{"id":10915,"date":"2016-11-10T10:29:45","date_gmt":"2016-11-10T09:29:45","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=10915"},"modified":"2016-11-09T10:34:12","modified_gmt":"2016-11-09T09:34:12","slug":"br-jazz-live-buehne-frei-im-studio-2-mit-den-impossible-gentlemen","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/br-jazz-live-buehne-frei-im-studio-2-mit-den-impossible-gentlemen\/","title":{"rendered":"BR JAZZ LIVE B\u00fchne frei im Studio 2 mit den Impossible Gentlemen"},"content":{"rendered":"

Am Mittwoch, den 26. Oktober, bei JAZZ LIVE B\u00fchne frei im Studio 2 des Bayerischen Rundfunks: The Impossible Gentlemen – Fotos von Thomay J. Krebs<\/p>\n

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Am Mittwoch, den 26. Oktober, bei JAZZ LIVE B\u00fchne frei im Studio 2 des Bayerischen Rundfunks: The Impossible Gentlemen – Fotos von Thomay J. 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Zu sp\u00e4ter Stunde, gegen 22:30h, betraten die Musiker die B\u00fchne des Museumssaals und zogen das Publikum mit ihrem Spiel von Anfang an in ihren Bann.\u2026","rel":"","context":"In "Bericht"","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/P1380427-Wollny-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/P1380427-Wollny-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/P1380427-Wollny-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/P1380427-Wollny-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2017\/05\/P1380427-Wollny-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":19252,"url":"https:\/\/www.jazzzeitung.de\/cms\/2019\/04\/4-wheel-drive-im-muenchner-prinzregententheater\/","url_meta":{"origin":10915,"position":3},"title":"\u201e4 Wheel Drive\u201c im M\u00fcnchner Prinzregententheater","author":"Thomas J. Krebs","date":"20. April 2019","format":false,"excerpt":"Hinter dem Namen \u201e4 Wheel Drive\u201c steckt eine Supergroup mit Nils Landgren, Michael Wollny, Lars Danielsson und Wolfgang Haffner. Seit jeher scheidet das Konzept der All-Star-Bands die Geister. In der Regel sind Studio-Aufnahmen solcher Gruppen musikalisch gesehen maximal \u201eganz in Ordnung\u201c, aber auch nicht viel mehr. \u00dcber die gerade beim\u2026","rel":"","context":"In "Bericht"","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/4wd-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/4wd-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/4wd-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/4wd-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2019\/04\/4wd-live-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":32199,"url":"https:\/\/www.jazzzeitung.de\/cms\/2025\/02\/news-jazz-highlights-in-muenchen-saalfelden-und-kempten\/","url_meta":{"origin":10915,"position":4},"title":"+++ News: Jazz-Highlights in M\u00fcnchen, Saalfelden und Kempten+++","author":"Redaktion JazzZeitung","date":"12. Februar 2025","format":false,"excerpt":"+++Highlights Jazz \u2013 Thomas J Krebs stellt im Leica Store M\u00fcnchen aus+++ Heute ein Hinweise in eigener Sache: Seit 1984 arbeitet unser Fotograf Thomas J. Krebs mit Leica Equipment. Die Ausstellung \"Highlights: Jazz - Momentaufnahmen im Leica Store M\u00fcnchen\" umfasst eine kleine, feine Auswahl von 2 Farb- und 7 Schwarzweiss-\u0002Motiven\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/nachrichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2025\/02\/Krebs-Laica.jpg?fit=493%2C326&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31143,"url":"https:\/\/www.jazzzeitung.de\/cms\/2024\/06\/thomas-j-krebs-jazz-fotoretrospektive-in-unterfoehring\/","url_meta":{"origin":10915,"position":5},"title":"Thomas J. Krebs: Jazz-Fotoretrospektive in Unterf\u00f6hring","author":"Redaktion JazzZeitung","date":"4. Juni 2024","format":false,"excerpt":"Unser gesch\u00e4tzter Autor und Mitarbeiter Thomas J. Krebs begann vor 57 Jahren zu fotografieren und feiert dieses Jahr sein 50-j\u00e4hriges Konzertfotografie-Jubil\u00e4um. Am 27. Juli 1974 stand er zum ersten Mal mit seiner Kamera bei einem Konzert vor der B\u00fchne. Mittlerweile sind es gut 3.500 Konzerte, die er zwischenzeitlich besucht und\u2026","rel":"","context":"In "Redaktionelle Nachrichten"","block_context":{"text":"Redaktionelle Nachrichten","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/redaktion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/06\/P2559050-sw-Ivan-Taylor-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/06\/P2559050-sw-Ivan-Taylor-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/06\/P2559050-sw-Ivan-Taylor-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/06\/P2559050-sw-Ivan-Taylor-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2024\/06\/P2559050-sw-Ivan-Taylor-Foto-TJ-Krebs.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=10915"}],"version-history":[{"count":1,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10915\/revisions"}],"predecessor-version":[{"id":10924,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10915\/revisions\/10924"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=10915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=10915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=10915"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=10915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}