\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/BMW-Welt-Jazz-Award-2019_Saxophone-Worlds-c-BMW-AG.jpg?fit=1200%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/BMW-Welt-Jazz-Award-2019_Saxophone-Worlds-c-BMW-AG.jpg?fit=1200%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/BMW-Welt-Jazz-Award-2019_Saxophone-Worlds-c-BMW-AG.jpg?fit=1200%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/BMW-Welt-Jazz-Award-2019_Saxophone-Worlds-c-BMW-AG.jpg?fit=1200%2C600&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/12\/BMW-Welt-Jazz-Award-2019_Saxophone-Worlds-c-BMW-AG.jpg?fit=1200%2C600&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":18374,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/01\/news-auftakt-des-bmw-welt-jazz-award-2019-in-muenchen\/","url_meta":{"origin":19019,"position":3},"title":"Auftakt des BMW Welt Jazz Award 2019 mit Jazzrausch-Techno","author":"Redaktion JazzZeitung","date":"18. Januar 2019","format":false,"excerpt":"M\u00fcnchen im Jazzrausch Mit einer ausgelassenen Tanzparty angefeuert von der Jazzrausch Bigband wurde am Donnerstag der Auftakt des BMW Welt Jazz Award 2019 gefeiert. Durch den Abend f\u00fchrten BR-Moderatorin Beate Sampson und Roman Sladek, Gewinner des BMW Welt Young Artist Jazz Award 2017. Jazzrausch begeisterte mit dem Programm \u201eDancing Wittgenstein\u201c,\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/01\/JRBB-%40-BMW-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/01\/JRBB-%40-BMW-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/01\/JRBB-%40-BMW-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/01\/JRBB-%40-BMW-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/01\/JRBB-%40-BMW-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":18780,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/02\/der-dichter-spricht-das-matthieu-bordenave-trio-laesst-sich-beim-bmw-welt-jazz-award-von-rene-char-inspirieren\/","url_meta":{"origin":19019,"position":4},"title":"Der Dichter spricht: Das Matthieu Bordenave Trio l\u00e4sst sich beim BMW Welt Jazz Award von Ren\u00e9 Char inspirieren","author":"Redaktion JazzZeitung","date":"27. Februar 2019","format":false,"excerpt":"Das Trio des 35-j\u00e4hrigen Tenorsaxophonisten Matthieu Bordenave aus S\u00fcdfrankreich betrat als vierter der insgesamt sechs Teilnehmerbands das Podium des lichtdurchfluteten Podiums des BMW Welt Jazz Award, der dieses Jahr unter dem Motto \u201eSaxophone Worlds\u201c steht. Bordenave studierte zun\u00e4chst klassisches und Jazzsaxophon in Paris, bevor er zum Masterstudium an die M\u00fcnchner\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/BeitragsbildP1224331-Bordenave-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/BeitragsbildP1224331-Bordenave-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/BeitragsbildP1224331-Bordenave-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/BeitragsbildP1224331-Bordenave-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/BeitragsbildP1224331-Bordenave-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":26949,"url":"https:\/\/www.jazzzeitung.de\/cms\/2022\/03\/jacob-karlzon-trio-beim-bmw-welt-jazz-award\/","url_meta":{"origin":19019,"position":5},"title":"Jacob Karlzon Trio beim BMW Welt Jazz Award","author":"Redaktion JazzZeitung","date":"29. M\u00e4rz 2022","format":false,"excerpt":"Der 2010 in seiner Heimat Schweden als Jazz-Musiker des Jahres ausgezeichnete Pianist Jacob Karlzon macht schon immer Musik f\u00fcr den inneren Film. In der BMW Welt spielte er zusamen mit\u00a0 Morten Ramsb\u00f8l am Bass und Rasmus Kihlberg am Schlagzeug am 22. M\u00e4rz das 2. Konzert des diesj\u00e4hrigen BMW Welt Jazz\u2026","rel":"","context":"In &quot;Galerie&quot;","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/03\/P1710856-sw-Karlzon-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/03\/P1710856-sw-Karlzon-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/03\/P1710856-sw-Karlzon-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/03\/P1710856-sw-Karlzon-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/03\/P1710856-sw-Karlzon-Trio-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=19019"}],"version-history":[{"count":6,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19019\/revisions"}],"predecessor-version":[{"id":19035,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/19019\/revisions\/19035"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/19027"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=19019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=19019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=19019"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=19019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}