{"version":"1.0","provider_name":"JazzZeitung","provider_url":"https:\/\/www.jazzzeitung.de\/cms","title":"Das Jazzfest Berlin 2016 in einer \"extended version\" - JazzZeitung","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MtspaSZrqE\"><a href=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/06\/das-jazzfest-berlin-2016-einer-extended-version\/\">Das Jazzfest Berlin 2016 in einer &#8222;extended version&#8220;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.jazzzeitung.de\/cms\/2016\/06\/das-jazzfest-berlin-2016-einer-extended-version\/embed\/#?secret=MtspaSZrqE\" width=\"600\" height=\"338\" title=\"&#8222;Das Jazzfest Berlin 2016 in einer &#8222;extended version&#8220;&#8220; &#8211; JazzZeitung\" data-secret=\"MtspaSZrqE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.jazzzeitung.de\/cms\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Der k\u00fcnstlerische Leiter des Jazzfest Berlin Richard Williams hat das Programm f\u00fcr das Jazzfest Berlin 2016 vorgestellt Die Berliner Festspiele\u00a0veranstalten\u00a0das 53. Jazzfest Berlin in diesem Jahr vom 1.\u00a0bis 6.\u00a0November, in einer\u00a0\u201eextended version\u201c mit\u00a0zwei Vorveranstaltungen. Insgesamt\u00a0werden beim Festival 16\u00a0Jazzformationen und f\u00fcnf teils v\u00f6llig neue Duo-Kombinationen auftreten. Viele der beim Jazzfest Berlin 2016 pr\u00e4sentierten Projekte\u00a0sind speziell f\u00fcr das\u00a0Festival entwickelt und werden dort einmalig zu erleben sein. Richard Williams: \u201eJazz is always a conversation, even when it\u2019s just one musician talking to himself. The sense of dialogue is vital to the music\u2019s sense of spontaneity and exploration, and this year\u2019s festival features many musicians encountering each other on a concert platform or a club stage for the first time, ranging in scale from some of the duos at A-Trane and the Kaiser Wilhelm Memorial Church to the collaboration between Nik B\u00e4rtsch\u2019s group and the hr-Bigband on the main stage. It\u2019s a conversation with the audience, too, which I hope will become particularly apparent in the special performances that prompted us to apply the title of Jazzfest extended to this year\u2019s programme.\u201d Ein gro\u00dfer\u00a0Teil\u00a0der zum Jazzfest Berlin 2016 eingeladenen &hellip;","thumbnail_url":"http:\/\/www.jazzzeitung.de\/cms\/wp-content\/uploads\/2016\/06\/LUCIA_CADOTSCH___Michael_Jungblut_01-150x150.jpg"}