{"id":10317,"date":"2016-10-15T10:28:16","date_gmt":"2016-10-15T08:28:16","guid":{"rendered":"http:\/\/www.jazzzeitung.de\/cms\/?p=10317"},"modified":"2016-10-13T10:46:48","modified_gmt":"2016-10-13T08:46:48","slug":"tony-lakatos-roberto-gioia-quartet-der-unterfahrt","status":"publish","type":"post","link":"https:\/\/www.jazzzeitung.de\/cms\/2016\/10\/tony-lakatos-roberto-gioia-quartet-der-unterfahrt\/","title":{"rendered":"Tony Lakatos – Roberto Gioia Quartet in der Unterfahrt"},"content":{"rendered":"

Ausverkauftes Haus, fantastische Stimmung, eine unglaublich hohe Musikerdichte im Publikum, Erntedankfestbesetzung mit Christian von Kaphengst am Bass und Drummer Adam Nussbaum. Ein Abend der musikalisch wenig W\u00fcnsche offen lie\u00df, zwei langen, abwechslungsreichen Sets und schwei\u00dftreibender Stimmung in der Unterfahrt, die zum Schluss mit \u201eBye Bye Blackbird\u201c in einer Jam-Session unter Beteiligung von Jenny Evans und Willy Johanns gipfelte.<\/p>\n

Text & Fotos: TJ Krebs<\/p>\n

\"Roberto <\/a> <\/div> <\/div>
\"Tony <\/a> <\/div> <\/div> <\/div>
\"Christian <\/a> <\/div> <\/div>
\"Adam <\/a> <\/div> <\/div> <\/div>
\"Tony <\/a> <\/div> <\/div>
\"Lakatos-di <\/a> <\/div> <\/div>
\"Jenny <\/a> <\/div> <\/div>
\"Willy <\/a> <\/div> <\/div> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"

Ausverkauftes Haus, fantastische Stimmung, eine unglaublich hohe Musikerdichte im Publikum, Erntedankfestbesetzung mit Christian von Kaphengst am Bass und Drummer Adam Nussbaum. Ein Abend der musikalisch wenig W\u00fcnsche offen lie\u00df, zwei langen, abwechslungsreichen Sets und schwei\u00dftreibender Stimmung in der Unterfahrt, die zum Schluss mit \u201eBye Bye Blackbird\u201c in einer Jam-Session unter Beteiligung von Jenny Evans und Willy Johanns gipfelte. Text & Fotos: TJ Krebs<\/p>\n","protected":false},"author":18,"featured_media":10319,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[652],"tags":[297,1282,1275,557,573],"coauthors":[695],"class_list":["post-10317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galerie","tag-jenny-evans","tag-roberto-gioia","tag-tj-krebs","tag-tony-lakatos","tag-unterfahrt"],"yoast_head":"\nTony Lakatos - Roberto Gioia Quartet in der Unterfahrt - JazzZeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/10\/tony-lakatos-roberto-gioia-quartet-der-unterfahrt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tony Lakatos - Roberto Gioia Quartet in der Unterfahrt - JazzZeitung\" \/>\n<meta property=\"og:description\" content=\"Ausverkauftes Haus, fantastische Stimmung, eine unglaublich hohe Musikerdichte im Publikum, Erntedankfestbesetzung mit Christian von Kaphengst am Bass und Drummer Adam Nussbaum. 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Roberto Di Gioia und seine Mitstreiter entwickeln dabei einen Sog, der Musiker und Publikum gleicherma\u00dfen erfasst \u2013 bis am Ende sogar\u2026","rel":"","context":"In "Bericht"","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2026\/06\/erol_gurian_webweb-1.jpg?fit=567%2C378&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2026\/06\/erol_gurian_webweb-1.jpg?fit=567%2C378&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2026\/06\/erol_gurian_webweb-1.jpg?fit=567%2C378&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":17987,"url":"https:\/\/www.jazzzeitung.de\/cms\/2018\/11\/ghost-note-in-der-muenchner-unterfahrt-tearing-down-the-club\/","url_meta":{"origin":10317,"position":1},"title":"Ghost Note in der M\u00fcnchner Unterfahrt: \u201eTearing down the Club!\u201c","author":"Redaktion JazzZeitung","date":"30. 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Zum Gl\u00fcck liegt der Jazzclub Unterfahrt im Kellergeschoss und hat kein Dach - das n\u00e4mlich w\u00e4re nach dem Ghost Note-Gig am vergangenen Wochenende\u2026","rel":"","context":"In "Bericht"","block_context":{"text":"Bericht","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/bericht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/11\/1109325-Ghost-Note-Audience-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/11\/1109325-Ghost-Note-Audience-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/11\/1109325-Ghost-Note-Audience-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/11\/1109325-Ghost-Note-Audience-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2018\/11\/1109325-Ghost-Note-Audience-Foto-TJ-Krebs-jazzphotoagency%40web.de_.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11266,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/12\/galerie-luciano-biondini-quartett-live-im-muenchner-jazzclub-unterfahrt\/","url_meta":{"origin":10317,"position":2},"title":"Galerie: Luciano Biondini Quartett live im M\u00fcnchner Jazzclub Unterfahrt","author":"Redaktion JazzZeitung","date":"11. Dezember 2016","format":false,"excerpt":"Das Luciano Biondini Quartett live im M\u00fcnchner Jazzclub Unterfahrt mit ihrem Programm \u201eCinema - The music of Nino Rota and Ennio Morricone\u201c. Luciano Biondini und Rosario Giuliani \u00fcberzeugten mit unglaublich frischem, innovativem Spiel. Enzo Pietropaoli am Bass begleitete genial und Michele Rabbia zauberte mit diversen Utensilien Rhythmen und Sounds. So\u2026","rel":"","context":"In "Galerie"","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/12\/P1120683-Luciano-Biondini-Foto-TJ-Krebs.jpg?resize=1400%2C800 4x"},"classes":[]},{"id":11086,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/glaerie-jakob-bro-trio-verzaubert-die-unterfahrt-muenchen\/","url_meta":{"origin":10317,"position":3},"title":"Galerie: Jakob Bro Trio verzaubert die Unterfahrt M\u00fcnchen","author":"Redaktion JazzZeitung","date":"24. November 2016","format":false,"excerpt":"Das Jakob Bro Trio mit Thomas Morgan am Bass und dem Drummer Joe Barron \u2013 hoch inspiriert und in relaxter Spiellaune. In der M\u00fcnchner Unterfahrt zauberten sie zarte, kammermusikalische Soundgebilde mit sph\u00e4rischen Melodien. Ein wirklich beeindruckendes Trio das im Gleichgewicht musiziert und miteinander improvisiert \u2013 gro\u00dfes Kino! Fotos & Text:\u2026","rel":"","context":"In "Galerie"","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/P1180666-Jakob-Bro-Foto-TJ-Krebs.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/P1180666-Jakob-Bro-Foto-TJ-Krebs.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/P1180666-Jakob-Bro-Foto-TJ-Krebs.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/P1180666-Jakob-Bro-Foto-TJ-Krebs.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10996,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/11\/vernissage-von-thomas-j-krebs-in-der-unterfahrt\/","url_meta":{"origin":10317,"position":4},"title":"Vernissage von Thomas J. Krebs in der Unterfahrt","author":"Redaktion JazzZeitung","date":"17. November 2016","format":false,"excerpt":"Thomas J. Krebs fotgrafiert seid genau 50 Jahren. Mit 6 Jahren bekam er seine erste Kamera geschenkt. Seitdem macht er Bilder \u2013 heute vor allem von Jazzern, seit 1992 auch f\u00fcr die JazzZeitung. Am vergangenen Sonntag er\u00f6ffnete der Jurist seine Vernissage \"Jazz - Live, Keys & Sticks, Fotografien von Thomas\u2026","rel":"","context":"In "Galerie"","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/11\/DSC05807.jpg?resize=1050%2C600 3x"},"classes":[]},{"id":10209,"url":"https:\/\/www.jazzzeitung.de\/cms\/2016\/10\/bildergalerie-das-oded-tzur-quartett-der-unterfahrt\/","url_meta":{"origin":10317,"position":5},"title":"Bildergalerie: das Oded Tzur Quartett in der Unterfahrt","author":"Redaktion JazzZeitung","date":"4. 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Beeindruckend, wie sich die Formation live im Laufe des\u2026","rel":"","context":"In "Galerie"","block_context":{"text":"Galerie","link":"https:\/\/www.jazzzeitung.de\/cms\/thema\/galerie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=700%2C400 2x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=1050%2C600 3x, https:\/\/i0.wp.com\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/10\/P1050039-Ravitz-Hand-Foto-TJ-Krebs.jpg?resize=1400%2C800 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/comments?post=10317"}],"version-history":[{"count":3,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10317\/revisions"}],"predecessor-version":[{"id":10390,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/posts\/10317\/revisions\/10390"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media\/10319"}],"wp:attachment":[{"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/media?parent=10317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/categories?post=10317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/tags?post=10317"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.jazzzeitung.de\/cms\/wp-json\/wp\/v2\/coauthors?post=10317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}