{"id":18631,"date":"2019-02-13T08:30:28","date_gmt":"2019-02-13T07:30:28","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=18631"},"modified":"2019-02-12T14:22:29","modified_gmt":"2019-02-12T13:22:29","slug":"schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2019\/02\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\/","title":{"rendered":"Schnelldurchlauf: Jazz-CDs von Rainer B\u00f6hm bis Chris Gall"},"content":{"rendered":"<p>Jazz-CDs im Schnelldurchlauf. Skizzen von Martin Hufner.<\/p>\n<ul>\n<li><strong>Lars Danielsson \u2013 Paolo Fresu: Summerwind<br \/>\n<\/strong>ACT 9871-2<\/li>\n<li><strong>Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII)<br \/>\n<\/strong>ACT 9761-2<\/li>\n<li><strong>Chris Gall: Room Of Silence (Piano Solo)<br \/>\n<\/strong>EDITION COLLAGE EC 581-2<\/li>\n<li><strong>Travis, Fripp: Between The Silence (3 CD)<br \/>\n<\/strong>Panegyric (Galileo Music Communication)<\/li>\n<li><strong>Benedikt Koch Quintet: True In No Possible World (Jazz Thing Next Generation Vol. 74)<br \/>\n<\/strong>Double Moon Records<\/li>\n<li><strong>Sun Dew: This Secret Cay (EP)<br \/>\n<\/strong>Heartcore Records<\/li>\n<\/ul>\n<blockquote class=\"wp-embedded-content\" data-secret=\"bZ8mcGFxhM\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/01\/lars-danielsson-paolo-fresu-summerwind\/\">Lars Danielsson \u2013 Paolo Fresu: Summerwind<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/01\/lars-danielsson-paolo-fresu-summerwind\/embed\/#?secret=bZ8mcGFxhM\" data-secret=\"bZ8mcGFxhM\" width=\"600\" height=\"338\" title=\"&#8222;Lars Danielsson \u2013 Paolo Fresu: Summerwind&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"yZCo5AuvrK\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/02\/rainer-boehm-hydor-piano-works-xii\/\">Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII)<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/02\/rainer-boehm-hydor-piano-works-xii\/embed\/#?secret=yZCo5AuvrK\" data-secret=\"yZCo5AuvrK\" width=\"600\" height=\"338\" title=\"&#8222;Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII)&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"9g2TYlGaaN\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/02\/theo-travis-robert-fripp-between-the-silence-3-cd\/\">Theo Travis, Robert Fripp: Between The Silence (3 CD)<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/02\/theo-travis-robert-fripp-between-the-silence-3-cd\/embed\/#?secret=9g2TYlGaaN\" data-secret=\"9g2TYlGaaN\" width=\"600\" height=\"338\" title=\"&#8222;Theo Travis, Robert Fripp: Between The Silence (3 CD)&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"n2wtO7QHNW\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/02\/chris-gall-room-of-silence-piano-solo\/\">Chris Gall: Room Of Silence (Piano Solo)<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/02\/chris-gall-room-of-silence-piano-solo\/embed\/#?secret=n2wtO7QHNW\" data-secret=\"n2wtO7QHNW\" width=\"600\" height=\"338\" title=\"&#8222;Chris Gall: Room Of Silence (Piano Solo)&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"R6VmUcy2fk\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/02\/benedikt-koch-quintet-true-in-no-possible-world\/\">Benedikt Koch Quintet: True In No Possible World<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/02\/benedikt-koch-quintet-true-in-no-possible-world\/embed\/#?secret=R6VmUcy2fk\" data-secret=\"R6VmUcy2fk\" width=\"600\" height=\"338\" title=\"&#8222;Benedikt Koch Quintet: True In No Possible World&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"55qwmENGId\"><p><a href=\"https:\/\/hoerbar.nmz.de\/2019\/02\/sun-dew-this-secret-cay-ep\/\">Sun Dew: This Secret Cay (EP)<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hoerbar.nmz.de\/2019\/02\/sun-dew-this-secret-cay-ep\/embed\/#?secret=55qwmENGId\" data-secret=\"55qwmENGId\" width=\"600\" height=\"338\" title=\"&#8222;Sun Dew: This Secret Cay (EP)&#8220; &#8212; H\u00f6rBar der nmz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz-CDs im Schnelldurchlauf. Skizzen von Martin Hufner. Lars Danielsson \u2013 Paolo Fresu: Summerwind ACT 9871-2 Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII) ACT 9761-2 Chris Gall: Room Of Silence (Piano Solo) EDITION COLLAGE EC 581-2 Travis, Fripp: Between The Silence (3 CD) Panegyric (Galileo Music Communication) Benedikt Koch Quintet: True In No Possible World (Jazz Thing Next Generation Vol. 74) Double Moon Records Sun Dew: This Secret Cay (EP) Heartcore Records Lars Danielsson \u2013 Paolo Fresu: Summerwind Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII) Theo Travis, Robert Fripp: Between The Silence (3 CD) Chris Gall: Room Of Silence (Piano Solo) Benedikt Koch Quintet: True In No Possible World Sun Dew: This Secret Cay (EP)<\/p>\n","protected":false},"author":1,"featured_media":18638,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1152],"tags":[2148,1461,344,2147,1164,1186,2146,1520,2145],"coauthors":[650],"class_list":["post-18631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezension","tag-benedikt-koch","tag-chris-gall","tag-lars-danielsson","tag-paolo-fresu","tag-rainer-boehm","tag-rezension","tag-robert-fripp","tag-sun-dew","tag-theo-travis"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Schnelldurchlauf: Jazz-CDs von Rainer B\u00f6hm bis Chris Gall - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/02\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Schnelldurchlauf: Jazz-CDs von Rainer B\u00f6hm bis Chris Gall - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Jazz-CDs im Schnelldurchlauf. Skizzen von Martin Hufner. Lars Danielsson \u2013 Paolo Fresu: Summerwind ACT 9871-2 Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII) ACT 9761-2 Chris Gall: Room Of Silence (Piano Solo) EDITION COLLAGE EC 581-2 Travis, Fripp: Between The Silence (3 CD) Panegyric (Galileo Music Communication) Benedikt Koch Quintet: True In No Possible World (Jazz Thing Next Generation Vol. 74) Double Moon Records Sun Dew: This Secret Cay (EP) Heartcore Records Lars Danielsson \u2013 Paolo Fresu: Summerwind Rainer B\u00f6hm: H\u00fdd\u014dr (Piano Works XII) Theo Travis, Robert Fripp: Between The Silence (3 CD) Chris Gall: Room Of Silence (Piano Solo) Benedikt Koch Quintet: True In No Possible World Sun Dew: This Secret Cay (EP)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2019\/02\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-13T07:30:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/02\/screenshot-hoerbar.nmz_.de-2019.02.12-14-11-49.png?fit=1148%2C505&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1148\" \/>\n\t<meta property=\"og:image:height\" content=\"505\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Martin Hufner\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/\"},\"author\":{\"name\":\"Martin Hufner\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/b9a4e5ac765d94fb8f617bfa8f1fc5f7\"},\"headline\":\"Schnelldurchlauf: Jazz-CDs von Rainer B\u00f6hm bis Chris Gall\",\"datePublished\":\"2019-02-13T07:30:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/\"},\"wordCount\":110,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2019\\\/02\\\/screenshot-hoerbar.nmz_.de-2019.02.12-14-11-49.png?fit=1148%2C505&ssl=1\",\"keywords\":[\"Benedikt Koch\",\"Chris Gall\",\"Lars Danielsson\",\"Paolo Fresu\",\"Rainer B\u00f6hm\",\"Rezension\",\"Robert Fripp\",\"Sun Dew\",\"Theo Travis\"],\"articleSection\":[\"Rezension\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2019\\\/02\\\/schnelldurchlauf-jazz-cds-von-rainer-boehm-bis-chris-gall\\\/\",\"name\":\"Schnelldurchlauf: Jazz-CDs von Rainer B\u00f6hm bis Chris Gall - 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Es laufe alles \u201eab in und auf einer staunenmachenden Elastizit\u00e4t der Rhythmusgruppe.\u201c Juan Martin Koch sagt zur neuen Platte von Trio Elf \u201eFram\u201c:\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Jazz in der H\u00f6rBar","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/06\/hoerbar_jazz_april.png?fit=838%2C319&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":24737,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/04\/rezensionen-johaenntgen-vatter-sclavis\/","url_meta":{"origin":18631,"position":3},"title":"Rezensionen: Joh\u00e4nntgen \/ Vatter \/ Sclavis","author":"Huflaikhan","date":"23. 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M\u00e4rz 2021","format":false,"excerpt":"Huflaikhan hat seine Ohren wieder etwas ge\u00f6ffnet und drei Big Band sowie das Simon Below Quartett f\u00fcr die H\u00f6rBar der nmz besprochen. Die Big Band-Konzepte sind wunderbar verschieden. Das Quartett spielt herrlich pr\u00e4zise und macht Genuss! Michael Leonhart Orchestra: Suite Extracts Vol. 1 [2019] The NuH[u]ssel Orchestra: The Forest [2019]\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Huflaikhan hat seine Ohren wieder etwas ge\u00f6ffnet und drei Big Band sowie die Simon Below Quartett f\u00fcr die H\u00f6rBar der nmz besprochen.","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/03\/screenshot-hoerbar.nmz_.de-2021.03.21-12_29_49.png?fit=1147%2C464&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":25446,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/08\/aus-der-hoerbar-der-nmz-flat-earth-society-bis-fred-frith\/","url_meta":{"origin":18631,"position":5},"title":"Aus der H\u00f6rBar der nmz: Flat Earth Society bis Fred Frith","author":"Huflaikhan","date":"18. August 2021","format":false,"excerpt":"In den letzten Wochen hat sich Huflaikhan wieder einige CDs vorgenommen. Denn der Berg der Neuerscheinungen scheint endlos zu sein. In der H\u00f6rBar ist da manches durchaus sehr h\u00f6rbar. Und nicht alles ist so flach wie es verkauft wird. :) Die Reise geht von Belgien \u00fcber Wien und die Mittelmeerlanschaft\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/rezension\/"},"img":{"alt_text":"Listen to \u2026 Foto: Hufner","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/08\/listen_Button_c_hufner.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/18631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=18631"}],"version-history":[{"count":3,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/18631\/revisions"}],"predecessor-version":[{"id":18641,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/18631\/revisions\/18641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/18638"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=18631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=18631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=18631"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=18631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}