{"id":15351,"date":"2018-03-19T12:59:34","date_gmt":"2018-03-19T11:59:34","guid":{"rendered":"https:\/\/www.jazzzeitung.de\/cms\/?p=15351"},"modified":"2018-03-19T13:56:27","modified_gmt":"2018-03-19T12:56:27","slug":"bmw-jazz-award-puerta-sur-tangomoods","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/","title":{"rendered":"Marcela Arroyo zu Gast beim BMW Welt Jazz Award mit den Tangomoods von  Puerta Sur"},"content":{"rendered":"<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/03\\\/bmw-jazz-award-puerta-sur-tangomoods\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 406px;\" data-original-width=\"840\" data-original-height=\"406\" > <div class=\"gallery-group images-1\" style=\"width: 543px; height: 406px;\" data-original-width=\"543\" data-original-height=\"406\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/001_puerta-sur_engler-arroyo_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"539\"> <meta itemprop=\"height\" content=\"402\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15390\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg\" data-orig-size=\"1206,900\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521376601&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;130&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?fit=300%2C224&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?fit=804%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?w=539&#038;h=402&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?w=1206&amp;ssl=1 1206w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?resize=300%2C224&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?resize=768%2C573&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?resize=804%2C600&amp;ssl=1 804w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/001_Puerta-Sur_Engler-Arroyo_Foto-van-Loon.jpg?resize=600%2C448&amp;ssl=1 600w\" width=\"539\" height=\"402\" loading=\"lazy\" data-original-width=\"539\" data-original-height=\"402\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Andreas Engler und Marcela Arroyo. Foto: Susanne van Loon\" style=\"width: 539px; height: 402px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Andreas Engler und Marcela Arroyo. Foto: Susanne van Loon <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-2\" style=\"width: 297px; height: 406px;\" data-original-width=\"297\" data-original-height=\"406\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/002_puerta-sur_arroyoschlaeppi_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"293\"> <meta itemprop=\"height\" content=\"195\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15391\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/002_Puerta-Sur_ArroyoSchl\u00e4ppi_Foto-van-Loon.jpg\" data-orig-size=\"1206,805\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521376620&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;180&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/002_Puerta-Sur_ArroyoSchl%C3%A4ppi_Foto-van-Loon.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/002_Puerta-Sur_ArroyoSchl%C3%A4ppi_Foto-van-Loon.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/002_Puerta-Sur_ArroyoSchl%C3%A4ppi_Foto-van-Loon.jpg?w=293&#038;h=195&#038;ssl=1\" width=\"293\" height=\"195\" loading=\"lazy\" data-original-width=\"293\" data-original-height=\"195\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Marcela Arroyo und Daniel Schl\u00e4ppi. Foto: Susanne van Loon\" style=\"width: 293px; height: 195px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Marcela Arroyo und Daniel Schl\u00e4ppi. Foto: Susanne van Loon <\/div> <\/div> <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/003_puerta-sur_arroyo_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"293\"> <meta itemprop=\"height\" content=\"203\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15392\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg\" data-orig-size=\"1206,836\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521380912&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=300%2C208&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=840%2C582&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=293&#038;h=203&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=1206&amp;ssl=1 1206w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=300%2C208&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=768%2C532&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=866%2C600&amp;ssl=1 866w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/003_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=600%2C416&amp;ssl=1 600w\" width=\"293\" height=\"203\" loading=\"lazy\" data-original-width=\"293\" data-original-height=\"203\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Marcela Arroyo. Foto: Susanne van Loon\" style=\"width: 293px; height: 203px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Marcela Arroyo. Foto: Susanne van Loon <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <div class=\"gallery-row\" style=\"width: 840px; height: 341px;\" data-original-width=\"840\" data-original-height=\"341\" > <div class=\"gallery-group images-1\" style=\"width: 416px; height: 341px;\" data-original-width=\"416\" data-original-height=\"341\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/004_puerta-sur_arroyo_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"412\"> <meta itemprop=\"height\" content=\"337\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15393\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg\" data-orig-size=\"1206,986\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521381284&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;170&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=300%2C245&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=734%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=412&#038;h=337&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=1206&amp;ssl=1 1206w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=300%2C245&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=768%2C628&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=734%2C600&amp;ssl=1 734w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/004_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=600%2C491&amp;ssl=1 600w\" width=\"412\" height=\"337\" loading=\"lazy\" data-original-width=\"412\" data-original-height=\"337\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Marcela Arroyo. Foto: Susanne van Loon\" style=\"width: 412px; height: 337px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Marcela Arroyo. Foto: Susanne van Loon <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 202px; height: 341px;\" data-original-width=\"202\" data-original-height=\"341\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/005_puerta-sur_arroyo_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"198\"> <meta itemprop=\"height\" content=\"337\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15394\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg\" data-orig-size=\"1206,2053\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521381637&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;185&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=176%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=352%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=198&#038;h=337&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=1206&amp;ssl=1 1206w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=176%2C300&amp;ssl=1 176w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=768%2C1307&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=352%2C600&amp;ssl=1 352w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/005_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=600%2C1021&amp;ssl=1 600w\" width=\"198\" height=\"337\" loading=\"lazy\" data-original-width=\"198\" data-original-height=\"337\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Marcela Arroyo. Foto: Susanne van Loon\" style=\"width: 198px; height: 337px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Marcela Arroyo. Foto: Susanne van Loon <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 222px; height: 341px;\" data-original-width=\"222\" data-original-height=\"341\" > <div class=\"tiled-gallery-item tiled-gallery-item-small\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/006_puerta-sur_arroyo_foto-van-loon\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"218\"> <meta itemprop=\"height\" content=\"337\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15395\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg\" data-orig-size=\"1206,1863\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D810&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521382179&quot;,&quot;copyright&quot;:&quot;Fotografie van Loon&quot;,&quot;focal_length&quot;:&quot;105&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=194%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?fit=388%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=218&#038;h=337&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?w=1206&amp;ssl=1 1206w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=194%2C300&amp;ssl=1 194w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=768%2C1186&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=388%2C600&amp;ssl=1 388w, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/006_Puerta-Sur_Arroyo_Foto-van-Loon.jpg?resize=600%2C927&amp;ssl=1 600w\" width=\"218\" height=\"337\" loading=\"lazy\" data-original-width=\"218\" data-original-height=\"337\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Marcela Arroyo. Foto: Susanne van Loon\" style=\"width: 218px; height: 337px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Marcela Arroyo. Foto: Susanne van Loon <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Das aus Z\u00fcrich kommende Trio Puerta Sur gastierte am vergangenen Sonntag beim BMW Welt Jazz Award mit seinen Tangomoods und verzauberte das Publikum mit leisen, nachdenklichen Kl\u00e4ngen auf musikalisch h\u00f6chstem Niveau. Mit Daniel Schl\u00e4ppi am Bass und dem Violinisten Andreas Engler hat die S\u00e4ngerin Marcela Arroyo die perfekten Begleiter f\u00fcr ihr Projekt gefunden. Die Musik bewegte zwar, der Jazz jedoch kam bei der kunstvollen Fusion aus Tango, Klassik und Chanson deutlich zu kurz.<\/p>\n<p>Die Fotografen Thomas J. Krebs (Fotos unten) und Susanne van Loon (Fotos oben) sahen Marcela Arroyo und ihre Mitstreiter aus unterschiedlichen Blickwinkeln. Gemeinsam ist ihren Bildern die Faszination durch Arroyos Theatralik und B\u00fchnenpr\u00e4senz im winterlichen Morgenlicht des BMW Welt Doppelkegels.<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/03\\\/bmw-jazz-award-puerta-sur-tangomoods\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 388px;\" data-original-width=\"840\" data-original-height=\"388\" > <div class=\"gallery-group images-1\" style=\"width: 580px; height: 388px;\" data-original-width=\"580\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/arroyo-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"576\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15353\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;S\u00e4ngerin Marcela Arroyo. Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=576&#038;h=384&#038;ssl=1\" width=\"576\" height=\"384\" loading=\"lazy\" data-original-width=\"576\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"S\u00e4ngerin Marcela Arroyo. Foto: Thomas J. Krebs\" style=\"width: 576px; height: 384px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> S\u00e4ngerin Marcela Arroyo. Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 260px; height: 388px;\" data-original-width=\"260\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/engler-2-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"256\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15357\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-2-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1200,1800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;Der Violinist Andreas Engler. Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=256&#038;h=384&#038;ssl=1\" width=\"256\" height=\"384\" loading=\"lazy\" data-original-width=\"256\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Der Violinist Andreas Engler. Foto: Thomas J. Krebs\" style=\"width: 256px; height: 384px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Der Violinist Andreas Engler. Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/03\\\/bmw-jazz-award-puerta-sur-tangomoods\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 388px;\" data-original-width=\"840\" data-original-height=\"388\" > <div class=\"gallery-group images-1\" style=\"width: 260px; height: 388px;\" data-original-width=\"260\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/schlaeppi-2-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"256\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15360\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl\u00e4ppi-2-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1200,1800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;Daniel Schl\u00e4ppi am Bass. Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=200%2C300&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=400%2C600&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-2-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=256&#038;h=384&#038;ssl=1\" width=\"256\" height=\"384\" loading=\"lazy\" data-original-width=\"256\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Daniel Schl\u00e4ppi am Bass. Foto: Thomas J. Krebs\" style=\"width: 256px; height: 384px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Daniel Schl\u00e4ppi am Bass. Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 580px; height: 388px;\" data-original-width=\"580\" data-original-height=\"388\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/arroyo-hands-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"576\"> <meta itemprop=\"height\" content=\"384\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15355\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Hands-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Hands-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Hands-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Arroyo-Hands-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=576&#038;h=384&#038;ssl=1\" width=\"576\" height=\"384\" loading=\"lazy\" data-original-width=\"576\" data-original-height=\"384\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Foto: Thomas J. Krebs\" style=\"width: 576px; height: 384px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.jazzzeitung.de\\\/cms\\\/2018\\\/03\\\/bmw-jazz-award-puerta-sur-tangomoods\\\/&quot;,&quot;likes_blog_id&quot;:55446655}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 281px;\" data-original-width=\"840\" data-original-height=\"281\" > <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/engler-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15356\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;Andreas Engler. Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Engler-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=416&#038;h=277&#038;ssl=1\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Andreas Engler. Foto: Thomas J. Krebs\" style=\"width: 416px; height: 277px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Andreas Engler. Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <div class=\"gallery-group images-1\" style=\"width: 420px; height: 281px;\" data-original-width=\"420\" data-original-height=\"281\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/schlaeppi-foto-tj-krebs-jazzphotoagencyweb-de\/\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"416\"> <meta itemprop=\"height\" content=\"277\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"15359\" data-orig-file=\"https:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl\u00e4ppi-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg\" data-orig-size=\"1800,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"&lt;p&gt;Daniel Schl\u00e4ppi. Foto: Thomas J. Krebs&lt;\/p&gt; \" data-medium-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=300%2C200&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=840%2C560&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Schl%C3%A4ppi-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?w=416&#038;h=277&#038;ssl=1\" width=\"416\" height=\"277\" loading=\"lazy\" data-original-width=\"416\" data-original-height=\"277\" itemprop=\"http:\/\/schema.org\/image\" title=\"\" alt=\"Daniel Schl\u00e4ppi. Foto: Thomas J. Krebs\" style=\"width: 416px; height: 277px;\" \/> <\/a> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Daniel Schl\u00e4ppi. Foto: Thomas J. Krebs <\/div> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Das aus Z\u00fcrich kommende Trio Puerta Sur gastierte am vergangenen Sonntag beim BMW Welt Jazz Award mit seinen Tangomoods und verzauberte das Publikum mit leisen, nachdenklichen Kl\u00e4ngen auf musikalisch h\u00f6chstem Niveau. Mit Daniel Schl\u00e4ppi am Bass und dem Violinisten Andreas Engler hat die S\u00e4ngerin Marcela Arroyo die perfekten Begleiter f\u00fcr ihr Projekt gefunden. Die Musik bewegte zwar, der Jazz jedoch kam bei der kunstvollen Fusion aus Tango, Klassik und Chanson deutlich zu kurz. Die Fotografen Thomas J. Krebs (Fotos unten) und Susanne van Loon (Fotos oben) sahen Marcela Arroyo und ihre Mitstreiter aus unterschiedlichen Blickwinkeln. Gemeinsam ist ihren Bildern die Faszination durch Arroyos Theatralik und B\u00fchnenpr\u00e4senz im winterlichen Morgenlicht des BMW Welt Doppelkegels.<\/p>\n","protected":false},"author":35,"featured_media":15352,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1053],"tags":[1763,85,86,1911,1876,254,316,1418,1260,1356,799],"coauthors":[1602],"class_list":["post-15351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bericht","tag-bass","tag-bmw-welt","tag-bmw-welt-jazz-award","tag-fotos","tag-jazz","tag-jazz-award","tag-klassik","tag-krebs","tag-thomas-j-krebs","tag-trio","tag-zuerich"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marcela Arroyo zu Gast beim BMW Welt Jazz Award mit den Tangomoods von Puerta Sur - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marcela Arroyo zu Gast beim BMW Welt Jazz Award mit den Tangomoods von Puerta Sur - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Das aus Z\u00fcrich kommende Trio Puerta Sur gastierte am vergangenen Sonntag beim BMW Welt Jazz Award mit seinen Tangomoods und verzauberte das Publikum mit leisen, nachdenklichen Kl\u00e4ngen auf musikalisch h\u00f6chstem Niveau. Mit Daniel Schl\u00e4ppi am Bass und dem Violinisten Andreas Engler hat die S\u00e4ngerin Marcela Arroyo die perfekten Begleiter f\u00fcr ihr Projekt gefunden. Die Musik bewegte zwar, der Jazz jedoch kam bei der kunstvollen Fusion aus Tango, Klassik und Chanson deutlich zu kurz. Die Fotografen Thomas J. Krebs (Fotos unten) und Susanne van Loon (Fotos oben) sahen Marcela Arroyo und ihre Mitstreiter aus unterschiedlichen Blickwinkeln. Gemeinsam ist ihren Bildern die Faszination durch Arroyos Theatralik und B\u00fchnenpr\u00e4senz im winterlichen Morgenlicht des BMW Welt Doppelkegels.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzzeitung.de\/cms\/2018\/03\/bmw-jazz-award-puerta-sur-tangomoods\/\" \/>\n<meta property=\"og:site_name\" content=\"JazzZeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JazzZeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-19T11:59:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-19T12:56:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/03\/Groupo-Puerta-Sur-Foto-TJ-Krebs-jazzphotoagency@web.de_.jpg?fit=1800%2C1200&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Thomas J. 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Lech bei der j\u00fcngsten Matinee in der BMW Welt","author":"Redaktion JazzZeitung","date":"9. April 2018","format":false,"excerpt":"Das vorletzte Konzert des diesj\u00e4hrigen BMW Welt Jazz Award bestritt Beate Lech mit\u00a0 ihrem Sextett Beady Belle mit quirligen Grooves, intelligenten Texten und jeder Menge Soul. 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Cellist Matthias Bartolomey und Geiger und Gitarrist Klemens Bittmann griffen schwer und traumwandlerisch sicher in die Saiten ihrer jahrhundertealten Instrumente, einem David Tecchler Cello aus dem Jahr 1727 sowie einer Antonius Thir Violine von 1766.\u2026","rel":"","context":"In &quot;Bericht&quot;","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/Bartolomey-Bittmann-backstage-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C812&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/Bartolomey-Bittmann-backstage-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C812&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/Bartolomey-Bittmann-backstage-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C812&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/Bartolomey-Bittmann-backstage-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C812&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/04\/Bartolomey-Bittmann-backstage-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C812&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":19019,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/03\/charlie-parker-recomposed-das-rudresh-mahanthappa-quintett-beim-bmw-jazz-award-in-muenchen\/","url_meta":{"origin":15351,"position":5},"title":"Charlie Parker recomposed \u2013 das Rudresh Mahanthappa Quintett beim BMW Jazz Award in M\u00fcnchen","author":"Redaktion JazzZeitung","date":"27. M\u00e4rz 2019","format":false,"excerpt":"Als sechster und letzter Gast kam Altsaxophonist Rudresh Mahanthappa mit Rez Abbasi an der Gitarre, Bobby Avey am Klavier, Fran\u00e7ois Moutin am Bass und Rudy Royston am Schlagzeug zur Auswahlmatinee in den Doppelkegel der BMW Welt. 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