{"id":16147,"date":"2018-05-26T11:20:01","date_gmt":"2018-05-26T09:20:01","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=16147"},"modified":"2018-05-30T10:26:52","modified_gmt":"2018-05-30T08:26:52","slug":"fotogaleria-moers","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/","title":{"rendered":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018"},"content":{"rendered":"<p>Das <em>m\u0153rs festival<\/em> ist eine echte Festival-Institution in Deutschlands. Jedes Jahr l\u00e4sst man drei Tage lang die improvisierte Musik und Kreativit\u00e4t hochleben. Das Festival, das jede Saison einen oder eine improviser in residence beheimatet, empfing 2017 35.000 Besucher. Am vergangenen Pfingstwochenende (18. bis 21. Mai 2018) ging es in eine neue Runde und bot ein vielseitiges und beeindruckendes Programm an vielen verschiedenen Schaupl\u00e4tzen.\u00a0Stefan Pieper war f\u00fcr die Jazzzeitung vor Ort und hat einige Eindr\u00fccke fotografisch festgehalten. Einen ausf\u00fchrlichen Bericht finden Sie demn\u00e4chst unter <a href=\"http:\/\/www.nmz.de\">www.nmz.de<\/a>.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 367px;\" data-original-width=\"840\" data-original-height=\"367\" > <div class=\"gallery-group images-1\" style=\"width: 275px; height: 367px;\" data-original-width=\"275\" data-original-height=\"367\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03409\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"271\"> <meta itemprop=\"height\" content=\"363\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16148\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg\" data-orig-size=\"2956,3954\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526504315&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;48.67&quot;,&quot;iso&quot;:&quot;500&quot;,&quot;shutter_speed&quot;:&quot;0.066666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03409\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?fit=224%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?fit=449%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?w=271&#038;h=363&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?w=2956&amp;ssl=1 2956w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?resize=224%2C300&amp;ssl=1 224w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?resize=768%2C1027&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?resize=449%2C600&amp;ssl=1 449w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?resize=600%2C803&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03409.jpg?w=2520&amp;ssl=1 2520w\" width=\"271\" height=\"363\" loading=\"lazy\" data-original-width=\"271\" data-original-height=\"363\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03409\" alt=\"Josephine Bode, die diesj\u00e4hrige improviser in residence. Foto: S. Pieper\" style=\"width: 271px; height: 363px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Josephine Bode, die diesj\u00e4hrige improviser in residence. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 291px; height: 367px;\" data-original-width=\"291\" data-original-height=\"367\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03455\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"287\"> <meta itemprop=\"height\" content=\"191\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16149\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg\" data-orig-size=\"5472,3648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526561479&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;32.29&quot;,&quot;iso&quot;:&quot;125&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03455\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?w=287&#038;h=191&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?w=5472&amp;ssl=1 5472w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?resize=900%2C600&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03455.jpg?w=2520&amp;ssl=1 2520w\" width=\"287\" height=\"191\" loading=\"lazy\" data-original-width=\"287\" data-original-height=\"191\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03455\" alt=\"Der niederl\u00e4ndische Gitarrist, Komponist und Improvisator Bram Stadhouders. Foto: S. Pieper\" style=\"width: 287px; height: 191px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Der niederl\u00e4ndische Gitarrist, Komponist und Improvisator Bram Stadhouders. Foto: S. Pieper <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03499\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"287\"> <meta itemprop=\"height\" content=\"168\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16151\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg\" data-orig-size=\"5348,3138\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526575652&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24.28&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03499\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?fit=300%2C176&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?fit=840%2C493&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?w=287&#038;h=168&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?w=5348&amp;ssl=1 5348w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?resize=300%2C176&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?resize=768%2C451&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?resize=900%2C528&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?resize=600%2C352&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03499.jpg?w=2520&amp;ssl=1 2520w\" width=\"287\" height=\"168\" loading=\"lazy\" data-original-width=\"287\" data-original-height=\"168\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03499\" alt=\"Die franz\u00f6sische Pianistin DOMi. Foto: S. Pieper\" style=\"width: 287px; height: 168px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Die franz\u00f6sische Pianistin DOMi. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 274px; height: 367px;\" data-original-width=\"274\" data-original-height=\"367\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03487\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"270\"> <meta itemprop=\"height\" content=\"363\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16150\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg\" data-orig-size=\"3181,4277\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526575001&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;68.83&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03487\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?fit=223%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?fit=446%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?w=270&#038;h=363&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?w=3181&amp;ssl=1 3181w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?resize=768%2C1033&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?resize=446%2C600&amp;ssl=1 446w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?resize=600%2C807&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03487.jpg?w=2520&amp;ssl=1 2520w\" width=\"270\" height=\"363\" loading=\"lazy\" data-original-width=\"270\" data-original-height=\"363\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03487\" alt=\"Bobby Hall spielte mit DOMi. Foto: S. Pieper\" style=\"width: 270px; height: 363px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Bobby Hall spielte mit DOMi. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 520px;\" data-original-width=\"840\" data-original-height=\"520\" > <div class=\"gallery-group images-1\" style=\"width: 439px; height: 520px;\" data-original-width=\"439\" data-original-height=\"520\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03999\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"435\"> <meta itemprop=\"height\" content=\"516\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16161\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg\" data-orig-size=\"3235,3841\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526746119&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;13.65&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03999\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?fit=253%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?fit=505%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?w=435&#038;h=516&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?w=3235&amp;ssl=1 3235w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?resize=253%2C300&amp;ssl=1 253w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?resize=768%2C912&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?resize=505%2C600&amp;ssl=1 505w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?resize=600%2C712&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03999.jpg?w=2520&amp;ssl=1 2520w\" width=\"435\" height=\"516\" loading=\"lazy\" data-original-width=\"435\" data-original-height=\"516\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03999\" alt=\"Der k\u00fcnstlerische Leiter des m\u0153rs festival Tim Isfort. Foto: S. Pieper\" style=\"width: 435px; height: 516px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Der k\u00fcnstlerische Leiter des m\u0153rs festival Tim Isfort. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 401px; height: 520px;\" data-original-width=\"401\" data-original-height=\"520\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03520\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"397\"> <meta itemprop=\"height\" content=\"516\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16152\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg\" data-orig-size=\"3648,4746\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526578718&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;61.98&quot;,&quot;iso&quot;:&quot;2500&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03520\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?fit=231%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?fit=461%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?w=397&#038;h=516&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?w=3648&amp;ssl=1 3648w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?resize=231%2C300&amp;ssl=1 231w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?resize=768%2C999&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?resize=461%2C600&amp;ssl=1 461w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?resize=600%2C781&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03520.jpg?w=2520&amp;ssl=1 2520w\" width=\"397\" height=\"516\" loading=\"lazy\" data-original-width=\"397\" data-original-height=\"516\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03520\" alt=\"David Dornig aus Wien. Foto: S. Pieper\" style=\"width: 397px; height: 516px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> David Dornig aus Wien. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 378px;\" data-original-width=\"840\" data-original-height=\"378\" > <div class=\"gallery-group images-1\" style=\"width: 565px; height: 378px;\" data-original-width=\"565\" data-original-height=\"378\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03572\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"561\"> <meta itemprop=\"height\" content=\"374\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16153\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg\" data-orig-size=\"5472,3648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526605278&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;51.75&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03572\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?w=561&#038;h=374&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?w=5472&amp;ssl=1 5472w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?resize=900%2C600&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03572.jpg?w=2520&amp;ssl=1 2520w\" width=\"561\" height=\"374\" loading=\"lazy\" data-original-width=\"561\" data-original-height=\"374\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03572\" alt=\"Peter Erskine. Foto: S. Pieper\" style=\"width: 561px; height: 374px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Peter Erskine. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 275px; height: 378px;\" data-original-width=\"275\" data-original-height=\"378\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03632\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"271\"> <meta itemprop=\"height\" content=\"374\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16154\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg\" data-orig-size=\"3635,5019\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526657156&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;53.29&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03632\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?fit=217%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?fit=435%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?w=271&#038;h=374&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?w=3635&amp;ssl=1 3635w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?resize=217%2C300&amp;ssl=1 217w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?resize=768%2C1060&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?resize=435%2C600&amp;ssl=1 435w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?resize=600%2C828&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03632.jpg?w=2520&amp;ssl=1 2520w\" width=\"271\" height=\"374\" loading=\"lazy\" data-original-width=\"271\" data-original-height=\"374\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03632\" alt=\"Ralph Alessi (tr) &amp; Ravi Coltrane (sax). Foto: S. Pieper\" style=\"width: 271px; height: 374px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Ralph Alessi (tr) &#038; Ravi Coltrane (sax). Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 396px;\" data-original-width=\"840\" data-original-height=\"396\" > <div class=\"gallery-group images-1\" style=\"width: 502px; height: 396px;\" data-original-width=\"502\" data-original-height=\"396\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03658\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"498\"> <meta itemprop=\"height\" content=\"392\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16155\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg\" data-orig-size=\"4045,3181\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526658235&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;73.3&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03658\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?fit=300%2C236&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?fit=763%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?w=498&#038;h=392&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?w=4045&amp;ssl=1 4045w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?resize=300%2C236&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?resize=768%2C604&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?resize=763%2C600&amp;ssl=1 763w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?resize=600%2C472&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03658.jpg?w=2520&amp;ssl=1 2520w\" width=\"498\" height=\"392\" loading=\"lazy\" data-original-width=\"498\" data-original-height=\"392\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03658\" alt=\"Ralph Alessi. Foto: S. Pieper\" style=\"width: 498px; height: 392px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Ralph Alessi. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 338px; height: 396px;\" data-original-width=\"338\" data-original-height=\"396\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03694\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"334\"> <meta itemprop=\"height\" content=\"392\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16156\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg\" data-orig-size=\"3355,3941\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526658449&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;47.85&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03694\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?fit=255%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?fit=511%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?w=334&#038;h=392&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?w=3355&amp;ssl=1 3355w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?resize=255%2C300&amp;ssl=1 255w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?resize=768%2C902&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?resize=511%2C600&amp;ssl=1 511w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?resize=600%2C705&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03694.jpg?w=2520&amp;ssl=1 2520w\" width=\"334\" height=\"392\" loading=\"lazy\" data-original-width=\"334\" data-original-height=\"392\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03694\" alt=\"Ravi Coltrane. Foto: S. Pieper\" style=\"width: 334px; height: 392px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Ravi Coltrane. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 561px;\" data-original-width=\"840\" data-original-height=\"561\" > <div class=\"gallery-group images-1\" style=\"width: 376px; height: 561px;\" data-original-width=\"376\" data-original-height=\"561\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03780\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"372\"> <meta itemprop=\"height\" content=\"557\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16157\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg\" data-orig-size=\"3648,5472\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526668846&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;51.75&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.000625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03780\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?w=372&#038;h=557&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?w=3648&amp;ssl=1 3648w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?resize=400%2C600&amp;ssl=1 400w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?resize=600%2C900&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03780.jpg?w=2520&amp;ssl=1 2520w\" width=\"372\" height=\"557\" loading=\"lazy\" data-original-width=\"372\" data-original-height=\"557\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03780\" alt=\"Christian Lillinger (dr) &amp; Philipp Gropper (sax). Foto: S. Pieper\" style=\"width: 372px; height: 557px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Christian Lillinger (dr) &#038; Philipp Gropper (sax). Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 464px; height: 561px;\" data-original-width=\"464\" data-original-height=\"561\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03798\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"460\"> <meta itemprop=\"height\" content=\"557\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16158\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg\" data-orig-size=\"3575,4327\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526669066&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;47.85&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.000625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03798\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?fit=248%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?fit=496%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?w=460&#038;h=557&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?w=3575&amp;ssl=1 3575w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?resize=248%2C300&amp;ssl=1 248w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?resize=768%2C930&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?resize=496%2C600&amp;ssl=1 496w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?resize=600%2C726&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03798.jpg?w=2520&amp;ssl=1 2520w\" width=\"460\" height=\"557\" loading=\"lazy\" data-original-width=\"460\" data-original-height=\"557\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03798\" alt=\"Philipp Gropper (sax) &amp; Ronny Graupe (d). Foto: S. Pieper\" style=\"width: 460px; height: 557px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Philipp Gropper (sax) &#038; Ronny Graupe (d). Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 163px;\" data-original-width=\"840\" data-original-height=\"163\" > <div class=\"gallery-group images-1\" style=\"width: 254px; height: 163px;\" data-original-width=\"254\" data-original-height=\"163\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc03940\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"250\"> <meta itemprop=\"height\" content=\"159\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16160\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg\" data-orig-size=\"4416,2813\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526681926&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;20.6&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC03940\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?fit=300%2C191&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?fit=840%2C535&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?w=250&#038;h=159&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?w=4416&amp;ssl=1 4416w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?resize=300%2C191&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?resize=768%2C489&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?resize=900%2C573&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?resize=600%2C382&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03940.jpg?w=2520&amp;ssl=1 2520w\" width=\"250\" height=\"159\" loading=\"lazy\" data-original-width=\"250\" data-original-height=\"159\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC03940\" alt=\"Spoken Word Poetry mit Eugene S. Robinson &amp; musikalische Untermalung von Peter Br\u00f6tzmann. Foto: S. Pieper\" style=\"width: 250px; height: 159px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Spoken Word Poetry mit Eugene S. Robinson &#038; musikalische Untermalung von Peter Br\u00f6tzmann. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 213px; height: 163px;\" data-original-width=\"213\" data-original-height=\"163\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc04000\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"209\"> <meta itemprop=\"height\" content=\"159\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16162\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg\" data-orig-size=\"4126,3139\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526748429&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;47.85&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC04000\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?fit=300%2C228&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?fit=789%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?w=209&#038;h=159&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?w=4126&amp;ssl=1 4126w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?resize=300%2C228&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?resize=768%2C584&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?resize=789%2C600&amp;ssl=1 789w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?resize=600%2C456&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04000.jpg?w=2520&amp;ssl=1 2520w\" width=\"209\" height=\"159\" loading=\"lazy\" data-original-width=\"209\" data-original-height=\"159\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC04000\" alt=\"Heather Leigh mit ihrem langj\u00e4hrigen Duo-Partner Peter Br\u00f6tzmann. Foto: S. Pieper\" style=\"width: 209px; height: 159px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Heather Leigh mit ihrem langj\u00e4hrigen Duo-Partner Peter Br\u00f6tzmann. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 130px; height: 163px;\" data-original-width=\"130\" data-original-height=\"163\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc04018\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"126\"> <meta itemprop=\"height\" content=\"159\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16163\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg\" data-orig-size=\"3648,4633\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526748960&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;47.85&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC04018\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?fit=236%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?fit=472%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?w=126&#038;h=159&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?w=3648&amp;ssl=1 3648w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?resize=768%2C975&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?resize=472%2C600&amp;ssl=1 472w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?resize=600%2C762&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04018.jpg?w=2520&amp;ssl=1 2520w\" width=\"126\" height=\"159\" loading=\"lazy\" data-original-width=\"126\" data-original-height=\"159\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC04018\" alt=\"Peter Br\u00f6tzmann. Foto: S. Pieper\" style=\"width: 126px; height: 159px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Peter Br\u00f6tzmann. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 243px; height: 163px;\" data-original-width=\"243\" data-original-height=\"163\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/dsc04173\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"239\"> <meta itemprop=\"height\" content=\"159\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"16164\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg\" data-orig-size=\"5472,3648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;DSC-RX10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1526762157&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;14.53&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DSC04173\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?w=239&#038;h=159&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?w=5472&amp;ssl=1 5472w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?resize=900%2C600&amp;ssl=1 900w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?resize=120%2C80&amp;ssl=1 120w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?w=1680&amp;ssl=1 1680w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC04173.jpg?w=2520&amp;ssl=1 2520w\" width=\"239\" height=\"159\" loading=\"lazy\" data-original-width=\"239\" data-original-height=\"159\" itemprop=\"http:\/\/schema.org\/image\" title=\"DSC04173\" alt=\"Talibam! Big Impakt. Foto: S. Pieper\" style=\"width: 239px; height: 159px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Talibam! Big Impakt. Foto: S. Pieper <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Titelbild: Spazzfrica Ehd bei der dritten m\u0153rs session, die die Herzst\u00fccke des Festivals sind.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das m\u0153rs festival ist eine echte Festival-Institution in Deutschlands. Jedes Jahr l\u00e4sst man drei Tage lang die improvisierte Musik und Kreativit\u00e4t hochleben. Das Festival, das jede Saison einen oder eine improviser in residence beheimatet, empfing 2017 35.000 Besucher. Am vergangenen Pfingstwochenende (18. bis 21. Mai 2018) ging es in eine neue Runde und bot ein vielseitiges und beeindruckendes Programm an vielen verschiedenen Schaupl\u00e4tzen.\u00a0Stefan Pieper war f\u00fcr die Jazzzeitung vor Ort und hat einige Eindr\u00fccke fotografisch festgehalten. Einen ausf\u00fchrlichen Bericht finden Sie demn\u00e4chst unter www.nmz.de. Titelbild: Spazzfrica Ehd bei der dritten m\u0153rs session, die die Herzst\u00fccke des Festivals sind.<\/p>\n","protected":false},"author":18,"featured_media":16159,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[652],"tags":[1959,1197,3,682,1065,294,396,421,1129],"coauthors":[695],"class_list":["post-16147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galerie","tag-1959","tag-bericht","tag-festival","tag-festivals","tag-improvisierte-musik","tag-jazzzeitung","tag-moers","tag-nmz","tag-stefan-pieper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Das m\u0153rs festival ist eine echte Festival-Institution in Deutschlands. Jedes Jahr l\u00e4sst man drei Tage lang die improvisierte Musik und Kreativit\u00e4t hochleben. Das Festival, das jede Saison einen oder eine improviser in residence beheimatet, empfing 2017 35.000 Besucher. Am vergangenen Pfingstwochenende (18. bis 21. Mai 2018) ging es in eine neue Runde und bot ein vielseitiges und beeindruckendes Programm an vielen verschiedenen Schaupl\u00e4tzen.\u00a0Stefan Pieper war f\u00fcr die Jazzzeitung vor Ort und hat einige Eindr\u00fccke fotografisch festgehalten. Einen ausf\u00fchrlichen Bericht finden Sie demn\u00e4chst unter www.nmz.de. Titelbild: Spazzfrica Ehd bei der dritten m\u0153rs session, die die Herzst\u00fccke des Festivals sind.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-05-26T09:20:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-05-30T08:26:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848-713x600.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"713\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redaktion JazzZeitung\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/\"},\"author\":{\"name\":\"Redaktion JazzZeitung\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\"},\"headline\":\"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018\",\"datePublished\":\"2018-05-26T09:20:01+00:00\",\"dateModified\":\"2018-05-30T08:26:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/\"},\"wordCount\":117,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2018\\\/05\\\/DSC03848.jpg?fit=4226%2C3555&ssl=1\",\"keywords\":[\"2018\",\"Bericht\",\"Festival\",\"Festivals\",\"Improvisierte Musik\",\"Jazzzeitung\",\"Moers\",\"nmz\",\"Stefan Pieper\"],\"articleSection\":[\"Galerie\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/\",\"name\":\"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2018\\\/05\\\/DSC03848.jpg?fit=4226%2C3555&ssl=1\",\"datePublished\":\"2018-05-26T09:20:01+00:00\",\"dateModified\":\"2018-05-30T08:26:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2018\\\/05\\\/DSC03848.jpg?fit=4226%2C3555&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2018\\\/05\\\/DSC03848.jpg?fit=4226%2C3555&ssl=1\",\"width\":4226,\"height\":3555,\"caption\":\"Spazzfrica Ehd. Foto: S. Pieper\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/05\\\/fotogaleria-moers\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#website\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"name\":\"JazzZeitung\",\"description\":\"Jazz-News und Jazz-Kontroverses\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#organization\",\"name\":\"JazzZeitung online\",\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1\",\"width\":499,\"height\":200,\"caption\":\"JazzZeitung online\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/JazzZeitung\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/#\\\/schema\\\/person\\\/2245b36b9cd1d24cea10f01c031fb92b\",\"name\":\"Redaktion JazzZeitung\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.jazzzeitung.de\\\/cms\\\/wp-content\\\/uploads\\\/2015\\\/08\\\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1\",\"caption\":\"Redaktion JazzZeitung\"},\"description\":\"Artikel der Redaktion der JazzZeitung.\",\"sameAs\":[\"http:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/\"],\"url\":\"https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/author\\\/redaktion\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/","og_locale":"de_DE","og_type":"article","og_title":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung","og_description":"Das m\u0153rs festival ist eine echte Festival-Institution in Deutschlands. Jedes Jahr l\u00e4sst man drei Tage lang die improvisierte Musik und Kreativit\u00e4t hochleben. Das Festival, das jede Saison einen oder eine improviser in residence beheimatet, empfing 2017 35.000 Besucher. Am vergangenen Pfingstwochenende (18. bis 21. Mai 2018) ging es in eine neue Runde und bot ein vielseitiges und beeindruckendes Programm an vielen verschiedenen Schaupl\u00e4tzen.\u00a0Stefan Pieper war f\u00fcr die Jazzzeitung vor Ort und hat einige Eindr\u00fccke fotografisch festgehalten. Einen ausf\u00fchrlichen Bericht finden Sie demn\u00e4chst unter www.nmz.de. Titelbild: Spazzfrica Ehd bei der dritten m\u0153rs session, die die Herzst\u00fccke des Festivals sind.","og_url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/","og_site_name":"JazzZeitung","article_publisher":"https:\/\/www.facebook.com\/JazzZeitung\/","article_published_time":"2018-05-26T09:20:01+00:00","article_modified_time":"2018-05-30T08:26:52+00:00","og_image":[{"width":713,"height":600,"url":"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848-713x600.jpg","type":"image\/jpeg"}],"author":"Redaktion JazzZeitung","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#article","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/"},"author":{"name":"Redaktion JazzZeitung","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b"},"headline":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018","datePublished":"2018-05-26T09:20:01+00:00","dateModified":"2018-05-30T08:26:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/"},"wordCount":117,"commentCount":0,"publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848.jpg?fit=4226%2C3555&ssl=1","keywords":["2018","Bericht","Festival","Festivals","Improvisierte Musik","Jazzzeitung","Moers","nmz","Stefan Pieper"],"articleSection":["Galerie"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/","url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/","name":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018 - JazzZeitung","isPartOf":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#primaryimage"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848.jpg?fit=4226%2C3555&ssl=1","datePublished":"2018-05-26T09:20:01+00:00","dateModified":"2018-05-30T08:26:52+00:00","breadcrumb":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#primaryimage","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848.jpg?fit=4226%2C3555&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848.jpg?fit=4226%2C3555&ssl=1","width":4226,"height":3555,"caption":"Spazzfrica Ehd. Foto: S. Pieper"},{"@type":"BreadcrumbList","@id":"https:\/\/www.jazzzeitung.de\/cms\/2018\/05\/fotogaleria-moers\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.jazzzeitung.de\/cms\/"},{"@type":"ListItem","position":2,"name":"Fotografische Eindr\u00fccke vom m\u0153rs festival 2018"}]},{"@type":"WebSite","@id":"https:\/\/www.jazzzeitung.de\/cms\/#website","url":"https:\/\/www.jazzzeitung.de\/cms\/","name":"JazzZeitung","description":"Jazz-News und Jazz-Kontroverses","publisher":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jazzzeitung.de\/cms\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/www.jazzzeitung.de\/cms\/#organization","name":"JazzZeitung online","url":"https:\/\/www.jazzzeitung.de\/cms\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?fit=499%2C200&ssl=1","width":499,"height":200,"caption":"JazzZeitung online"},"image":{"@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/JazzZeitung\/"]},{"@type":"Person","@id":"https:\/\/www.jazzzeitung.de\/cms\/#\/schema\/person\/2245b36b9cd1d24cea10f01c031fb92b","name":"Redaktion JazzZeitung","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=159975dcacb611b5700bd619b5daf0a7a","url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/08\/JAZZZEITUNGDE_Logo_Neu.png?resize=96%2C96&ssl=1","caption":"Redaktion JazzZeitung"},"description":"Artikel der Redaktion der JazzZeitung.","sameAs":["http:\/\/www.jazzzeitung.de\/cms\/"],"url":"https:\/\/www.jazzzeitung.de\/cms\/author\/redaktion\/"}]}},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","jetpack_publicize_connections":[],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/05\/DSC03848.jpg?fit=4226%2C3555&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p3KEcT-4cr","jetpack-related-posts":[{"id":28973,"url":"https:\/\/www.jazzzeitung.de\/cms\/2023\/01\/klang-farben-von-tomeke-reid-und-recursion-kollektiv-in-der-stadtkirche-moers\/","url_meta":{"origin":16147,"position":0},"title":"Klang-Farben von Tomeka Reid und Recursion-Kollektiv in der Stadtkirche Moers","author":"Redaktion JazzZeitung","date":"26. Januar 2023","format":false,"excerpt":"(Von Stefan Pieper) Improvisor in Residence \u2013 dieses Arbeitsstipendium der Kulturstiftung NRW f\u00fcr eine Stadtmusikerin oder einen Stadtmusiker rund um das Moers-Festival ist seit seiner Einf\u00fchrung im Jahr 2008 zur Erfolgsstory geworden. Damit wechseln sich jedes Jahr aufs Neue die kreativen Farben ab, mit denen der Geist des Festivals immer\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/01\/DSC00786-scaled.jpg?fit=1200%2C944&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/01\/DSC00786-scaled.jpg?fit=1200%2C944&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/01\/DSC00786-scaled.jpg?fit=1200%2C944&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/01\/DSC00786-scaled.jpg?fit=1200%2C944&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/01\/DSC00786-scaled.jpg?fit=1200%2C944&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5972,"url":"https:\/\/www.jazzzeitung.de\/cms\/2015\/04\/der-ejn-award-2015-geht-das-moers-festival-deutschland\/","url_meta":{"origin":16147,"position":1},"title":"Der EJN Award 2015 geht an das moers festival in Deutschland","author":"Redaktion JazzZeitung","date":"22. April 2015","format":false,"excerpt":"Das Europe Jazz Network gab heute offiziell das moers festival in Deutschland als den Gewinner des EJN Award for Adventurous Programming 2015 bekannt. EJN, der europaweite Verbund aus Produzenten, Veranstaltern und unterst\u00fctzenden Organisationen im Bereich der kreativen Musik, des zeitgen\u00f6ssischen Jazz und der Improvisierten Musik, zeichnet jedes Jahr einen europ\u00e4ischen\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/04\/moersfestival_2015_plakat.jpg?fit=848%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/04\/moersfestival_2015_plakat.jpg?fit=848%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/04\/moersfestival_2015_plakat.jpg?fit=848%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2015\/04\/moersfestival_2015_plakat.jpg?fit=848%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":19809,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/06\/strengt-euch-an-das-moers-festival-2019-zeigte-sich-empfindsam-fuer-menschen-und-klaenge\/","url_meta":{"origin":16147,"position":2},"title":"\u201eStrengt euch an!\u201c \u2013 das Moers-Festival 2019 zeigte sich empfindsam f\u00fcr Menschen und Kl\u00e4nge","author":"Redaktion JazzZeitung","date":"14. Juni 2019","format":false,"excerpt":"Stell Dir vor, ein riesiger, h\u00f6lzerner Kampfpanzer \u201eziert\u201c die B\u00fchne auf einem friedlichen Musikfestival und keiner begehrt dagegen auf. Dabei hatte Tim Isfort bei der j\u00fcngsten Ausgabe des Moers-Festivals ausdr\u00fccklich angeregt, sich durch Bemalen oder Besteigen des martialischen Unget\u00fcms einzumischen. Denn das Motto f\u00fcrs Moers-Festival 2019 lautete: \u201eStrengt euch an!\u201c\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/06\/DSC02719.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/06\/DSC02719.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/06\/DSC02719.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/06\/DSC02719.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/06\/DSC02719.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":27512,"url":"https:\/\/www.jazzzeitung.de\/cms\/2022\/06\/das-moers-festival-2022-wurde-seinem-wesenskern-treu-und-blickt-in-die-zukunft\/","url_meta":{"origin":16147,"position":3},"title":"Das Moers-Festival 2022 wurde seinem Wesenskern treu und blickt in die Zukunft","author":"Redaktion JazzZeitung","date":"14. Juni 2022","format":false,"excerpt":"(Text und Fotos von Stefan Pieper) Obwohl das neue Konzept noch die Unfertigkeit eines Neustarts verk\u00f6rpert, flie\u00dft der Strom beim Moers-Festival ungebremst weiter. In den letzten beiden Jahren habe viele neue, digitale Vorst\u00f6\u00dfe das k\u00fcnstlerische Schwergewicht beim Moers-Festival durch die Pandemie getragen. Bei der 51. Ausgabe zum 50. Geburtstag behauptete\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/The-Hidden-Tune-3-1-scaled.jpg?fit=1200%2C953&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/The-Hidden-Tune-3-1-scaled.jpg?fit=1200%2C953&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/The-Hidden-Tune-3-1-scaled.jpg?fit=1200%2C953&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/The-Hidden-Tune-3-1-scaled.jpg?fit=1200%2C953&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2022\/06\/The-Hidden-Tune-3-1-scaled.jpg?fit=1200%2C953&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":29515,"url":"https:\/\/www.jazzzeitung.de\/cms\/2023\/06\/moers-kein-jazzfestival-ein-bericht-von-der-52-festivalausgabe\/","url_meta":{"origin":16147,"position":4},"title":"Moers \u2013 (k)ein Jazzfestival? Ein Bericht von der 52. Festivalausgabe","author":"Redaktion JazzZeitung","date":"2. Juni 2023","format":false,"excerpt":"\"This is not a jazz festival\" lautete im letzten Jahr das Motto. Aber ist das wirklich so? Vielleicht entsteht Jazz, verstanden als universelle Haltung von Improvisation und kultureller Toleranz, gerade dann, wenn das Wort mit den vier Buchstaben als einengende Schablone wegf\u00e4llt. Weil sich dann die Dinge wieder aneinander reiben\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Gebhard-UlmannGuenter-Baby-Sommer-fotomarionkainz-3.jpg?fit=1200%2C799&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Gebhard-UlmannGuenter-Baby-Sommer-fotomarionkainz-3.jpg?fit=1200%2C799&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Gebhard-UlmannGuenter-Baby-Sommer-fotomarionkainz-3.jpg?fit=1200%2C799&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Gebhard-UlmannGuenter-Baby-Sommer-fotomarionkainz-3.jpg?fit=1200%2C799&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2023\/06\/Gebhard-UlmannGuenter-Baby-Sommer-fotomarionkainz-3.jpg?fit=1200%2C799&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":24867,"url":"https:\/\/www.jazzzeitung.de\/cms\/2021\/05\/auch-die-sonne-liess-sich-anstecken-das-50-moers-festival-gab-alles-und-weckt-hoffnung\/","url_meta":{"origin":16147,"position":5},"title":"Auch die Sonne lie\u00df sich anstecken: Das 50. Moers-Festival gab alles und weckt Hoffnung","author":"Redaktion JazzZeitung","date":"27. Mai 2021","format":false,"excerpt":"Kultur f\u00e4llt nicht einfach vom Himmel, wenn man nur lange genug auf sie verzichtet. Stattdessen zogen in Moers zahllose Musikerinnen und Musiker aus etlichen Nationen und dahinter ein hochmotiviertes Veranstalterteam s\u00e4mtliche Register der Improvisation. Als der legend\u00e4re John Scofield alleine mit seiner Gitarre vor fast 500 Musikbegeisterten einen sanften Blues\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/05\/Brad-Mehldau-scaled.jpg?fit=1177%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/05\/Brad-Mehldau-scaled.jpg?fit=1177%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/05\/Brad-Mehldau-scaled.jpg?fit=1177%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/05\/Brad-Mehldau-scaled.jpg?fit=1177%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2021\/05\/Brad-Mehldau-scaled.jpg?fit=1177%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/16147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=16147"}],"version-history":[{"count":8,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/16147\/revisions"}],"predecessor-version":[{"id":16174,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/16147\/revisions\/16174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/16159"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=16147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=16147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=16147"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=16147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}